HRS & IRCC Discography • IRCC Discography • HRS Discography
Bulletin numbers are listed in the last column
| IRCC 1 | 10″ | Chestnut tree (Robert Schumann, Op. 25, No. 3) - "Der nussbaum" | |||
| Farrar, Geraldine – soprano; Gotthelf, Claude - piano | Camden | #1 | |||
| B -27730- 2; 3-Apr-23; Autographed | |||||
| Victor: Not released | |||||
| IRCC 1 | 10″ | Ouvre tes yeux bleus (Paul Robiquet; Jules Massenet) | |||
| Farrar, Geraldine - soprano; Lapitino, Francis J. - harp; Orchestra, Josef Pasternack - conductor | Camden | #1 | |||
| B -26870- 2; 8-Sep-22 | |||||
| Victor: Not released | |||||
| IRCC 2 | 12″ | Otello (William Shakespeare; Arrigo Boito; Giuseppe Verdi): Piangea cantando... Salce, salce | |||
| Melba, Nellie - soprano; Orchestra, Vincenzo Bellezza - conductor | London - Royal Opera House - Covent Garden relay | #2 | |||
| CR 417- 1; 8-Jun-26; Live performance | |||||
| H.M.V.: 2-053263; DB 1500 | |||||
| IRCC 2 | 12″ | Rigoletto (Francesco Maria Piave; Giuseppe Verdi): Caro nome che il mio cor | |||
| Melba, Nellie - soprano; Orchestra, Landon Ronald - conductor | London - Great Cumberland Place | #2 | |||
| Melba 22; Apr-04 | |||||
| G&T: 03025; Victor: 95018 | |||||
| IRCC 3 | 12″ | Hamlet (William Shakespeare): Ophelia's mad scene | |||
| Terry, Ellen Alicia - talking | Camden | #2 | |||
| C - 9992- 1; 21-Feb-11 | |||||
| Victor: 74239; H.M.V.: 03750 | |||||
| IRCC 3 | 12″ | Romeo and Juliet (William Shakespeare): Potion scene | |||
| Terry, Ellen Alicia - talking | Camden | #2 | |||
| C - 9989- 2; 28-Feb-11 | |||||
| Victor: 74240; H.M.V.: 03751 | |||||
| IRCC 4 | 10¾″ | Falstaff (William Shakespeare; Arrigo Boito; Giuseppe Verdi): Quand'ero paggio del Duca del Norfolk - (Twice in Italian, one in French) | |||
| Maurel, Victor - baritone; Piano (NL); With studio 'audience' | Milan | #3 | |||
| xPh2332; 8-Jan-07 | |||||
| Fonotipia: X 62016; X 62017; PO 2; IRCC3036; CRS 30 | |||||
| IRCC 4 | 10¾″ | Otello (William Shakespeare; Arrigo Boito; Giuseppe Verdi): Era la notte | |||
| Maurel, Victor - baritone; Piano (NL) | Milan | #3 | |||
| xPh 58- 3; 21-Nov-04 | |||||
| Fonotipia: X 39042-2; X 39032; PO 18; IRCC3036 | |||||
| IRCC 5 | 10″ | Carmen (Henri Meilhac; Ludovic Halevy; Georges Bizet): En vain pour éviter - "Card scene" | |||
| Gerville-Réache, Jeanne - contralto; Orchestra | Camden | #4 | |||
| B - 8335- 1; 30-Oct-09 | |||||
| Victor: 87039; 3063 | |||||
| IRCC 5 | 10″ | Carmen (Henri Meilhac; Ludovic Halevy; Georges Bizet): Près des remparts de Séville - "Seguidille" | |||
| Calvé, Emma - soprano; Ronald, Landon - piano | London | #4 | |||
| 2062b- ii; Jul-02 | |||||
| G&T: 3285; Victor: 5002; 91002; IRCC 5 | |||||
| IRCC 6 | 10¾″ | Du bist wie eine Blume (Heinrich Heine; Robert Schumann, Op. 25, No. 24) - O jours herreux | |||
| van Dijck, Ernest - tenor; Piano (NL) | Paris | #5 | |||
| xPh 539; 1905 | |||||
| Fonotipia: X 39101; X 39102; HM 149 | |||||
| IRCC 6 | 10¾″ | Ich grolle nIcht, und wenn das Herz (Heinrich Heine; Robert Schumann; Op. 48, No. 7) - (In French) | |||
| van Dijck, Ernest - tenor; Piano (NL) | Paris | #5 | |||
| xPh 535; 1905 | |||||
| Fonotipia: X 39100; X 39099; IRCC3046 | |||||
| IRCC 7 | 12″ | Faust (Johann Wolfgang von Goethe; Jules Barbier; Michel Carré; Charles Gounod): All'erta, all'erta, o tempo più non é | |||
| McCormack, John - tenor; Melba, Nellie - soprano; Sammarco, G. Mario - baritone | London - 21 City Road | #5 | |||
| New Symphony Orchestra, Landon Ronald - conductor | |||||
| 4190f; 11-May-10 | |||||
| H.M.V.: 32-3040; IRX1006; Victor: 15-1019 | |||||
| IRCC 7 | 12″ | Temps des lilas (Maurice Bouchor; Ernest Chausson) | |||
| Melba, Nellie - soprano; Lapierre, Gabriel - piano | London | #5 | |||
| z7325f; 6-May-13 | |||||
| H.M.V.: 2-033037 | |||||
| IRCC 8 | 10″ | Sonnambula, La (Felice Romani; Vincenzo Bellini): Ah, non giunge | |||
| Sembrich, Marcella - soprano; Piano (NL) | New York | #6 | |||
| B - 1902- 2; 19-Nov-04 | |||||
| Victor: 81047; H.M.V.: 53394 | |||||
| IRCC 8 | 10″ | Vêpres Siciliennes , Les (Charles Duveyrier; Eugène Scribe; Giuseppe Verdi): Merci, compagnons - "Bolero" | |||
| Blauvelt, Lillian - soprano; Piano (NL) | Philadelphia - 424 South Tenth Street | #6 | |||
| B - 424- 2; 13-Apr-05 | |||||
| Victor: 64029; 81067; H.M.V.: AGSA 4 | |||||
| IRCC 9 | 10¾″ | Don Giovanni (Lorenzo da Ponte; Wolfgang Amadeus Mozart, K.527): Deh, vieni alla finestra - "Serenata" | |||
| Maurel, Victor - baritone; Piano (NL) | Milan; #4, | #7 | |||
| xPh 66; 21-Nov-04 | |||||
| Fonotipia: X 39041; X 39247; F995; PO 18; CRS 30 | |||||
| IRCC 9 | 10¾″ | Ninon (Alfred de Musset; Francesco Paolo Tosti) | |||
| Maurel, Victor - baritone; Piano (NL) | Milan; #4, | #7 | |||
| xPh 69- 2; 23-Nov-04 | |||||
| Fonotipia: X 39247; X 39041; 62016; PO 2 | |||||
| IRCC 10 | 12″ | Don Giovanni (Lorenzo da Ponte; Wolfgang Amadeus Mozart, K.527): Batti, batti, o bel Masetto | |||
| Patti, Adelina - soprano; Ronald, Landon - piano | Crag-y-Nos Castle, Wales | #7 | |||
| 541f; Dec-05 | |||||
| G&T: 03055; Victor: 95039; HM 501 | |||||
| IRCC 10 | 12″ | Nozze di Figaro, Le (Lorenzo da Ponte; Wolfgang Amadeus Mozart): Voi che sapete | |||
| Patti, Adelina - soprano; Ronald, Landon - piano; Single-sided copies are extant | Crag-y-Nos Castle, Wales | #7 | |||
| 537f; Dec-05 | |||||
| G&T: 03051; Victor: 95041; HM 500 | |||||
| IRCC 11 | 10″ | Heimweh (Joseph Eischedorff; Hugo Wolf) | |||
| Gerhardt, Elena - mezzo-soprano; Nikisch, Artur - piano | London | #7 | |||
| 5167h; 1907 | |||||
| H.M.V.: 2-43182 | |||||
| IRCC 11 | 10″ | Und willst du deinen liebsten sterben sehen (Paul Heyse; Hugo Wolf) | |||
| Gerhardt, Elena - mezzo-soprano; Nikisch, Artur - piano | London | #7 | |||
| 5169h; 1907 | |||||
| H.M.V.: 2-43183 | |||||
| IRCC 12 | 12″ | Lohengrin (Richard Wagner): Einsam in trüben Tagen - "Elsas Traum" | |||
| Fremstad, Olive - soprano; Orchestra | New York | #8 | |||
| 30645- 1; 30-Jan-11 | |||||
| Columbia: 30645; A-5281; AF-3; H-1095; D16063 | |||||
| IRCC 12 | 12″ | Tannhäuser (Richard Wagner): Dich, teure Halle | |||
| Fremstad, Olive - soprano; Orchestra; Autographed | New York | #8 | |||
| 30635- 2; 21-Jan-11 | |||||
| Columbia: 30635; A-5281; AF-2; H-1095; D16063 | |||||
| IRCC 13 | 12″ | Pagliacci (Catulle Mendìs; Ruggiero Leoncavallo): Si può? Si può? Signore... Un nido di memorie - "Prologo" | |||
| Ancona, Mario - baritone; Orchestra | Philadelphia - 424 South Tenth Street | #9 | |||
| C - 4271- 1; 27-Feb-07 | |||||
| Victor: 88055; H.M.V.: 052155 | |||||
| IRCC 13 | 12″ | Sérénade de Don Juan (Aleksey Tolstoy; Piotr Illich Tchaikovsky, Op. 38, No. 1) | |||
| Ancona, Mario - baritone; Orchestra | Camden | #9 | |||
| C - 6057- 1; 26-Mar-08 | |||||
| Victor: 88168 | |||||
| IRCC 14 | 12″ | Königskinder (Else Porges as "Ernst Rosmer"; Engelbert Humperdinck): Lieber Spielmann | |||
| Farrar, Geraldine - soprano; Orchestra | New York | #10 | |||
| C -12736- 1; 19-Dec-12 | |||||
| Victor: 88405; H.M.V.: 2-043006; DB 771; 76054; KSG 85125 | |||||
| IRCC 14 | 12″ | Königskinder (Else Porges as "Ernst Rosmer"; Engelbert Humperdinck): Weisst noch das grosse Nest? | |||
| Farrar, Geraldine - soprano; Orchestra | New York | #10 | |||
| C -12737- 1; 19-Dec-12; Autographed | |||||
| Victor: 88412; H.M.V.: 2-043007; 76055; KSG 85125 | |||||
| IRCC 15 | 12″ | Aïda (Antonio Ghislanzoni; Giuseppe Verdi): Fuggiam gli ardori inospiti | |||
| Boninsegna, Celestina - soprano; Vals, Giovanni - tenor; Sabajno, Carlo - piano | Milan | #11 | |||
| 215m; 1904 | |||||
| G&T: 054044 | |||||
| IRCC 15 | 12″ | Faust (Johann Wolfgang von Goethe; Jules Barbier; Michel Carré; Charles Gounod): Tardi si fa | |||
| Boninsegna, Celestina - soprano; de Lucia, Fernando - tenor; Sabajno, Carlo - piano | Milan | #11 | |||
| 213m; 1904 | |||||
| G&T: 054043 | |||||
| IRCC 16 | 10″ | Salomé (Oscar Wilde; Hedwig Lachman; Alfred Kalisch; Richard Strauss, Op. 54): In Haar ist Grässlich | |||
| Destinn, Emmy - soprano; Orchestra, Bruno Seidler-Winkler - conductor | Berlin | #12 | |||
| 4871h; 1907 | |||||
| H.M.V.: 43875; ER198 | |||||
| IRCC 16 | 10″ | Salomé (Oscar Wilde; Hedwig Lachman; Alfred Kalisch; Richard Strauss, Op. 54): Jochanaan, ich bin verliebt in deinen Lieb | |||
| Destinn, Emmy - soprano; Orchestra, Bruno Seidler-Winkler - conductor | Berlin | #12 | |||
| 4870h; 1907 | |||||
| H.M.V.: 43874; ER198 | |||||
| IRCC 17 | 12″ | Calasera, La (Sebastián Yradier) | |||
| Patti, Adelina - soprano; Braili, Alfredo - piano | Crag-y-Nos Castle, Wales | #13 | |||
| 684½c; Jun-06 | |||||
| G&T: 03085; VB 40; HM 507 | |||||
| IRCC 17 | 12″ | Elaine (Paul Ferrier; Henri Bemberg): L'amour est pur | |||
| Melba, Nellie - soprano; Bemberg, Herman - piano; Female chorus (NL) | London | #13 | |||
| 690c; 11-Jul-06 | |||||
| G&T: Not released | |||||
| IRCC 18 | 12″ | Falstaff (William Shakespeare; Arrigo Boito; Giuseppe Verdi): L'onore? Ladri | |||
| Scotti, Antonio - baritone; Orchestra | Camden | #12 | |||
| C - 8286- 1; 7-Oct-09 | |||||
| Victor: 88195; H.M.V.: 2-052002; DB 424 | |||||
| IRCC 18 | 12″ | Rigoletto (Francesco Maria Piave; Giuseppe Verdi): Deh! Non parlare al misero + | |||
| Don Giovanni (Wolfgang Amadeus Mozart, K.527): Finch' han dal vino | New York - Carnegie Hall - Room 826 | #12 | |||
| Scotti, Antonio - baritone; Piano (NL) | |||||
| C - 1094- 1; 10-Mar-04; Autographed | |||||
| Victor: 85031; H.M.V.: 052115; AGSB 24 | |||||
| IRCC 19 | 12″ | Faust (Johann Wolfgang von Goethe; Jules Barbier; Michel Carré; Charles Gounod): Ah! Je ris, de me voir si belle - "Jewel song" | |||
| Arral, Blanche - soprano; Orchestra | Camden | #13 | |||
| C - 6907- 1; 18-Mar-09 | |||||
| Victor: 74147; 15-1016 | |||||
| IRCC 19 | 12″ | Lombardi, I (Tomasso Grossi; Temistocle Solera; Giuseppe Verdi): Quelle ivresse - "Polonaise" | |||
| Arral, Blanche - soprano; Orchestra | Camden | #13 | |||
| C - 6906- 1; 18-Mar-09; Autographed | |||||
| Victor: 74146; 15-1016 | |||||
| IRCC 20 | 12″ | Don Giovanni (Lorenzo da Ponte; Wolfgang Amadeus Mozart, K.527): Là ci darem la mano | |||
| de Gogorza, Emilio - baritone; Eames, Emma - soprano; Orchestra | New York | #14 | |||
| C - 3170- 2; 9-Mar-06 | |||||
| Victor: 88029; 89005; H.M.V.: 054071 | |||||
| IRCC 20 | 12″ | Nozze di Figaro, Le (Lorenzo da Ponte; Wolfgang Amadeus Mozart): Crudel, perchè finora | |||
| de Gogorza, Emilio - baritone; Eames, Emma - soprano; Orchestra | Camden | #14 | |||
| C - 6967- 1; 6-Apr-09 | |||||
| Victor: 89023 | |||||
| IRCC 21 | 12″ | Tannhäuser (Richard Wagner): Als du im kühnem Sange | |||
| van Rooy, Anton - bass-baritone; Orchestra | London | #14 | |||
| 2497f; 1908 | |||||
| H.M.V.: 042166 | |||||
| IRCC 21 | 12″ | Tannhäuser (Richard Wagner): Blick´ ich umher - "Wolfram's Ansprache | |||
| van Rooy, Anton - bass-baritone; Orchestra | London | #14 | |||
| 2496f; 1908 | |||||
| H.M.V.: 042165 | |||||
| IRCC 22 | 10″ | Carmen (Henri Meilhac; Ludovic Halevy; Georges Bizet): L'amour est un oiseau rebelle - "Habañera" | |||
| (Plagiarized from Sebastian Yradier's - "El areglito" | New York - Carnegie Hall - Room 826 | #15 | |||
| de Lussan, Zélie - mezzo-soprano; Piano (NL) | |||||
| B - 18- 1; 17-May-03; Autographed | |||||
| Victor: 2198; 64004; 81007 | |||||
| IRCC 22 | 10″ | Mignon (Michel Carré; Jules Barbier; Ambroise Thomas): Connais-tu le pays? | |||
| de Lussan, Zélie - mezzo-soprano; Piano (NL) | New York - Carnegie Hall - Room 826 | #15 | |||
| B - 19- 1; 17-May-03 | |||||
| Victor: 2188; 64005; 81003 | |||||
| IRCC 23 | 12″ | Lohengrin (Richard Wagner): Einsam in trüben Tagen - "Elsas Traum" | |||
| Juch, Emma - soprano; Luckstone, Isadore - piano | New York - 234 Fifth venue | #16 | |||
| C - 1293- 1; 7-May-04; Autographed | |||||
| Victor: 74014; 85033 | |||||
| IRCC 23 | 12″ | Serenata, La (Giovanni Alfredo Cesario; Francesco Paolo Tosti, IFT 202) | |||
| Juch, Emma - soprano; Luckstone, Isadore - piano | New York - 234 Fifth venue | #16 | |||
| C - 1294- 1; 7-May-04 | |||||
| Victor: 74015; 85034 | |||||
| IRCC 24 | 12″ | Carmen (Henri Meilhac; Ludovic Halevy; Georges Bizet): La fleur que te m'avais jetée | |||
| Dalmorès, Charles - tenor; Orchestra | Camden | #17 | |||
| C - 4249- 3; 25-Oct-12; Autographed | |||||
| Victor: 85122; 15-1013 | |||||
| IRCC 24 | 12″ | Traviata, La (Francesco Maria Piave; Giuseppe Verdi): Dei miei bollenti spiriti | |||
| de Lucia, Fernando - tenor; Sabajno, Carlo - piano | Milan | #17 | |||
| 622c; May-06 | |||||
| G&T: 052129; Victor: 15-1024 | |||||
| IRCC 25 | 10″ | Châlet, Le (Eugène Scribe; Baron Anne-Honoré-Joseph Duveyrier as "Mélesville"; Adolphe Charles Adam): Vallons de la Helvétie | |||
| Plançon, Pol - bass; Piano (NL) | New York - Carnegie Hall - Room 826 | #18 | |||
| B - 1050- 1; 27-Feb-04 | |||||
| Victor: 81037; H.M.V.: 3-32663; AGSA 32 | |||||
| IRCC 25 | 10″ | Philémon et Baucis (Jules Barbier; Michel Carré; Charles Gounod): Au bruit des lourds marteaux d'airrain - "Couplets de Vulcain" | |||
| Plançon, Pol - bass; Piano (NL) | New York | #18 | |||
| B - 2200- 1; 24-Jan-05 | |||||
| Victor: 81056; H.M.V.: 3-32677 | |||||
| IRCC 26 | 12″ | Aus meinen großen Schmerzen (Heinrich Heine; Robert Franz, Op. 5, No. 1) + Liebchen ist da (Heinrich Heine; Robert Franz, Op. 5, No. 2) | |||
| Gadski, Johanna - soprano; Piano (NL) | New York - 234 Fifth venue | #19 | |||
| C - 1258- 1; 24-Apr-04 | |||||
| Victor: 85032 | |||||
| IRCC 26 | 12″ | Fliegende Holländer, Der (Richard Wagner): Jo ho-hoe... Traft ihr das Schiff | |||
| Gadski, Johanna - soprano; Orchestra | Camden | #19 | |||
| C - 5013- 2; 26-Feb-08 | |||||
| Victor: 88116; H.M.V.: 043189; 76361 | |||||
| IRCC 27 | 12″ | Aïda (Antonio Ghislanzoni; Giuseppe Verdi): Ritorna vincitor | |||
| Tetrazzini, Luisa - soprano; Orchestra | London | #23 | |||
| Ac5170f; 11-Jul-11; Autographed | |||||
| H.M.V.: 2-053064; DB 529 | |||||
| IRCC 27 | 12″ | Lakmé (Edmond Gondinet; Philippe Gille; Léo Delibes): Candida Durga | |||
| Tetrazzini, Luisa - soprano; Orchestra and chorus | London | #23 | |||
| Ac5166f; 11-Jul-11 | |||||
| H.M.V.: 2-053055; DB 532 | |||||
| IRCC 28 | 10″ | Ernani (Victor Hugo; Francesco Maria Piave; Giuseppe Verdi): Infelice, e tuo credevi | |||
| de Reszke, Edouard - baritone; Prince, Charles Adams - piano | New York | #20 | |||
| 1221- 2; 31-Dec-02; Transcribed Dec. 9, 1933 | |||||
| Columbia: A617 | |||||
| IRCC 28 | 10″ | Marta (Friedrich W. Reise as "Wilhelm Friedrich"; Friedrich von Flotow): Chi mi dirà di che il bicchier - "Porter song" | |||
| de Reszke, Edouard - baritone; Prince, Charles Adams - piano | New York | #20 | |||
| 1222- 1; 31-Dec-03; Transcribed Dec. 9, 1933 | |||||
| Columbia: A617 | |||||
| IRCC 29 | 10″ | Faust (Johann Wolfgang von Goethe; Jules Barbier; Michel Carré; Charles Gounod): Jewelen - Arie - (Ah! Je ris, de me voir si belle - In German) | |||
| Farrar, Geraldine - soprano; Orchestra | Berlin | #21 | |||
| 3802h; 27-Sep-05 | |||||
| G&T: 43721 | |||||
| IRCC 29 | 10″ | Roméo et Juliette (Jules Barbier; Michel Carré; Charles Gounod): Je veux vivre dans ce rêve - "Valse" | |||
| Farrar, Geraldine - soprano; Orchestra, Bruno Seidler-Winkler - conductor | Berlin | #21 | |||
| 1315r; 23-Jun-06; Autographed | |||||
| G&T: 33618 | |||||
| IRCC 30 | 10″ | Exultate, Jubilate (Wolfgang Amadeus Mozart, K.165): Allelujah | |||
| Farrar, Geraldine - soprano; Orchestra | New York | #21 | |||
| B -12739- 1; 19-Dec-12 | |||||
| Victor: 87126; 3064; H.M.V.: 3950 | |||||
| IRCC 30 | 10″ | Mefistofele (Johann Wolfgang von Goethe; Arrigo Boïto): L'altra notte in fondo al mare | |||
| Farrar, Geraldine - soprano; Orchestra | Berlin | #21 | |||
| 3800h; 27-Sep-05; Autographed | |||||
| G&T: 53425 | |||||
| IRCC 31 | 12″ | Clemenza di Tito, La (Caterino Mazzolà; Wolfgang Amadeus Mozart, K.621): Parto, parto, ma tu, ben mio | |||
| Schumann-Heink, Ernestine - contralto; Orchestra | Camden | #22 | |||
| C - 8231- 3; 18-Sep-09; Autographed | |||||
| Victor: 88196; H.M.V.: AGSB 21 | |||||
| IRCC 31 | 12″ | Rienzi (Richard Wagner): Gerechter Gott | |||
| Schumann-Heink, Ernestine - contralto; Orchestra | Camden | #22 | |||
| C - 6478- 1; 29-Sep-08 | |||||
| Victor: 88140 H.M.V.: 043112; AGSB 81; 76379; 72924 | |||||
| IRCC 32 | 12″ | Carmen (Henri Meilhac; Ludovic Halevy; Georges Bizet): Je dis que rien ne m'épouvante - "Micaela's aria" | |||
| Eames, Emma - soprano; Orchestra | New York | #23 | |||
| C - 3386- 1; 14-May-06 | |||||
| Victor: 88036; H.M.V.: 033020; AGSB 60 | |||||
| IRCC 32 | 12″ | Tosca, La (Giuseppe Giacosa; Luigi Illica; Giacomo Puccini): Vissi d'arte, vissi d'amore - "Key G flat" | |||
| Eames, Emma - soprano; Piano (NL) | New York | #23 | |||
| C - 2401- 1; 16-Mar-05; Autographed | |||||
| Victor: 85059; 88010; H.M.V.: 053058 | |||||
| IRCC 33 | 12″ | Arminio (Antonio Lotti): Pur dicesti, o bocca, bocca bella | |||
| Patti, Adelina - soprano; Ronald, Landon - piano | Crag-y-Nos Castle, Wales | #24 | |||
| 538f; Dec-05 | |||||
| G&T: 03052; HM 500; Victor: 95040; 10026 | |||||
| IRCC 33 | 12″ | Ave Maria (Johann Sebastian Bach, BWV 846; Charles Gounod) | |||
| Patti, Adelina - soprano; Ronald, Landon - piano | Crag-y-Nos Castle, Wales | #24 | |||
| 547f; Dec-05 | |||||
| G&T: Not released; HM 78 | |||||
| IRCC 34 | 12″ | Chant hindou (Armand Ocampo; Hermann Bemberg) - "BraHM a, dieu des croyants" | |||
| Melba, Nellie - soprano; Ronald, Landon - piano | London | #25 | |||
| 405c; 20-Oct-04 | |||||
| G&T: 03036 | |||||
| IRCC 34 | 12″ | Nozze di Figaro, Le (Lorenzo da Ponte; Wolfgang Amadeus Mozart): Porgi amor - "Cavatina" | |||
| Melba, Nellie - soprano; Ronald, Landon - piano | London - Great Cumberland Place | #25 | |||
| Melba 26; Apr-04 | |||||
| G&T: 03028; VB 40; Victor: 95025; NM: 5 | |||||
| IRCC 35 | 12″ | Fêtes-Galantes - I (Paul Verlaine; Claude Debussy): En sourdine | |||
| Melba, Nellie - soprano; Piano (NL) | New York | #25 | |||
| C - 6697- 1; 1-Jan-09; This is a first edition | |||||
| Victor: Not released; H.M.V.: 033076 | |||||
| IRCC 35 | 12″ | Pastorale (Jean-François Regnard; Georges Bizet) | |||
| Melba, Nellie - soprano; Melba, Nellie - piano | London | #25 | |||
| 691c; 7-Jul-06 | |||||
| G&T: 03070 | |||||
| IRCC 36 | 12″ | Aïda (Antonio Ghislanzoni; Giuseppe Verdi): Ebben, qual nuovo fremito | |||
| Destinn, Emmy - soprano; Lunn, Louise Kirkby - contralto; Orchestra, Percy Pitt - conductor | London | #26 | |||
| 5145f; 6-Jul-11 | |||||
| H.M.V.: 2-054023; HM 170 | |||||
| IRCC 36 | 12″ | Rigoletto (Francesco Maria Piave; Giuseppe Verdi): Bella figlia dell'amore - "Quartet" | |||
| Caruso, Enrico - tenor; Amato, Pasquale - baritone; Jacoby, Josephine - contralto | New York | #26 | |||
| Tetrazzini, Luisa - soprano; Orchestra | |||||
| C -11447- 4; 13-Feb-12 | |||||
| Victor: 15-1019; H.M.V.: 2-054038; KSG 79003* | |||||
| IRCC 37 | 10¾″ | Hugenotten, Die (Augustin Eugène Scribe; Émile Deschamps; Giacomo Meyerbeer): O glücklich Land | |||
| Lehmann, Lilli - soprano; Orchestra, Fritz Lindemann - conductor | Berlin | #27 | |||
| xB3149; 5-Jul-07 | |||||
| Odeon: X 50394; O-5603; CRS 70 | |||||
| IRCC 37 | 10¾″ | Liederkreis (Joseph von Eichendorff; Robert Schumann, Op. 39, No. 5) - Mondnacht | |||
| Lehmann, Lilli - soprano; Lindemann, Fritz - piano | Berlin | #27 | |||
| xB3135; 2-Jul-07 | |||||
| Odeon: X 50373; Columbia: S 9003 | |||||
| IRCC 38 | 12″ | Hérodiade (Paul Milliet; Henri Grémont; Jules Massenet, IKM 95): Vision fugitive | |||
| Renaud, Maurice - baritone; Orchestra | Paris | #28 | |||
| 5802p; 1906 | |||||
| G&T: 032047; Victor: 92003; 15-1021 | |||||
| IRCC 38 | 12″ | Roi de Lahore, Le (Louis Gallet; Jules Massenet): Promesse de mon avenir | |||
| Renaud, Maurice - baritone; Orchestra | Paris | #28 | |||
| 5779p; 1906 | |||||
| G&T: 032045; Victor: 92002; 15-1021 | |||||
| IRCC 39 | 12″ | Bohême, La (Giuseppe Giacosa; Luigi Illica; Henri Murger; Giacomo Puccini): Mi chiamano Mimi | |||
| Muzio, Claudia - soprano; Orchestra | Milan | #28 | |||
| 298aj; 20-Jun-11 | |||||
| H.M.V.: 053264; AGSB 14; Victor: 55028 | |||||
| IRCC 39 | 12″ | Gioconda, La (Victor Hugo; Arrigo Boito; Amilcare Ponchielli): Suicidio, in questi fieri momenti | |||
| Cavalieri, Elda - soprano; Piano (NL) | Philadelphia - 424 South Tenth Street | #28 | |||
| C - 3630- 1; 26-Jul-06 | |||||
| Victor: 74048; 55015; H.M.V.: 053093 | |||||
| IRCC 40 | 12″ | Arminio (Antonio Lotti): Pur dicesti, o bocca, bocca bella | |||
| Farrar, Geraldine - soprano; Gotthelf, Claude As "Gonvierre" - piano | Camden - Church | #29 | |||
| CVE-37348- 1; 11-Jan-27 | |||||
| Victor: Not released | |||||
| IRCC 40 | 12″ | Nozze di Figaro, Le (Lorenzo da Ponte; Wolfgang Amadeus Mozart): E Susanna, no vien?... Dove sono (Incomplete) | |||
| Farrar, Geraldine - soprano; Gotthelf, Claude As "Gonvierre" - piano | Camden - Church | #29 | |||
| CVE-37349- 1; 11-Jan-27; Autographed | |||||
| Victor: Not released | |||||
| IRCC 41 | 10″ | Auf Flügeln des Gesänges (Heinrich Heine; Felix Mendelssohn-Bartholdy, Op. 34, No. 2; Arr. Creyke) | |||
| Farrar, Geraldine - soprano; Gotthelf, Claude As "Gonvierre" - piano | New York | #29 | |||
| BVE-37350- 6; 5-Apr-27; Autographed | |||||
| Victor: Not released | |||||
| IRCC 41 | 10″ | Christina's lament (Antonin Dvořák, Op. 101, No. 7) - "Humoresque" | |||
| Farrar, Geraldine - soprano; Lapitino, Francis J. - harp; Linton, Charles - piano | Camden - Church | #29 | |||
| Orchestra, Rosario Bourdon - conductor | |||||
| BVE-37356- 1; 13-Jan-27 | |||||
| Victor: Not released | |||||
| IRCC 42 | 12″ | Don Giovanni (Lorenzo da Ponte; Wolfgang Amadeus Mozart, K.527): In quali eccessi... Mi tradi | |||
| Gadski, Johanna - soprano; Orchestra | Camden | #30 | |||
| C - 9489- 1; 29-Sep-10 | |||||
| Victor: 88253 | |||||
| IRCC 42 | 12″ | Zauberflöte, Die (Emanuel Schikaneder; Wolfgang Amadeus Mozart, KV 620): Du also bist mein Braütigam | |||
| Gadski, Johanna - soprano; Case, Anna - soprano; Mattfeld, Marie - mezzo-soprano; Sparkes, Leonora - soprano | New York | #30 | |||
| Orchestra | |||||
| C -13131- 3; 16-Apr-13 | |||||
| Victor: 88441 | |||||
| IRCC 43 | 10¾″ | Walküre, Die (Richard Wagner): Du bist der Lenz | |||
| Lehmann, Lilli - soprano; Orchestra, Fritz Lindemann - conductor | Berlin | #31 | |||
| xB3147; 5-Jul-07; Peel and Stratton # P | |||||
| Odeon: X 50393; DST J; PO 63; Columbia: S 9005; IRCC B-64.2 | |||||
| IRCC 43 | 10¾″ | Figaros Hochzeit (Lorenzo da Ponte; Wolfgang Amadeus Mozart): Heilige Quelle - "Porgi amor" | |||
| Lehmann, Lilli - soprano; Orchestra, Fritz Lindemann - conductor | Berlin | #31 | |||
| xB3150; 5-Jul-07 | |||||
| Odeon: X 50395; R 0523; PO 63; Columbia: S 9005; CRS 70 | |||||
| IRCC 43 | 12″ | Dopo! (Ferdinando Martini; Francesco Paolo Tosti) | |||
| Eames, Emma - soprano; Orchestra | Camden | #34 | |||
| C -11307- 1; 27-Nov-11 | |||||
| Victor: 88344; H.M.V.: AGSB 5 | |||||
| IRCC 43 | 12″ | Roméo et Juliette (Jules Barbier; Michel Carré; Charles Gounod): Je veux vivre dans ce rêve - "Valse" | |||
| Eames, Emma - soprano; Orchestra | New York | #34 | |||
| C - 4032- 1; 13-Nov-06 | |||||
| Victor: 88011; H.M.V.: 033022 | |||||
| IRCC 44 | 10¾″ | Du bist die Ruh´ (Friedrich Rückert; Franz Schubert, Op. 59, No. 3, D.776) | |||
| Lehmann, Lilli - soprano; Lindemann, Fritz - piano | Berlin | #31 | |||
| xB3137; 2-Jul-07 | |||||
| Odeon: X 50432; Columbia: S 9001; IRCC 44 | |||||
| IRCC 44 | 10¾″ | Liederkreis (Joseph von Eichendorff; Robert Schumann, Op. 39, No. 2) - Intermezzo | |||
| Lehmann, Lilli - soprano; Lindemann, Fritz - piano | Berlin | #31 | |||
| xB3133; 2-Jul-07 | |||||
| Odeon: X 50372; Columbia: S 9003; IRCC 44 | |||||
| IRCC 44 | 12″ | Lakmé (Edmond Gondinet; Philippe Gille; Léo Delibes): Dôme épais le jasmin | |||
| Eames, Emma - soprano; Homer, Louise - contralto; Orchestra | Camden | #34 | |||
| C - 6225- 2; 25-May-08 | |||||
| Victor: 89020; H.M.V.: 034026 | |||||
| IRCC 44 | 12″ | Lohengrin (Richard Wagner): Du Äermste | |||
| Eames, Emma - soprano; Homer, Louise - contralto; Orchestra | Camden | #34 | |||
| C - 6226- 1; 25-May-08 | |||||
| Victor: 89021; H.M.V.: 044090 | |||||
| IRCC 45 | 10″ | Cherry ripe (Charles Edward Horn) | |||
| Farrar, Geraldine - soprano; Orchestra | Berlin | #32 | |||
| 3798h; 27-Sep-05 | |||||
| G&T: 3620 | |||||
| IRCC 45 | 10″ | Traviata, La (Francesco Maria Piave; Giuseppe Verdi): Follie, follie… Sempre libera | |||
| Farrar, Geraldine - soprano; Orchestra, Bruno Seidler-Winkler - conductor | Berlin | #32 | |||
| 1316r; 23-Jun-06; Autographed | |||||
| G&T: 53469 | |||||
| IRCC 46 | 10″ | Bolero grande, El (Léon Vasseur) | |||
| Arral, Blanche - soprano; Orchestra | Camden | #33 | |||
| B - 6913- 2; 19-Mar-09; Autographed | |||||
| Victor: 64107 | |||||
| IRCC 46 | 10″ | Faust (Johann Wolfgang von Goethe; Jules Barbier; Michel Carré; Charles Gounod): Ah! Je ris, de me voir si belle - "Jewel song" | |||
| Donalda, Pauline - soprano; Piano (NL) | London | #33 | |||
| 8453b; 9-Jul-06; Autographed | |||||
| G&T: 33620; AGSA 4 | |||||
| IRCC 47 | 12″ | Hamlet (William Shakespeare; Ambroise Thomas): A vos yeux, mes amis... Un doux serment nous lie - "Mad scene" | |||
| Melba, Nellie - soprano; Orchestra, Landon Ronald - conductor | London - Great Cumberland Place | #33 | |||
| Melba 20; Apr-04 | |||||
| G&T: 03023; Victor: 95020; NM: 7 | |||||
| IRCC 47 | 12″ | Hamlet (William Shakespeare; Ambroise Thomas): Et maintenant, ecoutez ma chanson | |||
| Melba, Nellie - soprano; Orchestra, Landon Ronald - conductor | London - Great Cumberland Place | #33 | |||
| Melba 21; Apr-04 | |||||
| G&T: 03024; Victor: 95021 | |||||
| IRCC 48 | 12″ | Hamlet (William Shakespeare; Ambroise Thomas): Doute de la lumière | |||
| de Gogorza, Emilio - baritone; Sembrich, Marcella - soprano; Orchestra | New York | #35 | |||
| C - 4871- 1; 9-Oct-07 | |||||
| Victor: 89010; H.M.V.: 034019; VB 29 | |||||
| IRCC 48 | 12″ | Linda di Chamounix (Geatano Rossi; Gaetano Donizetti): Ah, tarda, troppo... O luce di quest'anima - "Cavatina" | |||
| Sembrich, Marcella - soprano; Orchestra | Camden | #35 | |||
| C - 6574- 1; 2-Nov-08 | |||||
| Victor: 88142; 15-1027; H.M.V.: 053216 | |||||
| IRCC 49 | 12½″ | Don Carlo (Camille du Locle; Joseph Méry; Translated by Angelo Zanardini; Giuseppe Verdi): Elle ne m'aime pas (Qui je suis... | |||
| Je dormirai dans mon manteau royal) | New York | #35 | |||
| Plançon, Pol - bass; Orchestra | |||||
| C - 4343- 1; 27-Mar-07 | |||||
| Victor: 85116; H.M.V.: 032064 | |||||
| IRCC 49 | 12½″ | Sonnambula, La (Felice Romani; Vincenzo Bellini): Il mulino, la fonte, il bosco... Vi ravviso, o luoghi ameni | |||
| Plançon, Pol - bass; Piano (NL) | New York - Carnegie Hall - Room 826 | #35 | |||
| C - 870- 1; 23-Dec-03; Oversized matrix | |||||
| Victor: 85018; H.M.V.: 032024; VB 12 | |||||
| IRCC 50 | 10″ | Mireille (Michel Carré; Charles Gounod): O d'amor messagera - "O légère hirondelle" | |||
| Boronat, Olimpia - soprano; Zardo, Redento - piano | St. Petersburg | #36 | |||
| 1773L; Jan-04 | |||||
| G&T: 53349; HM 65 | |||||
| IRCC 50 | 10″ | Puritani, I (Carlo Pepoli; Vincenzo Bellini): Qui la voce suave | |||
| Boronat, Olimpia - soprano; Zardo, Redento - piano | St. Petersburg | #36 | |||
| 1775L; Jan-04 | |||||
| G&T: 53351; VA 11 | |||||
| IRCC 51 | 12″ | Carmen (Henri Meilhac; Ludovic Halevy; Georges Bizet): Tanzen will ich zu eurer Her | |||
| Destinn, Emmy - soprano; Jörn, Karl - tenor; Chor der Kgl Hofoper; Orchestra, Bruno Seidler-Winkler - conductor | Berlin | #36 | |||
| 0826v; 14-Oct-08 | |||||
| H.M.V.: 044099 | |||||
| IRCC 51 | 12″ | Carmen (Henri Meilhac; Ludovic Halevy; Georges Bizet): Wie, du liebst mich nicht mehr | |||
| Destinn, Emmy - soprano; Jörn, Karl - tenor; Chor der Kgl Hofoper; Orchestra, Bruno Seidler-Winkler - conductor | Berlin | #36 | |||
| 0827v; 14-Oct-08 | |||||
| H.M.V.: 044104 | |||||
| IRCC 52 | 12″ | Cycle of Life, A - No. 2 (Harold Simpson; Landon Ronald) - "Down in the forest" | |||
| Melba, Nellie - soprano; Piano (NL) | New York | #37 | |||
| C - 6698- 1; 1-Jan-09 | |||||
| Victor: Not released; H.M.V.: 03130; AGSB 67 | |||||
| IRCC 52 | 12″ | In Sunshine and Shadow - White sea mist, The (Landon Ronald) | |||
| Melba, Nellie - soprano; Piano (NL) | New York | #37 | |||
| C - 6699- 2; 1-Jan-09 | |||||
| Victor: Not released; H.M.V.: 03134; AGSB 53 | |||||
| IRCC 53 | 10″ | Freischütz, Der (Friedrich Kind; Carl Maria von Weber): Leise, leise fromme weise | |||
| Arnoldson, Sigrid - soprano; Orchestra, Bruno Seidler-Winkler - conductor | Berlin | #37 | |||
| 3580r; 11-Nov-07 | |||||
| H.M.V.: 43972; 70522 | |||||
| IRCC 53 | 10″ | Traviata, La (Francesco Maria Piave; Giuseppe Verdi): Addio del passato | |||
| Arnoldson, Sigrid - soprano; Orchestra | Berlin | #37 | |||
| 12489u; Mar-08 | |||||
| H.M.V.: 53631x | |||||
| IRCC 54 | 10″ | Anges pleurent, Les (Hermann Bemberg) | |||
| Melba, Nellie - soprano; Bemberg, Herman - piano | London | #38 | |||
| 6151b; 20-Oct-04 | |||||
| G&T: 3576; Victor: 94001 | |||||
| IRCC 54 | 10″ | Theodora (George Frideric Handel): Angels ever bright and fair | |||
| Albani, Emma - soprano; Ronald, Landon - piano | London | #38 | |||
| 321c; 29-Dec-03; Transcribed to BS-88941-4 | |||||
| G&T: 03014 | |||||
| IRCC 55 | 10″ | Chant vénitien (Georges Roussel; Hermann Bemberg) | |||
| Farrar, Geraldine - soprano; Lapitino, Francis J. - harp; Orchestra, Josef Pasternack - conductor | Camden | #39 | |||
| B -26734- 2; 8-Sep-22; Autographed | |||||
| Victor: 87347 | |||||
| IRCC 55 | 10″ | Ständchen (Adolph Friedrich von Schack, Translated by Geraldine Farrar; Richard Strauss, Op. 17, No. 2) - "Serenade" | |||
| Farrar, Geraldine - soprano; Gotthelf, Claude As "Gonvierre" - piano | Camden - Church | #39 | |||
| BVE-27731- 3; 11-Jan-27 | |||||
| Victor: Not released | |||||
| IRCC 56 | 12″ | Don Pasquale (Angelo Anelli; Adapted by Giovanni Ruffini; Gaetano Donizetti): So anchio la vertù magica - "Cavatina" | |||
| Boronat, Olimpia - soprano; Orchestra | Milan | #40 | |||
| 1506½c; Jun-08 | |||||
| H.M.V.: 053185; Victor: 15-1023 | |||||
| IRCC 56 | 12″ | Ugonotti, Gli (Augustin Eugène Scribe; Émile Deschamps; Giacomo Meyerbeer): La tenera parola | |||
| Boronat, Olimpia - soprano; Orchestra | Milan | #40 | |||
| 1517c; Jun-08 | |||||
| H.M.V.: 053187 | |||||
| IRCC 57 | 10″ | Carmela mia (Enrico Cannio) | |||
| de Lucia, Fernando - tenor; Orchestra | Naples | #40 | |||
| 13337b; 21-May-09 | |||||
| H.M.V.: 2-52773; Victor: 66006 | |||||
| IRCC 57 | 10″ | Manon (Henri Meilhac; Philippe Gille; Jules Massenet): Chiudo gli occhi - "Il sogno" | |||
| de Lucia, Fernando - tenor; Sabajno, Carlo - piano | Milan | #40 | |||
| 10515b; May-07 | |||||
| H.M.V.: 2-52607; AGSA 25; Victor: 66001; 87049 | |||||
| IRCC 58 | 12″ | Carmen (Henri Meilhac; Ludovic Halevy; Georges Bizet): Au quartier pour l'appel | |||
| Farrar, Geraldine - soprano; Martinelli, Giovanni - tenor; Orchestra, Walter B. Rogers - conductor | New York | #39 | |||
| C -16031- 4; 19-May-15; Autographed | |||||
| Victor: 88532; H.M.V.: 2-034023; AGSB 51 | |||||
| IRCC 58 | 12″ | Carmen (Henri Meilhac; Ludovic Halevy; Georges Bizet): Je dis que rien ne m'épouvante - "Micaela's aria" | |||
| Farrar, Geraldine - soprano; Orchestra | Camden | #39 | |||
| C - 6652- 1; 8-Dec-08; Autographed | |||||
| Victor: 88144; 6113; H.M.V.: 033079; DB 240; 76019 | |||||
| IRCC 59 | 12″ | Erlkönig, Der (Johann Wolfgang von Goethe; Franz Schubert, Op. 1, D.328) | |||
| Bispham, David - baritone; Piano (NL) | New York | #41 | |||
| 30019- 1; 6-Mar-06 | |||||
| Columbia: 30019; A5023; E5000 | |||||
| IRCC 59 | 12″ | Faust (Johann Wolfgang von Goethe; Jules Barbier; Michel Carré; Charles Gounod): Vous qui faites l'endormie - "Serenade" | |||
| Arimondi, Vittorio - bass; Orchestra | New York | #41 | |||
| 30099- 1; 13-Apr-07 | |||||
| Columbia: 30099; A5010 | |||||
| IRCC 60 | 10″ | Atalanta (Belisario Valeriani; Adapted by Mrs. Rudolf Lehmann as "A.L."; George Frideric Handel): Come beloved | |||
| McCormack, John - tenor; Schneider, Edwin - piano | Hayes - Room 1 | #41 | |||
| Bb 5034- 1; 4-Sep-24; Autographed | |||||
| H.M.V.: 6-2032; DA 645; IR1002; Victor: 10-1434 | |||||
| IRCC 60 | 10″ | Ridente la calma (Anonymous Italian; Josef Myslivecek; Arr. Wolfgang Amadeus Mozart, K.152) | |||
| McCormack, John - tenor; Schneider, Edwin - piano | Hayes - Room 1 | #41 | |||
| Bb 5096- 2; 19-Sep-24 | |||||
| H.M.V.: 7-52278; DA 645; IR1002; Victor: 10-1434 | |||||
| IRCC 61 | 12″ | Bohême, La (Giuseppe Giacosa; Luigi Illica; Henri Murger; Giacomo Puccini): O soave fanciulla | |||
| Caruso, Enrico - tenor; Farrar, Geraldine - soprano; Orchestra, Walter B. Rogers - conductor | New York | #42 | |||
| C -12751- 1; 30-Dec-12 | |||||
| Victor: Not released; H.M.V.: AGSB 50 | |||||
| IRCC 61 | 12″ | Pescatori di Perle, I (Eugene Cormon; Michel Carré; Georges Bizet): Mi par d'udir ancora | |||
| Caruso, Enrico - tenor; Cottone, Salvatore - piano | Milan | #42 | |||
| 268i; 8-Apr-04 | |||||
| G&T: 052066; VB 44; 76062; KSG 85009; Victor: 92036 | |||||
| IRCC 62 | 10″ | Feldeinsamkeit (Hermann Almers; Johannes Brahms, Op. 86, No. 2) | |||
| McCormack, John - tenor; Schneider, Edwin - piano | Hayes - Room 1 | #42 | |||
| Bb 5095- 1; 19-Sep-24 | |||||
| H.M.V.: 7-42088; AGSA 50; DA 635; IR1011; Victor: 10-1435 | |||||
| IRCC 62 | 10″ | Komm Bald (Klaus Groth; Johannes Brahms, Op. 97, No. 5) | |||
| McCormack, John - tenor; Schneider, Edwin - piano | Hayes - Room 1 | #42 | |||
| Bb 5094- 2; 19-Sep-24 | |||||
| H.M.V.: 7-42087; AGSA 50; DA 635; IR1024 | |||||
| IRCC 63 | 10″ | Ernani (Victor Hugo; Francesco Maria Piave; Giuseppe Verdi): Ernani, involami; Tutto sprezzo che Ernani | |||
| Boninsegna, Celestina - soprano; Orchestra, Carlo Sabajno - conductor | Milan | #43 | |||
| 7321b; 1905 | |||||
| G&T: 53417; DA 430; Victor: 91074 | |||||
| IRCC 63 | 10″ | Manon Lescaut (Ruggiero Leoncavallo; Marco Praga; Giuseppe Giacosa; Luigi Illica; Giulio Riccordi; Giacomo Puccini): In quelle trine morbide | |||
| Boninsegna, Celestina - soprano; Sabajno, Carlo - piano | Milan | #43 | |||
| 2144L; 10-Nov-04 | |||||
| G&T: 53372; VA 4 | |||||
| IRCC 64 | 12″ | Pescatori di Perle, I (Eugene Cormon; Michel Carré; Georges Bizet): Non hai compreso un cor fedel | |||
| de Lucia, Fernando - tenor; Huguet, Giuseppina - soprano; Orchestra, Carlo Sabajno - conductor | Milan | #43 | |||
| 621c; May-06 | |||||
| G&T: 054082; DB 570; VB 34; Victor: 89147; 92054; 8058 | |||||
| IRCC 64 | 12″ | Sonnambula, La (Felice Romani; Vincenzo Bellini): Prendi, l'anel ti dono | |||
| de Lucia, Fernando - tenor; Galvany, Maria - soprano; Piano (NL) | Milan | #43 | |||
| 1443c; May-08 | |||||
| G&T: 054217; Victor: 89045; 8057 | |||||
| IRCC 65 | 12″ | Damon (Johann Wolfgang von Goethe; Max Stange, Op. 13, No.1): Die bekehrte - (In English) | |||
| Destinn, Emmy - soprano; Orchestra, Walter B. Rogers - conductor | Camden | #44 | |||
| C -17497- 2; 21-Apr-16 | |||||
| Victor: 88565; H.M.V.: 03672 | |||||
| IRCC 65 | 12″ | Rusalka (Jaroslav Kvapil; Antonin Dvořák): Lieblicher Mond du, im Silberschein | |||
| Destinn, Emmy - soprano; Orchestra, Walter B. Rogers - conductor | Camden | #44 | |||
| C -14757- 3; 9-Mar-15 | |||||
| Victor: 88519; H.M.V.: 2-043016; VB 24 | |||||
| IRCC 66 | 10″ | Caro mio ben (Giuseppe Giordani) | |||
| Crossley, Ada - contralto; Booth, C. H. H. - piano | Philadelphia - 424 South Tenth Street | #44 | |||
| 2186- 2; 30-Apr-03 | |||||
| Victor: 2186; 64007; 81001; H.M.V.: 53361 | |||||
| IRCC 66 | 10″ | Paysage (André Theuriet; Reynaldo Hahn) | |||
| Crossley, Ada - contralto; Booth, C. H. H. - piano | Philadelphia - 424 South Tenth Street | #44 | |||
| 2190- 1; 30-Apr-03 | |||||
| Victor: 2190; 64010; 81005; H.M.V.: 3630 | |||||
| IRCC 67 | 10″ | Nozze di Figaro, Le (Lorenzo da Ponte; Wolfgang Amadeus Mozart): Non so più cosa son | |||
| Farrar, Geraldine - soprano; Orchestra, Rosario Bourdon - conductor | Camden - Church | #45 | |||
| BVE-37351- 1; 12-Jan-27; Transcribed to BS-92856-1; Autographed | |||||
| Victor: Not released | |||||
| IRCC 67 | 10″ | Rencontre Imprevue, La (George Whitefield Chadwick, Arr. Ferdinand Sieber): Wonnevoller Mai, o komm herbei | |||
| Farrar, Geraldine - soprano; Orchestra | New York | #45 | |||
| B -12740- 1; 19-Dec-12 | |||||
| Victor: 87127; H.M.V.: 7-43001; 74580; KSG 80059 | |||||
| IRCC 68 | 12″ | Don Giovanni (Lorenzo da Ponte; Wolfgang Amadeus Mozart, K.527): Batti, batti, o bel Masetto | |||
| Farrar, Geraldine - soprano; Orchestra | Camden | #45 | |||
| C - 6064- 1; 30-Mar-08; Autographed | |||||
| Victor: 88126 | |||||
| IRCC 68 | 12″ | Nozze di Figaro, Le (Lorenzo da Ponte; Wolfgang Amadeus Mozart): Voi che sapete | |||
| Farrar, Geraldine - soprano; Orchestra | Camden | #45 | |||
| C - 6655- 1; 8-Dec-08 | |||||
| Victor: 88145; H.M.V.: 053215; DB 653 | |||||
| IRCC 69 | 10″ | Lili (Garme Guetary) | |||
| de Lussan, Zélie - mezzo-soprano; Piano (NL) | New York - Carnegie Hall - Room 826 | #46 | |||
| B - 16- 1; 17-May-03 | |||||
| Victor: 2187; 64002; 81002; H.M.V.: AGSA 33 | |||||
| IRCC 69 | 10″ | Rosy morn (Landon Ronald) | |||
| de Lussan, Zélie - mezzo-soprano; Piano (NL) | New York - Carnegie Hall - Room 826 | #46 | |||
| B - 20- 1; 17-May-03; Autographed | |||||
| Victor: 2199; 64006; 81008 | |||||
| IRCC 70 | 12″ | Iris (Luigi Illica; Pietro Mascagni): Un dì, era piccina, al tempio | |||
| Bori, Lucrezia - soprano; Orchestra, Walter B. Rogers - conductor | Camden | #46 | |||
| C -15824- 2; 23-Mar-15; Autographed | |||||
| Victor: 88524; H.M.V.: 2-053111; DB 152 | |||||
| IRCC 70 | 12″ | Segreto di Susanna, Il (Enrico Golisciani; Ermanno Wolf-Ferrari): O gioia, la nube leggera | |||
| Bori, Lucrezia - soprano; Bourdon, Rosario - piano; Rattay, Howard - violin; Orchestra, Josef Pasternack - conductor | Camden | #46 | |||
| C -25301- 9; 23-Nov-21; | |||||
| Victor: 88647; H.M.V.: 2-053203; DB 603; | |||||
| IRCC 71 | 12″ | Otello (William Shakespeare; Arrigo Boito; Giuseppe Verdi): Piangea cantando | |||
| Ackté, Aïno - soprano; Orchestra | London | #49 | |||
| 1382B; Feb-13; Transcribed; Autographed | |||||
| Edison Diamond Disc: 83014-R | |||||
| IRCC 71 | 12″ | <Blank side of a double-sided record | |||
| IRCC 72 | 10″ | Faust (Johann Wolfgang von Goethe; Jules Barbier; Michel Carré; Charles Gounod): La, sul campo... Dio possente | |||
| de Gogorza, Emilio - baritone; Piano (NL) | Philadelphia - 424 South Tenth Street | #47 | |||
| B - 417- 2; 15-Sep-03; Autographed | |||||
| Victor: 437; (Black label) | |||||
| IRCC 72 | 10″ | Voici que le printemps (Paul Bourget; Claude Debussy) | |||
| de Gogorza, Emilio - baritone; Winslow, Helen - piano | New York - Liederkranz Hall | #47 | |||
| BVE-43617- 1; 6-Apr-28 | |||||
| Victor: Not released | |||||
| IRCC 73 | 12″ | Paul et Virginie (Jules Barbier; Michel Carré; Victor Massé): Parmi les lianes au fond des savanes - "Chanson du Tigre" | |||
| Gerville-Réache, Jeanne - contralto; Orchestra | Camden | #47 | |||
| C - 9700- 2; 5-May-11 | |||||
| Victor: 88317; 15-1008 | |||||
| IRCC 73 | 12″ | Reine de Saba, La (Jules Barbier; Michel Carré; Charles Gounod): Plus grand, dans son obscurité | |||
| Gerville-Réache, Jeanne - contralto; Orchestra | Camden | #47 | |||
| C - 8332- 1; 29-Oct-09 | |||||
| Victor: 88205 | |||||
| IRCC 74 | 12″ | Tosca, La (Giuseppe Giacosa; Luigi Illica; Giacomo Puccini): Vissi d'arte, vissi d'amore - "Key G flat" | |||
| Fremstad, Olive - soprano; Orchestra | New York | #48 | |||
| 30644- 1; 21-Jan-11; Autographed | |||||
| Columbia: 30644; A-5282; AF-2; C-1083 | |||||
| IRCC 74 | 12″ | <Blank side of a double-sided record | |||
| IRCC 75 | 10″ | Ballo in Maschera, Un (Augustin Eugène Scribe; Antonio Somma; Giuseppe Verdi): Alla vita che t'arride | |||
| Scotti, Antonio - baritone; Piano (NL) | New York | #48 | |||
| B - 2360- 1; 2-Mar-05 | |||||
| Victor: 81070; H.M.V.: 2-52435 | |||||
| IRCC 75 | 10″ | Don Pasquale (Angelo Anelli; Adapted by Giovanni Ruffini; Gaetano Donizetti): Bella siccome un angelo | |||
| Scotti, Antonio - baritone; Piano (NL) | New York - Carnegie Hall - Room 826 | #48 | |||
| B - 1092- 1; 10-Mar-04 | |||||
| Victor: 81043; H.M.V.: 52061 | |||||
| IRCC 76 | 12″ | Gretchen am Spinnrade (Johann Wolfgang von Goethe; Franz Schubert, Op. 2, D.118) | |||
| Eames, Emma - soprano; Gilles, Henri - piano | Camden | #49 | |||
| C -11312- 2; 28-Nov-11 | |||||
| Victor: 88367; H.M.V.: AGSB 22 | |||||
| IRCC 76 | 12″ | Si tu le veux (Charles Koechlin) + Aubade cherubin (Jules Massenet): Vive amour qui rêve | |||
| Eames, Emma - soprano; Piano (NL) | New York | #49 | |||
| C - 6202- 1; 18-May-08 | |||||
| Victor: 88135; H.M.V.: AGSB 60 | |||||
| IRCC 77 | 10″ | Barbiere di Siviglia, Il (Cesare Sterbini; Gioachino Rossini): Largo al factotum | |||
| Battistini, Mattia - baritone; Piano (NL) | Warsaw | #50 | |||
| 447z; 1902 | |||||
| G&T: 52671; AGSA 24; Victor: 5115; 91055 | |||||
| IRCC 77 | 10″ | Cenerentola, La (Jacopo Ferretti; Gioachino Rossini): Non più mesta accanto al fuoco | |||
| Mantelli, Eugenia - mezzo-soprano; Orchestra | New York | #50 | |||
| 6554; 1903/04; Transcribed to BS-102299-1R | |||||
| Zon-o-phone: 12615; 40080 | |||||
| IRCC 78 | 12″ | Mignon (Michel Carré; Jules Barbier; Ambroise Thomas): Io son Titania - "Polonaise" | |||
| Abott, Bessie - soprano; Orchestra | Camden | #50 | |||
| C - 6237- 1; 27-May-08 | |||||
| Victor: 88171; H.M.V.: 053178 | |||||
| IRCC 78 | 12″ | Rigoletto (Francesco Maria Piave; Giuseppe Verdi): Tutte le feste al tempio | |||
| Abott, Bessie - soprano; Ancona, Mario - baritone; Orchestra | New York | #50 | |||
| C - 4991- 2; 6-Jan-08 | |||||
| Victor: Not released | |||||
| IRCC 79 | 10″ | J'ai tant de choses avous dire (Gabriella Ferrari) | |||
| Farrar, Geraldine - soprano; Orchestra, Josef Pasternack - conductor | Camden | #52 | |||
| B -26869- 1; 8-Sep-22 | |||||
| Victor: Not released | |||||
| IRCC 79 | 10″ | Opera Ball (Victor Léon; Heinrich von Waldberg; Richard Heuberger, Arr. Fritz Kreisler): Midnight bells | |||
| Farrar, Geraldine - soprano; Linton, Charles - piano; Orchestra, Rosario Bourdon - conductor | Camden - Church | #52 | |||
| BVE-37354- 2; 13-Jan-27; Transcribed to BS-102350-1R; Autographed | |||||
| Victor: Not released | |||||
| IRCC 80 | 10″ | Manon (Henri Meilhac; Philippe Gille; Jules Massenet): N'est-ce plus ma main | |||
| Arnoldson, Sigrid - soprano; Orchestra, Bruno Seidler-Winkler - conductor | Berlin | #51 | |||
| 1298r; Jun-06 | |||||
| G&T: 53467 | |||||
| IRCC 80 | 10″ | Traviata, La (Francesco Maria Piave; Giuseppe Verdi): Ah, fors'è lui | |||
| Arnoldson, Sigrid - soprano; Orchestra | Berlin | #51 | |||
| 10848L; 6-May-10; Autographed | |||||
| H.M.V.: 33844; 70509 | |||||
| IRCC 81 | 12″ | Étoile du Nord, L' (Eugène Scribe; Giacomo Meyerbeer): O jours herreux | |||
| Plançon, Pol - bass; Orchestra | Camden | #51 | |||
| C - 6111- 2; 14-Apr-08 | |||||
| Victor: 85124 | |||||
| IRCC 81 | 12″ | Stabat Mater (Giovanni Tadolini; Gioachino Rossini): Pro peccatis | |||
| Plançon, Pol - bass; Orchestra | Camden | #51 | |||
| C - 6113- 1; 14-Apr-08 | |||||
| Victor: Not released; H.M.V.: 052218; AGSB 74 | |||||
| IRCC 82 | 12″ | Figaros Hochzeit (Lorenzo da Ponte; Wolfgang Amadeus Mozart): Nur zu flüchtig - "Arie der Gräfin" | |||
| Destinn, Emmy - soprano; Orchestra | Berlin | #52 | |||
| 0802v; 1908 | |||||
| H.M.V.: 043096; 03109; Victor: 71041 | |||||
| IRCC 82 | 12″ | Fliegende Holländer, Der (Richard Wagner): Traft ihr das Schiff - "Senta's ballad - Jo-ho-hoe" | |||
| Destinn, Emmy - soprano; Orchestra, Bruno Seidler-Winkler - conductor | Berlin | #52 | |||
| 514i; 1906 | |||||
| G&T: 043064; 65186 | |||||
| IRCC 83 | 10″ | Pensée d'automne (Armand Silvrestre; Jules Massenet) - Part 1 | |||
| Lassalle, Jean - baritone; Orchestra | Paris | #53 | |||
| 3905; 1901; Transcribed | |||||
| Pathé cylinder & disc: 3905 | |||||
| IRCC 83 | 10″ | Pensée d'automne (Armand Silvrestre; Jules Massenet) - Part 2 | |||
| Lassalle, Jean - baritone; Orchestra | Paris | #53 | |||
| 3905; 1901; Transcribed | |||||
| Pathé cylinder & disc: 3905 | |||||
| IRCC 84 | 12″ | Guarany, Il (Antonio Scalvini; Carlo D'Ormeville; Antonio Carlos Gomes): Che brami?… Sento una forza indomita | |||
| Boninsegna, Celestina - soprano; Bolis, Luigi - tenor; Orchestra | Milan | #53 | |||
| 3198c; 2-Jun-17 | |||||
| H.M.V.: 2-054087; DB 491 | |||||
| IRCC 84 | 12″ | Loreley (Angelo Zanardini; Giuseppe Depanis; Carlo D'Ormeville; Alfredo Catalani): Lascia per or che libera | |||
| Boninsegna, Celestina - soprano; Bolis, Luigi - tenor; Orchestra | Milan | #53 | |||
| 3197c; 2-Jun-17 | |||||
| H.M.V.: 2-053136; DB 491 | |||||
| IRCC 85 | 10″ | Carmen (Henri Meilhac; Ludovic Halevy; Georges Bizet): En vain pour éviter - "Card scene" | |||
| Calvé, Emma - soprano; Orchestra | Paris | #54 | |||
| 2313; Jun-20; Transcribed | |||||
| Pathé disc: 0273; IRCC3119 | |||||
| IRCC 85 | 10″ | In questa tomba oscura (Giuseppe Carpani; Ludwig van Beethoven) | |||
| Calvé, Emma - soprano; Orchestra | Paris | #54 | |||
| 2348; Jun-20; Transcribed | |||||
| Pathé disc: 0277 | |||||
| IRCC 86 | 12″ | Africana, L' (Augustin Eugène Scribe; François-Joseph Fétis; Giacomo Meyerbeer): All'erta Marinar!... Adamastor, re dell' onde profunde | |||
| Campanari, Giuseppe - baritone; Piano (NL) | New York - Carnegie Hall - Room 826 | #54 | |||
| C - 742- 1; 23-Nov-03 | |||||
| Victor: 85027 | |||||
| IRCC 86 | 12″ | Ballo in Maschera, Un (Augustin Eugène Scribe; Antonio Somma; Giuseppe Verdi): Eri tu che macchiavi quell'anima? | |||
| Campanari, Giuseppe - baritone; Piano (NL) | New York - Carnegie Hall - Room 826 | #54 | |||
| C - 431- 1; 18-Sep-03 | |||||
| Victor: 85001 | |||||
| IRCC 87 | 12″ | Hunyadi László (Béni Egressy; Ferenc Erkel): Ah rebegès, a mi vadúl | |||
| Nordica, Lillian - soprano; Simmons, E. Romayne - piano | New York | #55 | |||
| 30144- 1; 23-May-07 | |||||
| Columbia: 30144; 30144; 68080D; 74022 | |||||
| IRCC 87 | 12″ | Ständchen (Adolph Friedrich von Schack, Richard Strauss, Op. 17, No. 2) - "Serenade" | |||
| Nordica, Lillian - soprano; Simmons, E. Romayne - piano | New York | #55 | |||
| 30677- 1; 16-Feb-11 | |||||
| Columbia: 30677; 30677; 74029 | |||||
| IRCC 88 | 10″ | Favorite, La (Alphonse Royer; Gustave Waez; Baculard Darnaud; Gaetano Donizetti): Viens, viens, je cède éperdu | |||
| Alvarez, Albert - tenor; Delna, Marie - contralto; Piano (NL) | Paris | #55 | |||
| 0236; 1905; Transcribed; | |||||
| Pathé disc: 0236; R-834; | |||||
| IRCC 88 | 10″ | Vivandière, La (Henri Cain; Benamin Godard): Viens avec nous petit | |||
| Delna, Marie - contralto; Piano (NL) | Paris | #55 | |||
| 3504; 1903; Transcribed | |||||
| Pathé cylinder & disc: 3504 | |||||
| IRCC 89 | 10″ | Dido and Aeneas (Nahum Tate; Henry Purcell): When I am laid to earth - "Lament" | |||
| Marchesi, Blanche - soprano; Bedford, Agnes - piano | London | #56 | |||
| TTP 854- 1; 26-Jun-36; Autographed | |||||
| H.M.V.: JH9 | |||||
| IRCC 89 | 10″ | Sicilian cart driver's song (Arr. Geni Sadero) | |||
| Marchesi, Blanche - soprano; Bedford, Agnes - piano | London | #56 | |||
| TTP 853- 2; 15-Sep-36 | |||||
| H.M.V.: JH9 | |||||
| IRCC 90 | 12″ | Cavalleria Rusticana (Guido Menasci; Giovanni Targioni-Tozzetti; Pietro Mascagni): Voi lo sapete, o Mamma | |||
| Eames, Emma - soprano; Orchestra | New York | #56 | |||
| C - 4034- 2; 16-Nov-06 | |||||
| Victor: 88037; H.M.V.: 053092 | |||||
| IRCC 90 | 12″ | Chanson des baisers, Le (Hermann Bemberg) | |||
| Eames, Emma - soprano; Piano (NL) | New York | #56 | |||
| C - 6206- 1; 19-May-08; Autographed | |||||
| Victor: 88133; H.M.V.: AGSB 5 | |||||
| IRCC 91 | 12″ | Fidelio (Joseph Sonnleithner; Ludwig van Beethoven): Euch werde Lohn | |||
| Knüpfer, Paul - bass; Kurt, Melanie - soprano; Urlus, Jacques - tenor; Orchestra | Berlin | #57 | |||
| 606m; 13-Mar-12 | |||||
| H.M.V.: 044203; C4828; ES203; 65248 | |||||
| IRCC 91 | 12″ | Walküre, Die (Richard Wagner): Der Männer Sippe | |||
| Kurt, Melanie - soprano; Orchestra | Berlin | #57 | |||
| 2390c; 13-Sep-11 | |||||
| H.M.V.: 043190 | |||||
| IRCC 92 | 10″ | Fado Portuquez (Neuparth): Ouvi dizar - (In Portuguese) | |||
| Galvany, Maria - soprano; Orchestra | Milan | #57 | |||
| 11187½b; May-08 | |||||
| H.M.V.: 53558; Victor: 87061 | |||||
| IRCC 92 | 10″ | Linda di Chamounix (Geatano Rossi; Gaetano Donizetti): Ah, tarda, troppo... O luce di quest'anima - "Cavatina" | |||
| Galvany, Maria - soprano; Orchestra | Milan | #57 | |||
| 11190b; May-08 | |||||
| H.M.V.: 53558 | |||||
| IRCC 93 | 12″ | Prophète, Le (Eugène Scribe; Giacomo Meyerbeer): O prêtres de Baal | |||
| Schumann-Heink, Ernestine - contralto; Orchestra | New York | #58 | |||
| C - 4838- 2; 26-Sep-07; | |||||
| Victor: 88094; H.M.V.: 033042; AGSB 17; | |||||
| IRCC 93 | 12″ | Sapho (Émile Augier; Charles Gounod): O ma lyre immortelle | |||
| Schumann-Heink, Ernestine - contralto; Orchestra | Camden | #58 | |||
| C - 8232- 1; 17-Sep-09; Date error on label; | |||||
| Victor: 88212; | |||||
| IRCC 94 | 12″ | Lazzarone, Le (Benedetto Ferrari) + Le flibustier (Alexander Georges) | |||
| Plançon, Pol - bass; Piano (NL) | New York | #58 | |||
| C - 2323- 1; 20-Feb-05 | |||||
| Victor: 85066; 15-1007; H.M.V.: 032028 | |||||
| IRCC 94 | 12″ | Mignon (Michel Carré; Jules Barbier; Ambroise Thomas): Ninna nanna - "Berceuse" | |||
| Plançon, Pol - bass; Orchestra | Camden | #58 | |||
| C - 6112- 1; 14-Apr-08 | |||||
| Victor: 85126 | |||||
| IRCC 95 | 12″ | Walküre, Die (Richard Wagner): Ho-jo-to-ho | |||
| Nordica, Lillian - soprano; Simmons, E. Romayne - piano | New York | #59 | |||
| 30659- 1; 3-Feb-11; Transcribed | |||||
| Columbia: Not released | |||||
| IRCC 95 | 12″ | <Blank side of a double-sided record | |||
| IRCC 96 | 12″ | Barbiere di Siviglia, Il (Cesare Sterbini; Gioachino Rossini): O, il meglio di scordavo | |||
| McCormack, John - tenor; Sammarco, G. Mario - baritone; Orchestra | London - 21 City Road | #59 | |||
| 5205f; 18-Jul-11 | |||||
| H.M.V.: 2-054021; DB 608; IRX1013; VB 33 | |||||
| IRCC 96 | 12″ | Traviata, La (Francesco Maria Piave; Giuseppe Verdi): Lunge da lei... Dei miei bollenti spiriti | |||
| McCormack, John - tenor; Orchestra | Camden | #59 | |||
| C - 8693- 1; 10-Mar-10; Autographed | |||||
| Victor: 74328; H.M.V.: 2-052025; AGSB 3; DB 631; IRX1001 | |||||
| IRCC 97 | 10″ | Été, L' (Édouard Guinand; Cécile Chaminade) | |||
| Marchesi, Blanche - soprano; Orchestra, Bruno Seidler-Winkler - conductor | Berlin | #60 | |||
| 4132h; 1906; Transcribed to TTP1490-2 in London, 1936; Autographed | |||||
| G&T: 33593; JH10 | |||||
| IRCC 97 | 10″ | Queen Anne Boleyn in Prison (Arr. Dolmetch) - O death, rock me asleep | |||
| Marchesi, Blanche - soprano; Ainsworth, Robert - piano | London - private recording | #60 | |||
| TTP1166- 1; 23-Sep-36 | |||||
| H.M.V.: JH10 | |||||
| IRCC 98 | 10″ | Coquette (Leo Stern) | |||
| Adams, Suzanne - soprano; Piano (NL) | London | #60 | |||
| 2036b; 1902; Transcribed to Bs-07994-2, May 14, 1937 | |||||
| G&T: 3292; Victor: 5005; 91004 | |||||
| IRCC 98 | 10″ | Roméo et Juliette (Jules Barbier; Michel Carré; Charles Gounod): Je veux vivre dans ce rêve - "Valse" | |||
| Adams, Suzanne - soprano; Piano (NL) | London | #60 | |||
| 2037b; 1902; Transcribed to Bs-07995-2, May 14, 1937 | |||||
| G&T: 3293; Victor: 5007; 91006 | |||||
| IRCC 99 | 10″ | Dame Blanche, La (Eugène Scribe; François-Adrien Boieldieu): Komm o holde Dame - "Grand air" | |||
| Slezak, Leo - tenor; Orchestra | Vienna | #62 | |||
| 690r; 1905 | |||||
| G&T: 3-42460; VA 3 | |||||
| IRCC 99 | 10″ | Königen von Saba, Die (Hermann Salomon Mosenthal; Carl Goldmark): Magische Töne | |||
| Slezak, Leo - tenor; Orchestra | Vienna | #62 | |||
| 14585u; May-09; Autographed | |||||
| H.M.V.: 4-42361; 61669; ER146; VA 22; Victor: 64115 | |||||
| IRCC 100 | 12″ | Manon (Henri Meilhac; Philippe Gille; Jules Massenet): Suis-je gentille ainsi? - "Air du Cours-la-Reine" | |||
| Arral, Blanche - soprano; Orchestra | New York | #63 | |||
| 4M-Test; 1910; Transcribed; Autographed | |||||
| Edison cylinder: Not released | |||||
| IRCC 100 | 12″ | Véritable Manola, La (Théophile Gautier; Emile Bourgeois) - Boléro - Seguedille | |||
| Arral, Blanche - soprano; Orchestra | New York | #63 | |||
| 4M-35006; May-10; Transcribed | |||||
| Edison cylinder: A 35006 | |||||
| IRCC 101 | 10″ | Manon Lescaut (Eugène Scribe; Daniel-François-Esprit Auber): C'est l'histoire amoureuse - "L'éclat de rire" | |||
| de Tréville, Yvonne - soprano; Orchestra | New York | #63 | |||
| 4288; Nov-15; Transcribed | |||||
| Edison Diamond Disc: 80375-R; BA 28248 | |||||
| IRCC 101 | 10″ | Manon Lescaut (Ruggiero Leoncavallo; Marco Praga; Giuseppe Giacosa; Luigi Illica; Giulio Riccordi; Giacomo Puccini): In quelle trine morbide | |||
| Bori, Lucrezia - soprano; Orchestra | Paris | #63 | |||
| 4M-40032; Aug-10; Transcribed; Autographed? | |||||
| Edison cylinder: A 40032; Disc: IRCC 3067 | |||||
| IRCC 102 | 12″ | Bergerette - Je connais un berger discrète (Arr. Jean-Baptiste Théodore Weckerlin) + | |||
| Margoton va-t'a l'jau (Traditional; Arr. Jean-Baptiste Théodore Weckerlin) | New York | #65 | |||
| Gilibert, Charles - baritone; Piano (NL) | |||||
| C - 4364- 1; 1-Apr-07 | |||||
| Victor: 85120; H.M.V.: 032119 | |||||
| IRCC 102 | 12″ | Vallon, Le (Alphonse de Lamartine; Charles Gounod) - "Méditation poétique" | |||
| Plançon, Pol - bass; Piano (NL) | New York | #65 | |||
| C - 2319- 1; 20-Feb-05 | |||||
| Victor: 85064; H.M.V.: 032022 | |||||
| IRCC 103 | 12″ | Adriana Lecouvreur (Arturo Colautti after Augustin Eugène Scribe and Ernest Legouvé; Francesco Cilèa): Acerba volutta | |||
| Homer, Louise - contralto; Orchestra | New York | #61 | |||
| C - 3934- 1; 24-Dec-06 | |||||
| Victor: 85110 | |||||
| IRCC 103 | 12″ | Prophète, Le (Eugène Scribe; Giacomo Meyerbeer): O toi qui m'abandonnes | |||
| Homer, Louise - contralto; Piano (NL) | New York - Carnegie Hall - Room 826 | #61 | |||
| C - 491- 1; 5-Oct-03; Autographed | |||||
| Victor: 85004 | |||||
| IRCC 104 | 12″ | Lohengrin (Richard Wagner): Mio salvatore… Mai devi domandarmi | |||
| de Lucia, Fernando - tenor; Huguet, Giuseppina - soprano; Orchestra, Carlo Sabajno - conductor | Milan | #61 | |||
| 1171c; 7-Sep-07 | |||||
| H.M.V.: 054175 | |||||
| IRCC 104 | 12″ | Sonnambula, La (Felice Romani; Vincenzo Bellini): Son geloso del zefiro | |||
| de Lucia, Fernando - tenor; Galvany, Maria - soprano; Orchestra, Carlo Sabajno - conductor | Milan | #61 | |||
| 1444c; May-08 | |||||
| H.M.V.: 054215 | |||||
| IRCC 105 | 10″ | Prè-aux-Clercs, Le (François-Antoine-Eugène de Planard; Louis Joseph Ferdinand Hérold): Souvenirs du jeune âge | |||
| Gauthier, Éva - mezzo-soprano; King's Orchestra | New York | #62 | |||
| B -18858- 2; 20-Dec-16; Autographed | |||||
| Victor: 69223 | |||||
| IRCC 105 | 10″ | Romance (Paul Charles Joseph Bourget; Claude Debussy) + Fantoches (Lucien Fontaine) | |||
| Gauthier, Éva - mezzo-soprano; Edwards, Carlo - piano | New York | #62 | |||
| B -20144- 1; 20-Jun-17 | |||||
| Victor: 69669; H.M.V.: 7-33048 | |||||
| IRCC 106 | 10″ | Green (Paul Verlaine; Claude Debussy) - Ariette oubliée, No. 5 - Aquarelle No. 1 | |||
| Garden, Mary - soprano; Debussy, Claude - piano | Paris | #64 | |||
| 3077F; 1904; Transcribed to 0EA5672- 1 | |||||
| G&T: 33451; IRCC3048 | |||||
| IRCC 106 | 10″ | Pelléas et Melisande (Maurice Maeterlinck; Claude Debussy): Mes longs cheveux descendent | |||
| Garden, Mary - soprano; Debussy, Claude - piano | Paris | #64 | |||
| 3078F; 1904; Transcribed to 0EA5669- 1; Autographed | |||||
| G&T: 33447; IRCC3048 | |||||
| IRCC 107 | 10″ | Ombre des arbres, L' (Paul Verlaine; Claude Debussy) - Ariette oubliée, No. 3 | |||
| Garden, Mary - soprano; Debussy, Claude - piano | Paris | #64 | |||
| 3076F; 1904; Transcribed to 0EA5671- 1; Autographed | |||||
| G&T: 33450; IRCC3048 | |||||
| IRCC 107 | 10″ | Pleure dans mon coeur, Il (Paul Verlaine; Claude Debussy) - Ariette oubliée, No. 2 | |||
| Garden, Mary - soprano; Debussy, Claude - piano | Paris | #64 | |||
| 3074F; 1904; Transcribed to 0EA5670- 1 | |||||
| G&T: 33449; IRCC3048 | |||||
| IRCC 108 | 12″ | Dinorah (Jules Barbier; Michel Carré; Giacomo Meyerbeer): Sei vendicata assai | |||
| Ancona, Mario - baritone; Orchestra | New York | #65 | |||
| C - 6044- 1; 20-Mar-08 | |||||
| Victor: 88169 | |||||
| IRCC 108 | 12″ | Favorita, La (Alphonse Royer; Gustave Waez; Baculard Darnaud; Gaetano Donizetti): A tanto amor | |||
| Ancona, Mario - baritone; Orchestra | Philadelphia - 424 South Tenth Street | #65 | |||
| C - 4286- 2 ²; 3-Apr-07 | |||||
| Victor: 88063; H.M.V.: 052179 | |||||
| IRCC 109 | 10″ | Chanson slave (Paul Ginisty; Cécile Chaminade) | |||
| Gerville-Réache, Jeanne - contralto; Orchestra | Camden | #66 | |||
| B - 8336- 1; 30-Oct-09 | |||||
| Victor: 87035 | |||||
| IRCC 109 | 10″ | Werther (Édouard Blau; Paul Milliet; Georges Hartmann; Jules Massenet): Va, laisse couler mes larmes | |||
| Gerville-Réache, Jeanne - contralto; Orchestra | Camden | #66 | |||
| B - 7022- 2; 29-Apr-09 | |||||
| Victor: 81091; 87027; H.M.V.: AGSA 1 | |||||
| IRCC 110 | 10″ | Africaine, L' (Augustin Eugène Scribe; François-Joseph Fétis; Giacomo Meyerbeer): Salut… Monde noveau - O Paradis | |||
| de Reszke, Jean - tenor; Orchestra, Philippe Flon - conductor | New York - Metropolitan Opera House | #90 | |||
| Live performance ; 15-Mar-01; Transcribed | |||||
| Mapelson cylinder: First edition | |||||
| IRCC 110 | 10″ | Siegfried (Richard Wagner): Ho-bo, ho-bei - "Forge scene" | |||
| de Reszke, Jean - tenor; Orchestra, Walter Damrosch - conductor | New York - Metropolitan Opera House | #90 | |||
| Live performance ; 19-Mar-01; Transcribed | |||||
| Mapelson cylinder: First edition | |||||
| IRCC 111 | 12″ | Falstaff (William Shakespeare; Arrigo Boito; Giuseppe Verdi): Sul fin d'un soffio eterea | |||
| Alda, Frances - soprano; Orchestra | Camden | #66 | |||
| C - 8883- 1; 25-Apr-10; Autographed | |||||
| Victor: 88247; H.M.V.: AGSB 16 | |||||
| IRCC 111 | 12″ | Loreley (Angelo Zanardini; Giuseppe Depanis; Carlo D'Ormeville; Alfredo Catalani): Ei dunque m'amera; Amor, celeste ebrezza | |||
| Alda, Frances - soprano; Orchestra | Camden | #66 | |||
| C -11150- 2; 4-Apr-12 | |||||
| Victor: 88325 | |||||
| IRCC 112 | 12″ | Grand Mogol, Le (Henri Chivot; Alfred Duru; Edmond Audran): Allons, petit serpent | |||
| Arral, Blanche - soprano; Orchestra | New York | #67 | |||
| 4M-35015; Oct-10; Transcribed | |||||
| Edison cylinder: A 35015 | |||||
| IRCC 112 | 12″ | Perle du Brésil, La (J. Gabriel; Sylvain Saint -Étienne; Félicien-César David): Charmant oiseau | |||
| Arral, Blanche - soprano; Orchestra | New York | #67 | |||
| B168; 1908; Transcribed; Autographed | |||||
| Edison 4m. cylinder: 35002 | |||||
| IRCC 113 | 12″ | Rigoletto (Francesco Maria Piave; Giuseppe Verdi): Pari siamo | |||
| de Gogorza, Emilio - baritone; Orchestra | Camden | #67 | |||
| C - 7066- 1; 12-May-09; Autographed | |||||
| Victor: 74110; 88179; H.M.V.: 052215; DB 323 | |||||
| IRCC 113 | 12″ | Trovatore, Il (Antonio Garcia Gutierrez; Salvatore Cammarano; Leone Emanuele; Giuseppe Verdi): Mira d'acerbe lagrime | |||
| de Gogorza, Emilio - baritone; Eames, Emma - soprano; Orchestra | Camden | #67 | |||
| C - 6233- 5; 7-Apr-09 | |||||
| Victor: 89022; H.M.V.: AGSB 15 | |||||
| IRCC 114 | 12″ | Donne Curiose, Le (Luigi Sugana; Ermanno Wolf-Ferrari): Rimprovera... Ah, tutta per te, mio bene | |||
| Farrar, Geraldine - soprano; Orchestra | New York | #68 | |||
| C -11608- 2; 21-Feb-12 | |||||
| Victor: 88356; H.M.V.: 2-053069 | |||||
| IRCC 114 | 12″ | Roméo et Juliette (Jules Barbier; Michel Carré; Charles Gounod): Je veux vivre dans ce rêve - "Valse" | |||
| Farrar, Geraldine - soprano; Orchestra | Camden | #68 | |||
| C - 9855- 1; 26-Jan-11; Autographed | |||||
| Victor: Not released; H.M.V.: AGSB 55 | |||||
| IRCC 115 | 12″ | Im wunderschönen Monat Mai (Robert Schumann, Op. 48, No. 1) + Ich grolle nicht (Robert Schumann, Op. 48, No. 7) - "Dichterliebe" | |||
| Blass, Robert - bass; Piano (NL) | Philadelphia - 424 South Tenth Street | #68 | |||
| C - 580- 1; 16-Oct-03 | |||||
| Victor: 74032; 85011 | |||||
| IRCC 115 | 12″ | Parsifal (Richard Wagner): Du sieh´st, das ist nicht so - "Charfreitagszauber" | |||
| Blass, Robert - bass; Piano (NL) | Philadelphia - 424 South Tenth Street | #68 | |||
| C - 584- 1; 19-Oct-03 | |||||
| Victor: 74030; 85009 | |||||
| IRCC 116 | 12″ | Puritani, I (Carlo Pepoli; Vincenzo Bellini): Vien diletto | |||
| Tetrazzini, Luisa - soprano; Orchestra | London | #69 | |||
| HO193ac; 10-Jul-12 | |||||
| H.M.V.: 2-053072 | |||||
| IRCC 116 | 12″ | Traviata, La (Francesco Maria Piave; Giuseppe Verdi): Addio del passato | |||
| Tetrazzini, Luisa - soprano; Orchestra | London | #69 | |||
| HO519af; 26-Sep-13; Autographed | |||||
| H.M.V.: 2-053096; DB 539 | |||||
| IRCC 117 | 12″ | Aïda (Antonio Ghislanzoni; Giuseppe Verdi): Celeste Aïda | |||
| van Hoose, Ellison - tenor; Orchestra | New York | #69 | |||
| C - 3016- 2; 18-Jan-06 | |||||
| Victor: 74007 | |||||
| IRCC 117 | 12″ | Cavalleria Rusticana (Guido Menasci; Giovanni Targioni-Tozzetti; Pietro Mascagni): Ma prima voglio - "Addio alla madre" | |||
| Martin, Riccardo - tenor; Orchestra | Camden | #69 | |||
| C - 9696- 1; 8-Dec-10 | |||||
| Victor: 88277; 15-1029; H.M.V.: 2-052038 | |||||
| IRCC 118 | 12″ | Soir, Le (Ambroise Thomas) | |||
| Nevada, Emma - talking; Nevada, Mignon - soprano; Piano (NL) | London | #70 | |||
| Private IRCC recording; 7-Feb-38; Autographed | |||||
| IRCC; First edition | |||||
| IRCC 118 | 12″ | <Blank side of a double-sided record | |||
| IRCC 119 | 12″ | Hercules (Thomas Broughton; George Frideric Handel): Air - My father | |||
| Marchesi, Blanche - soprano; Bedford, Agnes - piano | London | #71 | |||
| CTPX5376- 1; 21-Dec-37; Autographed | |||||
| H.M.V.: JG41 | |||||
| IRCC 119 | 12″ | Nun wandre, Maria (Paul Heyse; Hugo Wolf) + La letre (Moret) | |||
| Marchesi, Blanche - soprano; Bedford, Agnes - piano | London | #71 | |||
| CTPX5377- 1; 21-Dec-37 | |||||
| H.M.V.: JG41 | |||||
| IRCC 120 | 12″ | Africana, L' (Augustin Eugène Scribe; François-Joseph Fétis; Giacomo Meyerbeer): In grembo a me | |||
| Matzenauer, Margarete - mezzo-soprano; Orchestra | Camden | #70 | |||
| C -11689- 1; 8-Mar-12; Autographed; | |||||
| Victor: 88360; | |||||
| IRCC 120 | 12″ | Walküre, Die (Richard Wagner): Nicht weise bin ich | |||
| Matzenauer, Margarete - mezzo-soprano; Orchestra | Munich | #70 | |||
| 392½s; 1909; | |||||
| H.M.V.: 043129; | |||||
| IRCC 121 | 12″ | Tannhäuser (Richard Wagner): Verzeihe, wenn ich nicht weiss | |||
| Gadski, Johanna - soprano; Orchestra | Camden | #71 | |||
| C -13181- 2; 23-Apr-13 | |||||
| Victor: 88442; H.M.V.: 043239; 76045 | |||||
| IRCC 121 | 12″ | Tannhäuser (Richard Wagner): Zurück von ihm | |||
| Gadski, Johanna - soprano; Orchestra | Camden | #71 | |||
| C -13182- 1; 23-Apr-13 | |||||
| Victor: 88443; H.M.V.: 043240; 76046 | |||||
| IRCC 122 | 10″ | Carmen (Henri Meilhac; Ludovic Halevy; Georges Bizet): Près des remparts de Séville - "Seguidille" | |||
| Arnoldson, Sigrid - soprano; Orchestra, Bruno Seidler-Winkler - conductor | Berlin | #71 | |||
| 1285r; Jun-06 | |||||
| G&T: 33609 | |||||
| IRCC 122 | 10″ | Faust (Johann Wolfgang von Goethe; Jules Barbier; Michel Carré; Charles Gounod): Il était un roi de Thulé | |||
| Arnoldson, Sigrid - soprano; Orchestra | Berlin | #71 | |||
| 12486u; Mar-08 | |||||
| H.M.V.: 33704 | |||||
| IRCC 123 | 12″ | Nymphes et Sylvains (Henri Bemberg) | |||
| Melba, Nellie - soprano; Ronald, Landon - piano | London - Great Cumberland Place | #72 | |||
| Melba 2; Mar-04 | |||||
| G&T: 03016; Victor: 95023; NM: 1 | |||||
| IRCC 123 | 12″ | Sur le lac (Henri Bemberg) | |||
| Melba, Nellie - soprano; Bemberg, Herman - piano | London | #72 | |||
| 520c; 5-Sep-05 | |||||
| G&T: 03046; Victor: 95028 | |||||
| IRCC 124 | 12″ | Prophet, Der (Eugène Scribe; Giacomo Meyerbeer): Ein armer pilger naht | |||
| Kurt, Melanie - soprano; Matzenauer, Marguerithe - soprano; Orchestra | Berlin | #72 | |||
| 2118c; 7-Dec-10 | |||||
| H.M.V.: 044175 | |||||
| IRCC 124 | 12″ | Prophet, Der (Eugène Scribe; Giacomo Meyerbeer): Nein so dank der Hoffnung | |||
| Kurt, Melanie - soprano; Metzger, Ottile - contralto; Orchestra | Berlin | #72 | |||
| 2168c; 20-Jan-11 | |||||
| H.M.V.: 044176 | |||||
| IRCC 125 | 12″ | Incrédule, L' (Paul Verlaine; Reynaldo Hahn) - "Key A" + The year's at the spring (Robert Browning; H.H.A. Beach) - "Key D flat" | |||
| Eames, Emma - soprano; Piano (NL) | New York | #73 | |||
| C - 2314- 2; 16-Mar-05 | |||||
| Victor: 85057; 88008; H.M.V.: 03041; AGSB 22 | |||||
| IRCC 125 | 12″ | Otello (William Shakespeare; Arrigo Boito; Giuseppe Verdi): Ave Maria | |||
| Eames, Emma - soprano; Orchestra | New York | #73 | |||
| C - 3385- 2; 14-May-06 | |||||
| Victor: 88035; H.M.V.: 053091 | |||||
| IRCC 126 | 12″ | Aïda (Antonio Ghislanzoni; Giuseppe Verdi): Pur ti riveggo | |||
| Martinelli, Giovanni - tenor; Ponselle, Rosa - soprano; Orchestra, Rosario Bourdon - conductor | Camden | #74 | |||
| C -29446- 3; 7-Feb-24 | |||||
| Victor: Not released; H.M.V.: VB 73 | |||||
| IRCC 126 | 12″ | Old folks at home (Stephen Collins Foster) - "Swanee River" | |||
| Ponselle, Rosa - soprano; Orchestra, Josef Pasternack - conductor | Camden | #74 | |||
| CVE-32865- 4; 4-Jun-25 | |||||
| Victor: Not released | |||||
| IRCC 127 | 10″ | Nina Boboh (Malaysian song; Arr. Paul Seelig) | |||
| Gauthier, Éva - mezzo-soprano; Edwards, Carlo - piano | New York | #75 | |||
| Personal; 1915; Transcribed to Bs-024862, September 1, 1938; Autographed | |||||
| IRCC; First edition | |||||
| IRCC 127 | 10″ | Retour des promis, Le (Émile Barateau; Joseph Dessauer) | |||
| Gauthier, Éva - mezzo-soprano; King's Orchestra | New York | #75 | |||
| B -19277- 2; 14-Mar-17 | |||||
| Victor: 69492; H.M.V.: 7-33047 | |||||
| IRCC 128 | 10″ | Götterdämmerung, Der (Richard Wagner): Betrug, schandlicher betrug | |||
| Gadski, Johanna - soprano; Orchestra | Camden | #75 | |||
| B - 8924- 2; 7-May-10 | |||||
| Victor: Not released; H.M.V.: AGSA 36 | |||||
| IRCC 128 | 10″ | Götterdämmerung, Der (Richard Wagner): Zu neuen Thaten - "Prologue" | |||
| Gadski, Johanna - soprano; Orchestra | Camden | #75 | |||
| B - 8599- 3; 14-Mar-12 | |||||
| Victor: 87098 | |||||
| IRCC 129 | 12″ | Halka (Włodzimierz Wolski; Stanislaw Moniuszko): Gdyby rannem, slonkiem (In Polish) | |||
| Sembrich, Marcella - soprano; Orchestra | New York | #76 | |||
| C - 4860- 2; 5-Oct-07 | |||||
| Victor: 88101; H.M.V.: 023033; AGSB 87 | |||||
| IRCC 129 | 12″ | Si mes vers avaient des ailes (Victor Hugo; Reynaldo Hahn) + Die schöne Müllerin (Muller; Franz Schubert, Op. 25, D.795, No. 2) - "Wohin?" | |||
| Sembrich, Marcella - soprano; La Forge, Frank - piano | New York | #76 | |||
| C - 5046- 1; 30-Jan-08 | |||||
| Victor: Not released; H.M.V.: AGSB 88 | |||||
| IRCC 130 | 12″ | Andrea Chénier (Luigi Illica; Umberto Giordano): Nemico della patria?... Un dì m'era di gioia | |||
| Ancona, Mario - baritone; Orchestra | New York | #76 | |||
| C - 6045- 1; 20-Mar-08 | |||||
| Victor: 88170 | |||||
| IRCC 130 | 12″ | Faust (Johann Wolfgang von Goethe; Jules Barbier; Michel Carré; Charles Gounod): Non val, non val, perchè mai | |||
| Ancona, Mario - baritone; Orchestra | New York | #76 | |||
| C - 4992- 1; 6-Jan-08; First edition | |||||
| Victor: 88109; H.M.V.: AGSB 64 | |||||
| IRCC 131 | 10″ | Prophète, Le (Eugène Scribe; Giacomo Meyerbeer): Roi du Ciel | |||
| Dalmorès, Charles - tenor; Orchestra | Camden | #77 | |||
| B - 4395- 3; 25-Mar-08; Autographed | |||||
| Victor: Not released; H.M.V.: AGSA 15 | |||||
| IRCC 131 | 10″ | Rondel de l'adieu, Le (Augustín Lara) | |||
| Renaud, Maurice - baritone; Orchestra | Paris | #77 | |||
| 5716o; 1906 | |||||
| G&T: 3-32669; Victor: 91069 | |||||
| IRCC 132 | 10″ | Dear heart (C. Clifton Bingham; Tito Mattei) | |||
| Farrar, Geraldine - soprano; Orchestra | Berlin | #77 | |||
| 3799h; 27-Sep-05 | |||||
| G&T: 3621 | |||||
| IRCC 132 | 10″ | Roland von Berlin (Ruggiero Leoncavallo): Fahr wohl! Trautgesell | |||
| Farrar, Geraldine - soprano; Piano (NL) | Berlin | #77 | |||
| 2496L; 1904; Autographed | |||||
| G&T: 43632; HM 118 | |||||
| IRCC 133 | 10″ | Crédo (Gabriel Urbain Fauré) | |||
| Plançon, Pol - bass; Piano (NL) | New York | #77 | |||
| B - 2339- 1; 25-Feb-05 | |||||
| Victor: 81066; H.M.V.: 3-32592 | |||||
| IRCC 133 | 10″ | Marta (Friedrich W. Reise as "Wilhelm Friedrich"; Friedrich von Flotow): Chi mi dirà di che il bicchier - "Porter song" | |||
| Plançon, Pol - bass; Orchestra | New York | #77 | |||
| B - 4346- 1; 27-Mar-07 | |||||
| Victor: 81086; H.M.V.: 2-52585; AGSA 45 | |||||
| IRCC 134 | 12″ | Ma Lisette (18th Century traditional) + Au printemps (Jules Barbier; Charles Gounod) | |||
| Calvé, Emma - soprano; Piano (NL) | New York | #78 | |||
| C - 6018- 1; 6-Mar-08 | |||||
| Victor: 88123; H.M.V.: 033054; AGSB 46 | |||||
| IRCC 134 | 12″ | Sérénade de Zanetto (François Coppée; Jules Massenet) - (In French) + Magali - "Chanson provençale" - (In Provençal, used in Sapho, Act 2) | |||
| Calvé, Emma - soprano; Ronald, Landon - piano | London | #78 | |||
| 2161R and 2059R; Jul-02; Transcribed to 2EA5798-1 | |||||
| G&T: 3284; 3282 | |||||
| IRCC 135 | 12″ | Carmen (Henri Meilhac; Ludovic Halevy; Georges Bizet): Je dis que rien ne m'épouvante - "Micaela's aria" | |||
| Arral, Blanche - soprano; Orchestra | New York | #78 | |||
| B167; 1908; Transcribed; Autographed | |||||
| Edison 4m. cylinder: 35001 | |||||
| IRCC 135 | 12″ | Coeur et la main, Le (Alexander Charles Lecocq): Un soir, Perez le capitaine - "Boléro" | |||
| Arral, Blanche - soprano; Orchestra | New York | #78 | |||
| B190; 1908; Transcribed | |||||
| Edison 4m. cylinder: 35005 | |||||
| IRCC 136 | 10″ | Freischütz, Der (Friedrich Kind; Carl Maria von Weber): Durch die Wälder, durch die Auen | |||
| Burgstaller, Alois - tenor; Orchestra | New York | #79 | |||
| B 31; 1905; Transcribed | |||||
| Edison 2m. cylinder: B 31 | |||||
| IRCC 136 | 10″ | Hugenotten, Die (Augustin Eugène Scribe; Émile Deschamps; Giacomo Meyerbeer): Romanza | |||
| Dippel, Andreas - tenor; Orchestra | New York | #79 | |||
| B 15; 1905; Transcribed | |||||
| Edison 2m. cylinder: B 15 | |||||
| IRCC 137 | 12″ | Reinzi (Richard Wagner): Gerechter Gott' | |||
| Walker, Edyth - contralto; Orchestra, Bruno Seidler-Winkler - conductor | Hamburg | #79 | |||
| 455s; 20-Apr-10; Transcribed to 2EA7466-1; Autographed | |||||
| H.M.V.: 043145; 65194 | |||||
| IRCC 137 | 12″ | Reinzi (Richard Wagner): In seiner Blüte blaicht mein Leben | |||
| Walker, Edyth - contralto; Orchestra, Bruno Seidler-Winkler - conductor | Hamburg | #79 | |||
| 456s; 20-Apr-10; Transcribed to 2EA7467-1 | |||||
| H.M.V.: 043146; 65194 | |||||
| IRCC 138 | 12″ | Robert le Diable (Eugène Scribe; Germain Delavigne; Giacomo Meyerbeer): Du rendez-vous | |||
| Clément, Edmond - tenor; Journet, Marcel - bass; Orchestra | Camden | #80 | |||
| C -11468- 1; 18-Jan-12 | |||||
| Victor: 76020; H.M.V.: 2-034015; VB 30 | |||||
| IRCC 138 | 12″ | Robert le Diable (Eugène Scribe; Germain Delavigne; Giacomo Meyerbeer): Le bonheur est dans l'inconstance | |||
| Clément, Edmond - tenor; Journet, Marcel - bass; Orchestra | Camden | #80 | |||
| C -11469- 1; 18-Jan-12 | |||||
| Victor: 76021; H.M.V.: 2-034016; VB 30 | |||||
| IRCC 139 | 10″ | Nussbaum, Der (Julius Mosen; Robert Schumann, Op. 25, No. 3) | |||
| Sembrich, Marcella - soprano; Piano (NL) | New York | #80 | |||
| B - 1951- 3; 19-Nov-04 | |||||
| Victor: 81049; H.M.V.: 43657 | |||||
| IRCC 139 | 10″ | Ständchen (Adolph Friedrich von Schack, Richard Strauss, Op. 17, No. 2) - "Serenade" | |||
| Sembrich, Marcella - soprano; Piano (NL) | New York | #80 | |||
| B - 1950- 2; 19-Nov-04 | |||||
| Victor: 81049; H.M.V.: 43656 | |||||
| IRCC 140 | 12″ | Siegfried (Richard Wagner): Zwangvolle Plage | |||
| Reiss, Albert - tenor; Orchestra | Camden | #81 | |||
| C -10131- 2; 29-Mar-11 | |||||
| Victor: 74235 | |||||
| IRCC 140 | 12″ | Verkaufte Braut (Bedřich Smetana): Ich weiss euch einen Lieben schatz | |||
| Gadski, Johanna - soprano; Reiss, Albert - tenor; Piano (NL) | Camden | #81 | |||
| C - 7025- 1; 30-Apr-09 | |||||
| Victor: Not released; H.M.V.: AGSB 12 | |||||
| IRCC 141 | 12″ | Benvenuto Cellini (Gaston Hirsch; Eugeno Díaz de la Pena): De l'art, splendeur immortelle | |||
| de Gogorza, Emilio - baritone; Orchestra | Camden | #81 | |||
| C - 6765- 1; 1-Feb-09 | |||||
| Victor: Not released; H.M.V.: AGSB 69 | |||||
| IRCC 141 | 12″ | Patrie (Louis Gallett; Emile Paladilhe): Jadis elles chantaient - "Air du Sonneur" | |||
| de Gogorza, Emilio - baritone; Orchestra | Camden | #81 | |||
| C -10997- 1; 19-Sep-11; Autographed | |||||
| Victor: 74229; H.M.V.: 2-032004; DB 625 | |||||
| IRCC 142 | 12″ | Africana, L' (Augustin Eugène Scribe; François-Joseph Fétis; Giacomo Meyerbeer): Di qui io veda il mare?... Già l'odio m'abbandona | |||
| Boninsegna, Celestina - soprano; Orchestra, Carlo Sabajno - conductor | Milan | #82 | |||
| 535½c; 1905 | |||||
| G&T: 053068; Victor: 92001 | |||||
| IRCC 142 | 12″ | Trovatore, Il (Antonio Garcia Gutierrez; Salvatore Cammarano; Leone Emanuele; Giuseppe Verdi): Tacea la notte placida | |||
| Boninsegna, Celestina - soprano; Orchestra, Carlo Sabajno - conductor | Milan | #82 | |||
| 537c; 1905 | |||||
| G&T: 053063; 72615; KSG 85122; Victor: 92026; 6415 | |||||
| IRCC 143 | 10″ | Demone (Pavel Viskovatov; Anton Rubinstein): Deh non plorar | |||
| Battistini, Mattia - baritone; Piano (NL) | Warsaw | #82 | |||
| 446z; 1902 | |||||
| G&T: 52670; HM 85; Victor: 5113; 91053 | |||||
| IRCC 143 | 10″ | Eugène Onégin (Alexander Pushkin; Kjonstantine Shilovsky; Modest Tchaikovsky; Piotr Ilyich Tchaikovsky): Se dell'imen | |||
| Battistini, Mattia - baritone; Piano (NL) | Warsaw | #82 | |||
| 441z; 1902 | |||||
| G&T: 52665; Victor: 5116; 91056 | |||||
| IRCC 144 | 12″ | Four Marguerites, The (Geraldine Farrar discussing music by Franz Schubert, Charles Gounod, Hector Berlioz and Arrigo Boito) - Part 1 | |||
| Farrar, Geraldine - speaking and singing | New York - Metropolitan Opera House | #83 | |||
| NBC broadcast; 16-Mar-35; Autographed | |||||
| IRCC; First edition | |||||
| IRCC 144 | 12″ | Four Marguerites, The (Geraldine Farrar discussing music by Franz Schubert, Charles Gounod, Hector Berlioz and Arrigo Boito) - Part 2 | |||
| Farrar, Geraldine - speaking and singing | New York - Metropolitan Opera House | #83 | |||
| NBC broadcast; 16-Mar-35 | |||||
| IRCC; First edition | |||||
| IRCC 145 | 12″ | Cor, Le (Alfred de Vigny; Ange Flégier) | |||
| Plançon, Pol - bass; Piano (NL) | New York | #84 | |||
| C - 2336- 1; 25-Feb-05 | |||||
| Victor: 85076; 26002; H.M.V.: 032023 | |||||
| IRCC 145 | 12″ | Saisons, Les (Baron Gottfried van Swieten; Franz Josef Haydn) - Chant du Laboureur | |||
| Plançon, Pol - bass; Piano (NL) | New York | #84 | |||
| C - 2321- 1; 20-Feb-05 | |||||
| Victor: 85082; H.M.V.: 3-32666; 032029 | |||||
| IRCC 146 | 12″ | Fliegende Holländer, Der (Richard Wagner): Ver' sank ich jetzt in wunderbares traumen? | |||
| Gadski, Johanna - soprano; Goritz, Otto - baritone; Orchestra | Camden | #84 | |||
| C -11723- 1; 14-Mar-12 | |||||
| Victor: 88370; H.M.V.: 044242; 76300 | |||||
| IRCC 146 | 12″ | Fliegende Holländer, Der (Richard Wagner): Wohl kenn' ich Weibes heil'ge pflichten | |||
| Gadski, Johanna - soprano; Goritz, Otto - baritone; Orchestra | Camden | #84 | |||
| C -11725- 2; 14-Mar-12 | |||||
| Victor: 88371 | |||||
| IRCC 147 | 12″ | Clemenza di Tito, La (Caterino Mazzolà; Wolfgang Amadeus Mozart, K.621): Non più di fiori | |||
| Lunn, Louise Kirkby - contralto; Gomez, Manuel - clarinet; Orchestra | London | #85 | |||
| z5500f; 22-Sep-11 | |||||
| H.M.V.: 2-053068; AGSB 21 | |||||
| IRCC 147 | 12″ | Gioconda, La (Victor Hugo; Arrigo Boito; Amilcare Ponchielli): L'amo come il fulgor del creato | |||
| Destinn, Emmy - soprano; Lunn, Louise Kirkby - contralto; Orchestra | London | #85 | |||
| 5144f; 6-Jul-11 | |||||
| H.M.V.: 2-054020x; DB 517 | |||||
| IRCC 148 | 12″ | Sonnambula, La (Felice Romani; Vincenzo Bellini): Come per me sereno | |||
| Tetrazzini, Luisa - soprano; Orchestra | London | #85 | |||
| HO188ac; 9-Jul-12 | |||||
| H.M.V.: 2-053070 | |||||
| IRCC 148 | 12″ | Voci di primavera (Italo Celeste; Johann Strauss II, Op. 410) | |||
| Tetrazzini, Luisa - soprano; Orchestra | London | #85 | |||
| 2586f; Sep-08 | |||||
| H.M.V.: 053197 | |||||
| IRCC 149 | 10″ | Meistersinger von Nürnberg, Die (Richard Wagner): Wissen die Sterne | |||
| Winkelmann, Hermann - tenor; Piano (NL) | Vienna | #86 | |||
| 6769b; 1905; Transcribed | |||||
| G&T: 3-42465 | |||||
| IRCC 149 | 10″ | Tannhäuser (Richard Wagner): Lied an die Venus | |||
| Winkelmann, Hermann - tenor; Piano (NL) | Vienna | #86 | |||
| 6771b; 1905; Transcribed | |||||
| G&T: 3-42370 | |||||
| IRCC 150 | 10″ | Come back to Erin (John William Cherry; Charlotte Arlington Barnard as "Claribel") | |||
| Melba, Nellie - soprano; H. M. Coldstream Guards Band, Lt. Mackenzie Rogan - conductor | London | #86 | |||
| 7202½b; 4-Sep-05 | |||||
| G&T: 3616; Victor: 94003 | |||||
| IRCC 150 | 10″ | Good night (Alfred Scott-Gatty) | |||
| Melba, Nellie - soprano; Dawson, Peter - bass-baritone; Pike, Ernest - tenor; Roberts, Gwladys - contralto | London | #86 | |||
| Ronald, Landon - piano | |||||
| 7204b; 4-Sep-05 | |||||
| G&T: 3618; Victor: 94006 | |||||
| IRCC 151 | 12″ | Rosenkavalier, Der (Hugo von Hofmannsthal; Richard Strauss, Op. 59): Ist ein Traum, Schluss - Duett | |||
| Nast, Minnie - soprano; von der Osten, Eva- soprano; Orchestra | Berlin | #87 | |||
| 2304c; 25-Aug-11 | |||||
| H.M.V.: 044183; D1002 | |||||
| IRCC 151 | 12″ | Rosenkavalier, Der (Hugo von Hofmannsthal; Richard Strauss, Op. 59): Kann mich auch - "Monolog der Marschallin" | |||
| Siems, Margarethe - soprano; Orchestra | Berlin | #87 | |||
| 2303c; 25-Aug-11 | |||||
| H.M.V.: 043179; HM 55 | |||||
| IRCC 152 | 12″ | Oh! That we two were Maying (Charles Kingsley; Ethelbert W. Nevin, Op. 2, No. 8) | |||
| Bispham, David - baritone; Piano (NL) | London | #87 | |||
| WG268R; 20-Aug-03 | |||||
| G&T: 02046 | |||||
| IRCC 152 | 12″ | Tannhäuser (Richard Wagner): Als du im kühnem Sange - (O kehr zurück) | |||
| Bispham, David - baritone; Piano (NL) | London | #87 | |||
| WG266R; 20-Aug-03; Transcribed in 1939 | |||||
| G&T: 042050 | |||||
| IRCC 153 | 12″ | Alceste (Raniero de Calzabigi after Euripides; Christoph Willibald Glück): Fatal divinita | |||
| Homer, Louise - contralto; Orchestra | Camden | #89 | |||
| C - 9911- 1; 6-Feb-11 | |||||
| Victor: 88286 | |||||
| IRCC 153 | 12″ | Orfeo ed Euridice (Ranieri de Calzabigi; Christoph Willibald Glück, Op. 26): Away with mourning and crying | |||
| Homer, Louise - contralto; Piano (NL) | New York - Carnegie Hall - Room 826 | #89 | |||
| C - 622- 1; 2-Nov-03; Autographed | |||||
| Victor: 74017; 85015 | |||||
| IRCC 154 | 12″ | Siegfried (Richard Wagner) - Finale | |||
| Anthes, Georg - tenor; Nordica, Lillian - soprano; Metropolitan Opera Orchestra | New York - Metropolitan Opera House | #88 | |||
| Live performance ; 19-Jan-03; Transcribed | |||||
| Mapelson cylinder: First edition | |||||
| IRCC 154 | 12″ | Siegfried (Richard Wagner) - Fragments from Act 3 duet | |||
| Anthes, Georg - tenor; Nordica, Lillian - soprano; Metropolitan Opera Orchestra | New York - Metropolitan Opera House | #88 | |||
| Live performance ; 19-Jan-03; Transcribed | |||||
| Mapelson cylinder: First edition | |||||
| IRCC 155 | 10″ | Götterdämmerung, Der (Richard Wagner): Brunnhilde's immolation scene - Part 2 | |||
| Nordica, Lillian - soprano; Metropolitan Opera Orchestra | New York - Metropolitan Opera House | #88 | |||
| Live performance ; 28-Feb-03; Transcribed | |||||
| Mapelson cylinder: First edition | |||||
| IRCC 155 | 10″ | <Blank side of a double-sided record | |||
| IRCC 156 | 12″ | Nymphes et Sylvains (Henri Bemberg) | |||
| Farrar, Geraldine - soprano; Orchestra | Camden | #88 | |||
| C - 6063- 1; 30-Mar-08 | |||||
| Victor: 88125 | |||||
| IRCC 156 | 12″ | Tosca, La (Giuseppe Giacosa; Luigi Illica; Giacomo Puccini): Ora stammi a sentir | |||
| Farrar, Geraldine - soprano; Orchestra | Camden | #88 | |||
| C - 9834- 2; 26-Jan-11; Autographed | |||||
| Victor: 88287; H.M.V.: 2-053037; AGSB 55; DB 653 | |||||
| IRCC 157 | 10″ | Embarquez-vous (Benamin Godard) | |||
| Plançon, Pol - bass; Piano (NL) | New York - Carnegie Hall - Room 826 | #89 | |||
| B - 1052- 1; 27-Feb-04 | |||||
| Victor: 81039; H.M.V.: 3-32662 | |||||
| IRCC 157 | 10″ | Si tu veux, Mignonne (Boyer; Jules Massenet) | |||
| Plançon, Pol - bass; Piano (NL) | New York | #89 | |||
| B - 2320- 1; 20-Feb-05 | |||||
| Victor: 81076; H.M.V.: 3-32667 | |||||
| IRCC 158 | 12″ | Don Carlo (Camille du Locle; Joseph Méry; Translated by Angelo Zanardini; Giuseppe Verdi): O don fatale | |||
| Fremstad, Olive - soprano; Orchestra | New York | #90 | |||
| 36807- 3; 7-Nov-13; Transcribed in 1939 | |||||
| Columbia: 36807; A-5521 | |||||
| IRCC 158 | 12″ | Tristan und Isolde (Richard Wagner): Liebestod | |||
| Fremstad, Olive - soprano; Orchestra | New York | #90 | |||
| 30707- 2; 5-Nov-13; Transcribed 1939; Autographed | |||||
| Columbia: 30707; A-5521 | |||||
| IRCC 159 | 12″ | Hérodiade (Paul Milliet; Henri Grémont; Jules Massenet, IKM 95): Il est doux, il est bon | |||
| Strong, Susan - soprano; Orchestra | London | #97 | |||
| 2435f; 1908; Transcribed to 2EA8053- 1 in London, 1939 | |||||
| H.M.V.: 03116 | |||||
| IRCC 159 | 12″ | Junge nonne, Die (Jakob Nikolaus von Craigher; Franz Schubert) | |||
| Strong, Susan - soprano; Orchestra | London | #97 | |||
| 2004f; 1907; Autographed | |||||
| H.M.V.: 043078; VB 13 | |||||
| IRCC 160 | 12″ | Giroflé-Girofla, Le (Albert Vanloo; Eugène Leterrier; Alexander Charles Lecocq): Le punch scintille - "Brindisi" | |||
| Arral, Blanche - soprano; Orchestra | |||||
| 4M-35019; Nov-10; Transcribed | New York; NL | ||||
| Edison cylinder: A 35019 | |||||
| IRCC 160 | 12″ | Mignon (Michel Carré; Jules Barbier; Ambroise Thomas): Je suis Titania - "Polonaise" | |||
| Arral, Blanche - soprano; Orchestra | |||||
| B166; 1908; Transcribed; Autographed | New York; NL | ||||
| Edison 4m. cylinder: 35000; BA28125 | |||||
| IRCC 161 | 12″ | Lakmé (Edmond Gondinet; Philippe Gille; Léo Delibes): Où va la jeune Hindoue? - "Bell song" | |||
| Hempel, Frieda - soprano; Orchestra | Berlin | #86 | |||
| 2411c; 15-Sep-11 | |||||
| H.M.V.: 033144; DB 295 | |||||
| IRCC 161 | 12″ | Wildschütz, Der (Albert Lortzing): Auf des Lebens raschen Wogen | |||
| Hempel, Frieda - soprano; Orchestra | Berlin | #86 | |||
| 1174s; 18-Sep-13; Autographed | |||||
| H.M.V.: 043247; AGSB 59; 76047 | |||||
| IRCC 162 | 12″ | Favorita, La (Alphonse Royer; Gustave Waez; Baculard Darnaud; Gaetano Donizetti): O mio Fernando | |||
| Charles-Cahier, Sara - contralto; Orchestra, Nils Gravellius - conductor | Stockholm | #90 | |||
| CS2947- 2; 20-Sep-28 | |||||
| H.M.V.: 2-083023; M 109; HM 69 | |||||
| IRCC 162 | 12″ | Prophète, Le (Eugène Scribe; Giacomo Meyerbeer): Ah! Mon fils | |||
| Charles-Cahier, Sara - contralto; Orchestra, Nils Gravellius - conductor | Stockholm | #90 | |||
| CS2946- 1T1; 20-Sep-28; Transcribed T1 | |||||
| H.M.V.: 2-083022; M 109; HM 69 | |||||
| IRCC 163 | 12″ | Cavalleria Rusticana (Guido Menasci; Giovanni Targioni-Tozzetti; Pietro Mascagni): Fragments - Battimi, insultami + Ah, no, Turiddu | |||
| Bridewell, Carrie - mezzo soprano; Campanari, Giuseppe - baritone; Calve, Emma - soprano; de Marchi, Emilio - tenor | New York - Metropolitan Opera House | #91 | |||
| Metropolitan Opera Orchestra | |||||
| Live performance ; 22-Feb-02; Transcribed | |||||
| Mapelson cylinder: First edition | |||||
| IRCC 163 | 12″ | Faust (Johann Wolfgang von Goethe; Jules Barbier; Michel Carré; Charles Gounod): Fragments - Jewel song + Final trio | |||
| Calvé, Emma - soprano; Dippel, Andreas - tenor; Journet, Marcel - bass; Metropolitan Opera Orchestra | New York - Metropolitan Opera House | #91 | |||
| Live performance ; 15-Feb-02; Transcribed | |||||
| Mapelson cylinder: First edition | |||||
| IRCC 164 | 12″ | Oberon (James Robinson Planche; Carl Maria von Weber): Ozean Du Ungeheuer (Part 1) | |||
| Gadski, Johanna - soprano; Orchestra | Camden | #91 | |||
| C -14803- 1; 6-May-14 | |||||
| Victor: 88495; H.M.V.: 2-043014 | |||||
| IRCC 164 | 12″ | Oberon (James Robinson Planche; Carl Maria von Weber): Ozean Du Ungeheuer (Part 2): Wolkenlos strahlt jetzt | |||
| Gadski, Johanna - soprano; Orchestra, Walter B. Rogers - conductor | Camden | #91 | |||
| C -14804- 5; 15-Jun-15 | |||||
| Victor: 88545 | |||||
| IRCC 165 | 12″ | Aus der schönen blauen Donau (Johann Strauss II, Op. 314) | |||
| Kurz, Selma - soprano; Orchestra, Julius Harrison - conductor | London - Small Queen's Hall - Studio C | #92 | |||
| Cc 6973- 2; 15-Oct-25 | |||||
| H.M.V.: 2-043045; DB 909; VB 35 | |||||
| IRCC 165 | 12″ | Nozze di Figaro, Le (Lorenzo da Ponte; Wolfgang Amadeus Mozart): Deh vieni, non tardar | |||
| Kurz, Selma - soprano; Orchestra, Julius Harrison - conductor | London - Small Queen's Hall - Studio C | #92 | |||
| Cc 6992- 2; 16-Oct-25; Sung in German? | |||||
| H.M.V.: 2-053250; DB 909; VB 35 | |||||
| IRCC 166 | 12″ | Gia il sole dal gange (Alessandro Scarlatti) + Lungi dal caro bene (Antonio Secchi) | |||
| Easton, Florence - soprano; Hodges, Lester - piano | New York - Live radio broadcast | #93 | |||
| Private recording; 13-Jul-39 | |||||
| IRCC; First edition | |||||
| IRCC 166 | 12″ | Saint Elizabeth (Otto Roquette; Franz Liszt): Prayer | |||
| Easton, Florence - soprano; Kritz, Karl - piano | New York | #93 | |||
| IRCC recording; 10-Feb-40; Autographed | |||||
| IRCC; First edition | |||||
| IRCC 167 | 10″ | Tristan und Isolde (Richard Wagner): Love duet from Act 2 - Part 1 | |||
| Anthes, Georg - tenor; Nordica, Lillian - soprano; Schumann-Heink, Ernestine - contralto; Metropolitan Opera Orchestra | New York - Metropolitan Opera House | #95 | |||
| Live performance ; 9-Feb-03; Transcribed - with libretto | |||||
| Mapelson cylinder: First edition | |||||
| IRCC 167 | 10″ | Tristan und Isolde (Richard Wagner): Love duet from Act 2 - Part 2 | |||
| Anthes, Georg - tenor; Nordica, Lillian - soprano; Schumann-Heink, Ernestine - contralto; Metropolitan Opera Orchestra | New York - Metropolitan Opera House | #95 | |||
| Live performance ; 9-Feb-03; Transcribed - with libretto | |||||
| Mapelson cylinder: First edition | |||||
| IRCC 168 | 12″ | Huguenots, Les (Augustin Eugène Scribe; Émile Deschamps; Giacomo Meyerbeer) - 1 and 2 - Marcel-Valentine duet | |||
| de Reszke, Edouard - baritone; Gadski, Johanna - soprano; Metropolitan Opera Orchestra, Phillipe Flon - conductor | New York - Metropolitan Opera House | #94 | |||
| Live performance ; 24-Jan-03; Transcribed | |||||
| Mapelson cylinder: First edition | |||||
| IRCC 168 | 12″ | Huguenots, Les (Augustin Eugène Scribe; Émile Deschamps; Giacomo Meyerbeer) - 3 and 4 - Marcel-Valentine duet | |||
| de Reszke, Edouard - baritone; Gadski, Johanna - soprano; Metropolitan Opera Orchestra, Phillipe Flon - conductor | New York - Metropolitan Opera House | #94 | |||
| Live performance ; 24-Jan-03; Transcribed | |||||
| Mapelson cylinder: First edition | |||||
| IRCC 169 | 12″ | Carmen (Henri Meilhac; Ludovic Halevy; Georges Bizet): Je suis Escamillo | |||
| Dalmorès, Charles - tenor; Journet, Marcel - bass; Orchestra | New York | #94 | |||
| C - 4253- 1; 19-Feb-07 | |||||
| Victor: 85114; H.M.V.: 034001; AGSB 19 | |||||
| IRCC 169 | 12″ | Faust (Johann Wolfgang von Goethe; Jules Barbier; Michel Carré; Charles Gounod): Ô merveille... A moi les plaisirs - "Vision celeste" | |||
| Dalmorès, Charles - tenor; Journet, Marcel - bass; Orchestra | New York | #94 | |||
| C - 4254- 1; 19-Feb-07 | |||||
| Victor: 85115 | |||||
| IRCC 170 | 10″ | Faust (Johann Wolfgang von Goethe; Jules Barbier; Michel Carré; Charles Gounod): Il m'aime | |||
| Journet, Marcel - baritone; Salignant, Thomas - tenor; Scheff, Fritzi - soprano | New York - Metropolitan Opera House | #95 | |||
| Metropolitan Opera Orchestra, Luigi Mancinelli - conductor; Not deReszke - early label error | |||||
| Live performance ; 30-Jan-03; Transcribed | |||||
| Mapelson cylinder: First edition | |||||
| IRCC 170 | 10″ | Fille du Regiment, La (Jules-Henri Vernoy de Saint-Georges; Jean-François-Alfred Bayard; Gaetano Donizetti) - Fragments - | |||
| De cet aveu si tendre + En avant, rataplan | |||||
| Gilibert, Charles - baritone; Salignac, Thomas - tenor; Sembrich, Marcella - soprano | |||||
| (.*) | |||||
| Live performance ; 30-Jan-03; Transcribed | New York - Metropolitan Opera House | #95 | |||
| Mapelson cylinder: First edition | |||||
| IRCC 171 | 10″ | Du bist wie eine Blume (Heinrich Heine; Robert Schumann, Op. 25, No. 24) - O jours herreux | |||
| Culp, Julia - soprano; Lindemann, Fritz - piano | Berlin | #96 | |||
| BW 156- 2; 29-Jul-26 | |||||
| H.M.V.: 8-43006; EW 9 | |||||
| IRCC 171 | 10″ | Feldeinsamkeit (Hermann Almers; Johannes Brahms, Op. 86, No. 2) | |||
| Culp, Julia - soprano; Lindemann, Fritz - piano | Berlin | #96 | |||
| BW 158- 1; 29-Jul-26 | |||||
| H.M.V.: 8-43007; EW 9 | |||||
| IRCC 172 | 10″ | Wilhelm Tell (Friedrich Schiller; Étienne de Jouy; Hippolyte Bis; Gioachino Rossini): Ah, Mathilde - (In German) | |||
| Slezak, Leo - tenor; Piano (NL) | Vienna | #96 | |||
| 820z; 1903; Transcribed | |||||
| G&T: 2-42592; ER125 | |||||
| IRCC 172 | 10″ | Hérodiade (Paul Milliet; Henri Grémont; Jules Massenet, IKM 95): Adieu donc, vains objets | |||
| Tamagno, Francesco - tenor; Piano (NL) | Ospedaletti, Susa, Italy | #96 | |||
| 3016b; Feb-03 | |||||
| G&T: 52680 | |||||
| IRCC 173 | 12″ | Aufenthalt (Franz Schubert) | |||
| Why, Foster - bass; Why, Greta - piano | #98 | ||||
| IRCC recording; 1940; Autographed | |||||
| IRCC; First edition | |||||
| IRCC 173 | 12″ | Cor, Le (Alfred de Vigny; Ange Flégier) | |||
| Why, Foster - bass; Why, Greta - piano | #98 | ||||
| IRCC recording; 1940 | |||||
| IRCC; First edition | |||||
| IRCC 174 | 10″ | Gypsy Melodies (Adolf Heyduk; Antonin Dvořák, Op. 55, No. 4): Songs my mother taught me | |||
| Easton, Florence - soprano; Moore, Gerald - piano | London - Abbey Road - Studio 3 | #97 | |||
| 0B5558- 1; 18-Jan-34 | |||||
| H.M.V.: Not released; HM 131 | |||||
| IRCC 174 | 10″ | Hat dich die Liebe beruhrt? (Joseph Marx) | |||
| Easton, Florence - soprano; Moore, Gerald - piano | London - Abbey Road - Studio 3 | #97 | |||
| 0B5561- 1; 18-Jan-34; Autographed | |||||
| H.M.V.: Not released; HM 131 | |||||
| IRCC 175 | 12″ | Lombardi, I (Tomasso Grossi; Temistocle Solera; Giuseppe Verdi): O madre, dal cielo...Se vano, se vano è il pregare | |||
| Muzio, Claudia - soprano; Orchestra | New York | #98 | |||
| 8450; 12-May-22; Transcribed | |||||
| Edison Diamond Disc: 82309-L | |||||
| IRCC 175 | 12″ | Pagliacci (Catulle Mendìs; Ruggiero Leoncavallo): O che volo d'augelli - "Ballatella" | |||
| Muzio, Claudia - soprano; Orchestra | New York | #98 | |||
| 7608; 8-Mar-22; Transcribed | |||||
| Edison Diamond Disc: 82232-L | |||||
| IRCC 176 | 10″ | Auf dem Wasser zu singen (Friedrich Leopold, Graf zu Stollberg-Stollberg; Franz Schubert, Op. 72, D.547) | |||
| Hempel, Frieda - soprano; Seidler-Winkler, Bruno - piano | Berlin | #99 | |||
| 0RA1088- 1; 20-Feb-36; First edition; Autographed | |||||
| H.M.V.: Not released | |||||
| IRCC 176 | 10″ | Zwiegesäng (Carl Amand Mangold) | |||
| Hempel, Frieda - soprano; Seidler-Winkler, Bruno - piano | Berlin | #99 | |||
| 0RA1090- 1; 20-Feb-36; First edition | |||||
| H.M.V.: Not released | |||||
| IRCC 177 | 10″ | Echoes of the Golden Age of Opera - Die Walküre (Richard Wagner) - Scene from Act 2 | |||
| Homer, Schumann-Heink, Seygard, Bauermeister, Van Cauteren and Marylii; Metropolitan Opera Orchestra, Alfred Hertz - conductor | New York - Metropolitan Opera House | #98 | |||
| Live performance ; 21-Feb-03; Transcribed | |||||
| Mapelson cylinder: First edition | |||||
| IRCC 177 | 10″ | Echoes of the Golden Age of Opera - Die Walküre (Richard Wagner) - Scene from Act 3 | |||
| Bispham, Gadski, Nordica, Van Cauteren, Bauermeister, Homer, Schumann-Heink, Seygard, Marylii, Maurer and Bridewell | New York - Metropolitan Opera House | #98 | |||
| Metropolitan Opera Orchestra, Alfred Hertz - conductor | |||||
| Live performance ; 21-Feb-03; Transcribed | |||||
| Mapelson cylinder: First edition | |||||
| IRCC 178 | 10″ | Africaine, L' (Augustin Eugène Scribe; François-Joseph Fétis; Giacomo Meyerbeer): O Paradis | |||
| Alvarez, Albert - tenor; Piano (NL); Announcer - NL | Paris | #100 | |||
| 1655; 1903; Transcribed; | |||||
| Pathé cylinder & disc: 1655; 0023; | |||||
| IRCC 178 | 10″ | Otello (William Shakespeare; Arrigo Boito; Giuseppe Verdi): Ora e per sempre addio sante memorie | |||
| Alvarez, Albert - tenor; Piano (NL); Announcer - NL | Paris | #100 | |||
| 1639; 1903; Transcribed; | |||||
| Pathé cylinder & disc: 1639; | |||||
| IRCC 179 | 10″ | Echoes of the Golden Age of Opera - La Tosca (Giuseppe Giacosa; Luigi Illica; Giacomo Puccini): Ah, monstro, lo strazi - | |||
| Torture scene from Act 2 - Part 1 | |||||
| de Marchi, Emilio - tenor; Eames, Emma - soprano; Scotti, Antonio - baritone | |||||
| (.*) | |||||
| Live performance ; 3-Jan-03; Transcribed | New York - Metropolitan Opera House | #100 | |||
| Mapelson cylinder: First edition | |||||
| IRCC 179 | 10″ | Echoes of the Golden Age of Opera - La Tosca (Giuseppe Giacosa; Luigi Illica; Giacomo Puccini): Vitoria, vitoria - | |||
| Torture scene from Act 2 - Part 2 | |||||
| Bégué, Bernard - baritone; de Marchi, Emilio - tenor; Eames, Emma - soprano; Scotti, Antonio - baritone | |||||
| (.*) | |||||
| Live performance ; 3-Jan-03; Transcribed | New York - Metropolitan Opera House | #100 | |||
| Mapelson cylinder: First edition | |||||
| IRCC 180 | 10″ | Pescatori di Perle, I (Eugene Cormon; Michel Carré; Georges Bizet): Siccome un dì caduto | |||
| Boronat, Olimpia - soprano; Zardo, Redento - piano | St. Petersburg | #100 | |||
| 1777L; Jan-04 | |||||
| G&T: 53353; VA 11 | |||||
| IRCC 180 | 10″ | Rigoletto (Francesco Maria Piave; Giuseppe Verdi): Gualtier Maldé... Caro nome che il mio cor | |||
| Boronat, Olimpia - soprano; Zardo, Redento - piano | St. Petersburg | #100 | |||
| 1772L; Jan-04 | |||||
| G&T: 53348 | |||||
| IRCC 181 | 12″ | Spring (Thomas Nash; George Henschel) | |||
| Melba, Nellie - soprano; Ronald, Landon - piano | London | #101 | |||
| 4213f; 19-May-10 | |||||
| H.M.V.: 03328 | |||||
| IRCC 181 | 12″ | Three green bonnets (Helen Guy Rhodes as "Guy d'Hardelot") | |||
| Melba, Nellie - soprano; Ronald, Landon - piano | London - Great Cumberland Place | #101 | |||
| Melba 25; Apr-04 | |||||
| G&T: 03027; Victor: 95017; NM: 5 | |||||
| IRCC 182 | 10″ | Ave Maria (Johann Sebastian Bach, BWV 846; Charles Gounod) | |||
| Albani, Emma - soprano; Piano (NL) | London | #101 | |||
| 50331; Apr-07; Transcribed | |||||
| Pathé cylinder & disc: 50331; 242; 17689; 20995 | |||||
| IRCC 182 | 10″ | Serse (Nicolò Minato; Libretto adapted by Silvio Stampiglia; George Frideric Handel): Frondi tenere e belle... Ombra mai fu - "Largo" | |||
| Albani, Emma - soprano; Piano (NL) | London | #101 | |||
| 50330; Apr-07; Transcribed | |||||
| Pathé cylinder & disc: 50330; 242; 243; 15171; 18298; 19299; 30491 | |||||
| IRCC 183 | 12″ | Africaine, L' (Augustin Eugène Scribe; François-Joseph Fétis; Giocomo Meyerbeer) - Selections from Act 4 | |||
| Bréval, Lucienne - soprano; de Reszke, Jean - tenor; Metropolitan Opera Orchestra, Phillipe Flon - conductor | New York - Metropolitan Opera House | #102 | |||
| Live performance ; 15-Mar-01; Transcribed - with libretto | |||||
| Mapelson cylinder: First edition | |||||
| IRCC 183 | 12″ | Lohengrin (Richard Wagner): Mein Herr und König | |||
| de Reszke, Jean - tenor; Metropolitan Opera Orchestra and Chorus, Walter Damrosch - conductor; Mapleson, Lionel - announcer | New York - Metropolitan Opera House | #102 | |||
| Live performance ; 29-Mar-01; Transcribed - with libretto | |||||
| Mapelson cylinder: First edition | |||||
| IRCC 184 | 12″ | Dallibor (Josef Wenzig; Bedřich Smetana): Hier mein Arm... Wär' es wahr? | |||
| Destinn, Emmy - soprano; Orchestra, Bruno Seidler-Winkler - conductor | Berlin | #102 | |||
| 273ac; 18-Oct-09 | |||||
| H.M.V.: 043138; ES183; 65408; AGSB 12 | |||||
| IRCC 184 | 12″ | Tannhäuser (Richard Wagner): Dich, teure Halle | |||
| Destinn, Emmy - soprano; Orchestra, Bruno Seidler-Winkler - conductor | Berlin | #102 | |||
| 272ac; 18-Oct-09 | |||||
| H.M.V.: 043133; ES182; 65186 | |||||
| IRCC 185 | 10″ | Damnation de Faust, La (Johann Wolfgang von Goethe; Translated by Gérard de Nerval; Almire Gandonnière; Hector Berlioz, Op. 24): | |||
| Devant la maison - "Serenade" | New York - Carnegie Hall - Room 826 | #102 | |||
| Plançon, Pol - bass; Piano (NL) | |||||
| B - 874- 2; 29-Jan-04 | |||||
| Victor: 81034; H.M.V.: 3-32179 | |||||
| IRCC 185 | 10″ | Faust (Johann Wolfgang von Goethe; Jules Barbier; Michel Carré; Charles Gounod): Je ferai de mon mieux... Le veau d'or est toujours debout | |||
| Plançon, Pol - bass; Piano (NL) | New York | #102 | |||
| B - 1051- 2; 24-Jan-05 | |||||
| Victor: 81038; H.M.V.: 3-32665 | |||||
| IRCC 186 | 12″ | Tannhäuser (Richard Wagner): Allmächt´ge Jungfrau, hor´ mein Flehen - "Gebet" | |||
| Gadski, Johanna - soprano; Orchestra | New York | #103 | |||
| C - 4129- 2; 8-Dec-06; First edition | |||||
| Victor: 88044 | |||||
| IRCC 186 | 12″ | Zauberflöte, Die (Emanuel Schikaneder; Wolfgang Amadeus Mozart, KV 620): Ach, ich fühl's es ist verschwunden | |||
| Gadski, Johanna - soprano; Orchestra | Camden | #103 | |||
| C - 9492- 2; 29-Sep-10 | |||||
| Victor: 88254 | |||||
| IRCC 187 | 10″ | Guglielmo Tell (Etienne de Jouy; Hippolyte Bis; Gioachino Rossini): Sois immobile - “Prière” | |||
| Noté, Jean - baritone; Piano (NL) | Paris | #103 | |||
| 33185; 1903; Transcribed | |||||
| G&T: 33185; IRCC3013 | |||||
| IRCC 187 | 10″ | Véronique (Lilian Eldée; Percy Greenbank; André Massager): Adieu, je pars, c'est mon devoir - "Strophes de la lettre" | |||
| Gilibert, Charles - baritone and announcer; Orchestra, Louis Fontbonne - conductor | Paris | #103 | |||
| 17736; 1906; Transcribed; | |||||
| Edison cylinder: 17736; | |||||
| IRCC 188 | 12″ | Amarilli, mia bella (Giulio Caccini) | |||
| Gilly, Dinh - baritone; Reeves, George - piano | London - Small Queen's Hall - Studio C | #104 | |||
| Cc14231- 1; 15-Aug-28 | |||||
| H.M.V.: 2-052382; DB 1256 | |||||
| IRCC 188 | 12″ | O del mio amato ben (Alberto Donaudy; Stefano Donaudy) | |||
| Gilly, Dinh - baritone; Reeves, George - piano | Hayes - A Studio | #104 | |||
| Cc14229- 4; 16-Jan-29 | |||||
| H.M.V.: 2-052400; DB 1256 | |||||
| IRCC 189 | 12″ | Semiramide (Gaetano Rossi; Gioachino Rossini): Ah, quel giorno ognor rammento | |||
| de Cisneros, Eleonora - contralto; Orchestra | New York | #104 | |||
| 2212; 5-Apr-13; Transcribed | |||||
| Edison Diamond Disc: 82521-R | |||||
| IRCC 189 | 12″ | Semiramide (Gaetano Rossi; Gioachino Rossini): Bel raggio lusinghier | |||
| Abendroth, Irene - soprano; Piano (NL) | Dresden | #104 | |||
| 767x; 1902; Transcribed | |||||
| G&T: 43244; IRCC3065 | |||||
| IRCC 190 | 12″ | Don Carlo (Camille du Locle; Joseph Méry; Translated by Angelo Zanardini; Giuseppe Verdi): Per me giunto è il dì supremo | |||
| Scotti, Antonio - baritone; Piano (NL) | New York | #105 | |||
| C - 2359- 1; 2-Mar-05 | |||||
| Victor: 85067; H.M.V.: 052108 | |||||
| IRCC 190 | 12″ | Elisir d'Amore, L' (Felice Romani; Gaetano Donizetti): Come paride vezzoso | |||
| Scotti, Antonio - baritone; Piano (NL) | New York | #105 | |||
| C - 2361- 1; 2-Mar-05 | |||||
| Victor: 85068; H.M.V.: 052109; AGSB 24; DB 589 | |||||
| IRCC 191 | 12″ | Maritana (Edward Fitzball; William Vincent Wallace): Scenes that are brightest | |||
| de Vère Sapio, Clémentine - soprano; Orchestra | New York | #105 | |||
| 2930; Apr-14; Transcribed; Autographed | |||||
| Edison Diamond Disc: 80088-L | |||||
| IRCC 191 | 12″ | <Blank side of a double-sided record | |||
| IRCC 192 | 12″ | Bianca e Fernando (Domenico Gilardoni; Vincenzo Bellini): Sorgi, o padre | |||
| Muzio, Claudia - soprano; Orchestra | New York | #190 | |||
| 8392; 24-Mar-22; Transcribed | |||||
| Edison Diamond Disc: 82267-R | |||||
| IRCC 192 | 12″ | Paride ed Elena (Ranieri da Calzabigi; Christoph Willibald Glück): Spiagge amati | |||
| Muzio, Claudia - soprano; Piano (NL) | New York | #190 | |||
| 8854; 19-Feb-23; Transcribed | |||||
| Edison Diamond Disc: 82287-R | |||||
| IRCC 193 | 10″ | Otello (William Shakespeare; Arrigo Boito; Giuseppe Verdi): Era la notte | |||
| Maurel, Victor - baritone; Piano (NL) | Paris | #106 | |||
| 1632F; Feb-03; Transcribed in Australia to S-347-1, 1941 | |||||
| G&T: 2-32814 | |||||
| IRCC 193 | 10″ | Otello (William Shakespeare; Arrigo Boito; Giuseppe Verdi): Ora e per sempre addio sante memorie | |||
| Tamagno, Francesco - tenor; Piano (NL) | Ospedaletti, Susa, Italy | #106 | |||
| 3004b; Feb-03; Transcribed S/8, September 22, 1914? | |||||
| G&T: 52675; DR105; Victor: 95003 | |||||
| IRCC 194 | 12″ | Love in May (Horatio W. Parker) + I once had a sweet little doll (Charles Kingsley; Ethelbert W. Nevin) | |||
| Eames, Emma - soprano; Piano (NL) | New York | #106 | |||
| C - 6201- 1; 18-May-08 | |||||
| Victor: 88131 | |||||
| IRCC 194 | 12″ | Spring (Thomas Nash; George Henschel) + The year's at the spring (Robert Browning; H.H.A. Beach) - "Key D flat" | |||
| Eames, Emma - soprano; Piano (NL) | New York | #106 | |||
| C - 6203- 1; 18-May-08 | |||||
| Victor: 88008; H.M.V.: AGSB 22 | |||||
| IRCC 195 | 12″ | My mother bids me bind my hair (Franz Josef Haydn) | |||
| Farrar, Geraldine - soprano; Orchestra | Camden | #107 | |||
| C - 9835- 1; 23-Jan-11; Autographed | |||||
| Victor: 88289; H.M.V.: 03237 | |||||
| IRCC 195 | 12″ | Ring of Haround al Rashid (Fritz Lindermann; George W. Chadwick): Love's like a summer rose | |||
| Farrar, Geraldine - soprano; Orchestra | New York | #107 | |||
| C -12738- 1; 19-Dec-12 | |||||
| Victor: 88409; H.M.V.: 03319; 76331; KSG 85132 | |||||
| IRCC 196 | 10″ | Amadis de Gaule (Philippe Quinault; Jean-Baptiste Lully): Amour, que veux-to de moi? | |||
| Calvé, Emma - soprano; Mathé. Edouard - piano | Paris | #107 | |||
| 2365; Jun-20; Transcribed | |||||
| Pathé disc: 0288 | |||||
| IRCC 196 | 10″ | Nozze di Figaro, Le (Lorenzo da Ponte; Wolfgang Amadeus Mozart): Mon coeur soupir - ("Voi che sapete") | |||
| Calvé, Emma - soprano; Orchestra | Paris | #107 | |||
| 2291; 1919; Transcribed | |||||
| Pathé disc: 0288; 5580 | |||||
| IRCC 197 | 12″ | Carmen (Henri Meilhac; Ludovic Halevy; Georges Bizet): Les tringles des sistres - "Chanson Bohême" - (In Spanish) | |||
| Gay, Maria - contralto; Orchestra, Percy Pitt - conductor | London | #108 | |||
| 3816F; 9-Nov-09 | |||||
| H.M.V.: 2-063000 | |||||
| IRCC 197 | 12″ | Don Giovanni (Lorenzo da Ponte; Wolfgang Amadeus Mozart, K.527): Vedrai, carino, se sei buonino | |||
| Gay, Maria - contralto; Orchestra, Percy Pitt - conductor | London | #108 | |||
| 3807F; 8-Nov-09 | |||||
| H.M.V.: 2-053016 | |||||
| IRCC 198 | 10″ | Manon (Henri Meilhac; Philippe Gille; Jules Massenet): Je suis suel... Ah, fuyez, douce image | |||
| Muratore, Lucien - tenor; Orchestra | New York | #108 | |||
| E65469- 2; May-16; Transcribed | |||||
| Pathé disc: 0249; 54001; 63004 | |||||
| IRCC 198 | 10″ | Roméo et Juliette (Jules Barbier; Michel Carré; Charles Gounod): Ah, lève-toi, soleil | |||
| Muratore, Lucien - tenor; Orchestra | New York | #108 | |||
| E66971; Oct-18; Transcribed | |||||
| Pathé disc: 0250; 54008; 64006; 5203; 5362; HRS1092 | |||||
| IRCC 199 | 10″ | Flûte Enchantée (Emanuel Schikaneder; Wolfgang Amadeus Mozart): Isis, c'est l'heure - "Invocation" | |||
| Lankow, Edward - bass; Orchestra | Paris | #108 | |||
| BFR178- 1; 26-Oct-26; Transcribed | |||||
| H.M.V.: 4-32744; P686 | |||||
| IRCC 199 | 10″ | Juive, La (Augustin Eugène Scribe; Jacques-François-Fromental-Élie Halévy): Si la rigueur | |||
| Lankow, Edward - bass; Orchestra | Paris | #108 | |||
| BFR179- 1; 26-Oct-26; Transcribed | |||||
| H.M.V.: 4-32745; P686 | |||||
| IRCC 200 | 10″ | Troyens à Carthage, Les (Hector Berlioz): Adièu, fiere cité | |||
| Litvinne, Félia - soprano; Piano (NL); Announcer - NL | Paris | #109 | |||
| 0349; 1904; Transcribed and reissued on vinylite | |||||
| Pathé cylinder & disc: 0349; 0197 | |||||
| IRCC 200 | 10″ | Troyens à Carthage, Les (Hector Berlioz): Chers Tyriens | |||
| Delna, Marie - contralto; Piano (NL); Announcer - NL | Paris | #109 | |||
| 3513; 1904; Transcribed and reissued on vinylite; | |||||
| Pathé cylinder & disc: 3513; | |||||
| IRCC 201 | 10″ | Echoes of the Golden Age of Opera - Lohengrin (Richard Wagner) - Duet from Act 2 | |||
| Gadski, Johanna - soprano; Reuss-Belce, Luise - soprano; Metropolitan Opera Orchestra, Alfred Hertz - conductor | New York - Metropolitan Opera House | #109 | |||
| Live performance ; 7-Feb-03; Transcribed - with libretto | |||||
| Mapelson cylinder: First edition | |||||
| IRCC 201 | 10″ | Echoes of the Golden Age of Opera - Lohengrin (Richard Wagner): Mein Held, In dem ich muss vergeh'n | |||
| Anthes, Georg - tenor; Gadski, Johanna - soprano; Metropolitan Opera Orchestra and Chorus, Alfred Hertz - conductor | New York - Metropolitan Opera House | #109 | |||
| Live performance ; 7-Feb-03; Transcribed - with libretto | |||||
| Mapelson cylinder: First edition | |||||
| IRCC 202 | 12″ | Macbeth (William Shakespeare; Francesco Maria Piave; Andrea Maffei; Giuseppe Verdi): Pietá, rispetto amore | |||
| Battistini, Mattia - baritone; Sabajno, Carlo - piano | Milan | #109 | |||
| 234af; 30-May-12 | |||||
| H.M.V.: 052369; ABHB4; DB 199 | |||||
| IRCC 202 | 12″ | Zampa (Anne-Honoré-Joseph Duveyrier de Mélésville; Louis Joseph Ferdinand Hérold): Perchè tremar? | |||
| Battistini, Mattia - baritone; Orchestra, Carlo Sabajno - conductor | Milan | #109 | |||
| 889c; Nov-06 | |||||
| G&T: 052148; AGSB 52; Victor: 92004 | |||||
| IRCC 203 | 12″ | Cavalleria Rusticana (Guido Menasci; Giovanni Targioni-Tozzetti; Pietro Mascagni): Voi lo sapete, o Mamma | |||
| Raisa, Rosa - soprano; La Scala Orchestra and Chorus, Franco Ghione - conductor | Milan | #110 | |||
| 2M1446- 2; 30-Jun-33; Autographed | |||||
| H.M.V.: 32-4265; DB 2123; Victor: 8561 | |||||
| IRCC 203 | 12″ | Gioconda, La (Victor Hugo; Arrigo Boito; Amilcare Ponchielli): Suicidio, in questi fieri momenti | |||
| Raisa, Rosa - soprano; La Scala Orchestra and Chorus, Franco Ghione - conductor | Milan | #110 | |||
| 2M1445- 2; 30-Jun-33 | |||||
| H.M.V.: 32-4264; DB 2122; Victor: 8560 | |||||
| IRCC 204 | 10″ | Crucifix, Le (F.W. Rosier; Jean-Baptiste Faure) | |||
| Helbig, Hedwig - soprano; Lehmann, Lilli - soprano; Kark, Friedrich - piano | Berlin | #110 | |||
| xB3065; 25-Jun-07; Transcribed | |||||
| Odeon: X 50355; X 52598 | |||||
| IRCC 204 | 10″ | Mein Rhine (Carmen Sylva; August Bungert): Die Loreley | |||
| Lehmann, Lilli - soprano; Lindemann, Fritz - piano | Berlin | #110 | |||
| xB3140; 2-Jul-07; Transcribed | |||||
| Odeon: X 50433; Columbia: S 9004 | |||||
| IRCC 205 | 10″ | Manon (Henri Meilhac; Philippe Gille; Jules Massenet): Je suis suel... Ah, fuyez, douce image | |||
| Clément, Edmond - tenor; Piano (NL) | Paris | #110 | |||
| xP 2265; 1905; Transcribed | |||||
| Odeon: X 56001 | |||||
| IRCC 205 | 10″ | Roméo et Juliette (Jules Barbier; Michel Carré; Charles Gounod): Ah, lève-toi, soleil | |||
| Clément, Edmond - tenor; Piano (NL) | Paris | #110 | |||
| xP 2264; 1905; Transcribed | |||||
| Odeon: X 56000 | |||||
| IRCC 206 | 10″ | Siegfried (Richard Wagner): Heiss ward mir von der harten Last | |||
| Urlus, Jacques - tenor; Orchestra | Berlin | #111 | |||
| 15757; 1910; Transcribed | |||||
| Pathé disc: 34009; 60028 | |||||
| IRCC 206 | 10″ | Siegfried (Richard Wagner): Nothung! Neidliches schwert | |||
| Urlus, Jacques - tenor; Orchestra | Berlin | #111 | |||
| 15756; 1910 | |||||
| Pathé disc: 34009; 60028 | |||||
| IRCC 207 | 10″ | Legend of the dogwood tree, The (Geraldine Farrar) | |||
| Farrar, Geraldine - talking | Fairhaven, Ridgewood, CT | #111 | |||
| Private recording; 9-Nov-41; Transcribed; Autographed | |||||
| IRCC; First edition | |||||
| IRCC 207 | 10″ | Little Christmas Donkey, The (Geraldine Farrar) | |||
| Farrar, Geraldine - talking | Fairhaven, Ridgewood, CT | #111 | |||
| Private recording; 9-Nov-41; Transcribed | |||||
| IRCC; First edition | |||||
| IRCC 208 | 10″ | Ich hab' ein kleines Lied erdacht (August Bungert) | |||
| Gerhardt, Elena - mezzo-soprano; Nikisch, Artur - piano | Berlin | #112 | |||
| 3539R; 1907 | |||||
| H.M.V.: 3762; 2-43180 | |||||
| IRCC 208 | 10″ | Wie sollten wir geheim sie halten (Adolf Friedrich von Schack; Richard Strauss, Op. 19, No. 4) + | |||
| Neue Liebe (Emanuel Geibel; Anton Rubinstein, Op. 57. No. 3) | Berlin | #112 | |||
| Gerhardt, Elena - mezzo-soprano; Nikisch, Artur - piano | |||||
| 3540R; 1907 | |||||
| H.M.V.: 3763; 2-43181 | |||||
| IRCC 209 | 12″ | Ich ben der Welt abhanden gekommen (Friedrich Rückert; Gustav Mahler) | |||
| Charles-Cahier, Sara - contralto; Berlin State Opera, Selmar Meyrowitz - conductor | Berlin | #112 | |||
| QC2075- 1; 1930; Transcribed; Autographed | |||||
| Ultraphon: E288 | |||||
| IRCC 209 | 12″ | Symphony No. 2 (Gustave Mahler) - 4th movement - "Urlicht" | |||
| Charles-Cahier, Sara - contralto; Berlin State Opera, Selmar Meyrowitz - conductor | Berlin | #112 | |||
| QC2074- 1; 1930; Transcribed | |||||
| Ultraphon: E288 | |||||
| IRCC 210 | 10″ | Pagliacci (Catulle Mendìs; Ruggiero Leoncavallo): No, pagliaccio non son | |||
| de Lucia, Fernando - tenor; Orchestra | Naples | #113 | |||
| C2561; 17-Apr-21; Transcribed | |||||
| Phonotype: 2393; 2560; 2562; A1603 | |||||
| IRCC 210 | 10″ | Pagliacci (Catulle Mendìs; Ruggiero Leoncavallo): Vesti la giubba | |||
| de Lucia, Fernando - tenor; Orchestra | Naples | #113 | |||
| C2560; 17-Apr-21; Transcribed | |||||
| Phonotype: 1776; 2561; A2119 | |||||
| IRCC 211 | 12″ | Auf dem Kirchofe (Johannes Brahms, Op. 105, No. 4) + Therese (Johannes Brahms, Op. 86, No. 1) | |||
| Easton, Florence - soprano; Hodges, Lester - piano | New York - Juilliard School | #113 | |||
| IRCC recording; 13-Jul-39 | |||||
| IRCC; First edition | |||||
| IRCC 211 | 12″ | Nussbaum, Der (Julius Mosen; Robert Schumann, Op. 25, No. 3) + | |||
| Widmung (Friedrich Rückert; Robert Schumann, Op. 25, No. 1) - "A ma fiancée" | New York - Juilliard School | #113 | |||
| Easton, Florence - soprano; Hodges, Lester - piano | |||||
| IRCC recording; 13-Jul-39 | |||||
| IRCC; First edition | |||||
| IRCC 212 | 12″ | Ich schwebe (Richard Strauss, Op. 48, No. 2) + Du meines Herzens Krönelein (Dahn; Richard Strauss, Op. 21, No. 2) | |||
| Easton, Florence - soprano; Hodges, Lester - piano | New York - Juilliard School | #113 | |||
| IRCC recording; 13-Jul-39 | |||||
| IRCC; First edition | |||||
| IRCC 212 | 12″ | In dem Schatten meiner Locken (Paul Heyse; Hugo Wolf) + Auch kleine dinge (Hugo Wolf) | |||
| Easton, Florence - soprano; Hodges, Lester - piano | New York - Juilliard School | #113 | |||
| IRCC recording; 13-Jul-39 | |||||
| IRCC; First edition | |||||
| IRCC 213 | 10″ | Orpheus with his lute (William Shakespeare; Arthur Sullivan) | |||
| Easton, Florence - soprano; Hodges, Lester - piano | New York - Juilliard School | #113 | |||
| IRCC recording; 13-Jul-39 | |||||
| IRCC; First edition | |||||
| IRCC 213 | 10″ | Tod, das ist die kühle Nacht, Der (Heine; Johannes Brahms, Op. 96, No. 1) | |||
| Easton, Florence - soprano; Hodges, Lester - piano | New York - Juilliard School | #113 | |||
| IRCC recording; 13-Jul-39 | |||||
| IRCC; First edition | |||||
| IRCC 214 | 10″ | Amleto (William Shakespeare; Michel Carré; Jules Barbier; Ambroise Thomas): O vin, discaccia la tristezza - "Brindisi" | |||
| Kaschmann, Giuseppe - baritone; Cottone, Salvatore - piano | Milan | #114 | |||
| Con704; Oct-03; Transcribed | |||||
| G&T: 052036 | |||||
| IRCC 214 | 10″ | Ernani (Victor Hugo; Francesco Maria Piave; Giuseppe Verdi): O de' verd' anni miei | |||
| Kaschmann, Giuseppe - baritone; Cottone, Salvatore - piano | Milan | #114 | |||
| Con697; Oct-03; Transcribed | |||||
| G&T: 052032 | |||||
| IRCC 215 | 10″ | Caro mio ben (Giuseppe Giordani) | |||
| Farrar, Geraldine - soprano; Orchestra | Berlin | #114 | |||
| 3801h; 27-Sep-05; Autographed | |||||
| G&T: 53430 | |||||
| IRCC 215 | 10″ | Liebe Augustin, Der (Ernst Welisch; Rudolf Bernauer; Leo Fall): Der Himmel hängt ihm voller geigen | |||
| Farrar, Geraldine - soprano; Orchestra | New York | #114 | |||
| B -12951- 1; 27-Feb-13 | |||||
| Victor: 87134; H.M.V.: 7-43002 | |||||
| IRCC 216 | 10″ | Echoes of the Golden Age of Opera - La Tosca (Giuseppe Giacosa; Luigi Illica; Giacomo Puccini) - Final scene - 2 different performances | |||
| Eames, Emma - soprano (January 3, 1903); Ternina, Mikla - soprano (February 1, 1902); Metropolitan Opera Orchestra | New York, Metropolitan Opera House | #115 | |||
| Live performance ; Various; Transcribed; | |||||
| Mapleson Cylinders: First edition; | |||||
| IRCC 216 | 10″ | Echoes of the Golden Age of Opera - Tristan und Isolde (Richard Wagner) - 2 different selections - "Isolde extinguishes the torch" and | |||
| Fragment of the love duet | New York - Metropolitan Opera House | #115 | |||
| de Reszke, Jean - tenor; Ternina, Mikla - soprano; Metropolitan Opera Orchestra | |||||
| Live performance ; 13-Mar-01; Transcribed | |||||
| Mapleson Cylinders: First edition | |||||
| IRCC 217 | 10″ | O del mio amato ben (Alberto Donaudy; Stefano Donaudy) | |||
| McCormack, John - tenor; Schneider, Edwin - piano | Hayes - Room 1 | #115 | |||
| Bb 5035- 1; 4-Sep-24 | |||||
| H.M.V.: 7-52276; AGSA 49; DA 627; IR1000 | |||||
| IRCC 217 | 10″ | Sospiri miei, andate ove vi mando (Alberto Bimboni) | |||
| McCormack, John - tenor; Orchestra | Camden | #115 | |||
| B -13032- 1; 28-Mar-13 | |||||
| Victor: 64333; H.M.V.: 4-2369; 7-52041; DA 297; IR1011; VA 20; HRS1020 | |||||
| IRCC 218 | 10″ | Lucrezia Borgia (Victor Hugo; Felice Romani; Gaetano Donizetti): Com' e bello | |||
| Boninsegna, Celestina - soprano; Orchestra | Milan | #115 | |||
| 33913; 1908; Transcribed | |||||
| Pathé disc: 84525; 10284; X1000; 60036 | |||||
| IRCC 218 | 10″ | Mefistofele (Johann Wolfgang von Goethe; Arrigo Boïto): Spunta l'aurora pallida | |||
| Boninsegna, Celestina - soprano; Orchestra | Milan | #115 | |||
| 46407; 1908; Transcribed | |||||
| Pathé disc: 84524; 10087 | |||||
| IRCC 219-Ax | 10″ | Manon Lescaut (Ruggiero Leoncavallo; Marco Praga; Giuseppe Giacosa; Luigi Illica; Giulio Riccordi; Giacomo Puccini): Bourbonnaise | |||
| Patti, Adelina - soprano; Piano (NL); Announcer - NL | London | #116 | |||
| Woodymay cyl.; 15-Jun-95; The record is announced in Italian as a Patti recording, but it is a fake | |||||
| Cylinder: Despite the IRCC label, this recording was not from a Woodymay cylinder and an orchestra can be heard. | |||||
| IRCC 219-Ax | 10″ | Manon Lescaut (Ruggiero Leoncavallo; Marco Praga; Giuseppe Giacosa; Luigi Illica; Giulio Riccordi; Giacomo Puccini): Bourbonnaise - | |||
| C'est l'histoire amoureuse (L'éclat de rire) | London | *** | |||
| Korsoff. Lucette - soprano; Orchestra; Announcer (NL) | |||||
| 395B; 1910/11; ***The record is announced as a Patti recording, but it is Korsoff with an orchestra! | |||||
| Edison Dianond Disc: 82007R; 82008-R; 82009-R; IRCC3100 - "improved version" | |||||
| IRCC 219 | 10″ | Tristan und Isolde (Richard Wagner): Mild und leise wie er lächelt - "Liebestod" + Die Walkure (Richard Wagner): Ho-yo-to-ho - "Battle cry" | |||
| Nordica, Lillian - soprano; Metropolitan Opera Orchestra | New York, Metropolitan Opera House | #116 | |||
| Live performance ; Feb-03; Transcribed | |||||
| Mapelson cylinder: First edition | |||||
| IRCC 220 | 10″ | Carmen (Henri Meilhac; Ludovic Halevy; Georges Bizet): Votre toast - "Toreador song" | |||
| Renaud, Maurice - baritone; Announcer (NL); Piano (NL) | Paris | #116 | |||
| 3381; 1902; Transcribed | |||||
| Pathé cylinder & disc: 3381; 0037 | |||||
| IRCC 220 | 10″ | Damnation de Faust, La (Johann Wolfgang von Goethe; Translated by Gérard de Nerval; Almire Gandonnière; Hector Berlioz, Op. 24): | |||
| Voici des roses | Paris | #116 | |||
| Renaud, Maurice - baritone; Announcer (NL); Piano (NL) | |||||
| 3383; 1902; Transcribed | |||||
| Pathé cylinder & disc: 3381; 0037; 0475 | |||||
| IRCC 221 | 12″ | Rheingold, Das (Richard Wagner): Weiche, Wotan, weiche! - "Erda's warning" | |||
| Walker, Edyth - contralto; Orchester des Hamburger Stadttheaterrs, Wilhelm Harmans - conductor | Hamburg | #118 | |||
| 349s; 1907; Transcribed; Autographed | |||||
| H.M.V.: 043093; 65187 | |||||
| IRCC 221 | 12″ | Tannhäuser (Richard Wagner): Allmächt´ge Jungfrau, hor´ mein Flehen - "Gebet" | |||
| Walker, Edyth - contralto; Orchester des Hamburger Stadttheaterrs, Wilhelm Harmans - conductor | Hamburg | #118 | |||
| 355S; 1907; Transcribed | |||||
| H.M.V.: 043094; 65187 | |||||
| IRCC 222 | 10″ | Ack, Warmeland du skona - Folk song | |||
| Gulbranson, Ellen - soprano; Piano (NL) | Berlin | #117 | |||
| 17216; Jun-14; Transcribed | |||||
| Pathé disc: 3232 | |||||
| IRCC 222 | 10″ | Om dagen mit vit arbete - Folk song | |||
| Gulbranson, Ellen - soprano; Piano (NL) | Berlin | #117 | |||
| 17215; Jun-14; Transcribed | |||||
| Pathé disc: 3232 | |||||
| IRCC 223 | 12″ | Otello (William Shakespeare; Arrigo Boito; Giuseppe Verdi): Ave Maria | |||
| Bellincioni, Gemma - soprano; Piano (NL) | Paris | #117 | |||
| 4397; 1905; Transcribed | |||||
| Pathé cylinder & disc: 4397; 10206 | |||||
| IRCC 223 | 12″ | Traviata, La (Francesco Maria Piave; Giuseppe Verdi): Ah, fors'è lui... Sempre libera | |||
| Bellincioni, Gemma - soprano; Piano (NL) | Paris | #117 | |||
| 4396; 1905; Transcribed | |||||
| Pathé cylinder & disc: 4396; 10206 | |||||
| IRCC 224 | 12″ | Norma (Felice Romani; Vincenzo Bellini): Keusche Göttin - Part 1 - "Ah, bello a me ritorna | |||
| Kiurina, Berta - soprano; Orchestra | Berlin | #118 | |||
| 8106; 1920/21; Transcribed | |||||
| Polyphon: 50188; IRCC3114 | |||||
| IRCC 224 | 12″ | Norma (Felice Romani; Vincenzo Bellini): Keusche Göttin - Part 2 - "Casta diva" | |||
| Kiurina, Berta - soprano; Orchestra | Berlin | #118 | |||
| 8105; 1920/21; Transcribed | |||||
| Polyphon: 50188; IRCC3114 | |||||
| IRCC 225 | 10″ | Frühlingsnacht (Joseph Eichendorff; Robert Schumann, Op. 39, No. 12) | |||
| Brandt, Marianne - contralto; Piano (NL); Announcer - NL | Vienna | #119 | |||
| 19259; 11-Dec-05; Transcribed; | |||||
| Pathé cylinder & disc: 19259; | |||||
| IRCC 225 | 10″ | Prophet, Der (Eugène Scribe; Giacomo Meyerbeer): Ach, mein Sohn | |||
| Brandt, Marianne - contralto; Piano (NL); Announcer - NL | Vienna | #119 | |||
| 19260; 11-Dec-05; Transcribed; | |||||
| Pathé cylinder & disc: 19260; IRCC3010; | |||||
| IRCC 226 | 10″ | Chemineau, Le (Jean Richepin; Xavier Leroux): Chanson du Moissonneur | |||
| Albers, Henri - baritone; Orchestra; Announcer - NL | Paris | #120 | |||
| 0017; 1910; Transcribed | |||||
| Pathé cylinder & disc: 0017; 0961 | |||||
| IRCC 226 | 10″ | Fra Diavolo (Augustin Eugène Scribe; Daniel François Esprit Auber): Grazie al cielo per una serva | |||
| Corradetti, Ferruccio - baritone; Luppi, Oreste - bass; Piano (NL) | Milan | #120 | |||
| xM 67; Mar-05; Transcribed | |||||
| Odeon: X 37030 | |||||
| IRCC 227 | 10″ | Lohengrin (Richard Wagner): Mein lieber Schwan - "Lohengrins Abschied" | |||
| Hensel, Heinrich - tenor; Orchestra | Berlin | #120 | |||
| xxB5689; 7-Jun-12; Transcribed | |||||
| Odeon: XX 76306; AA 79431 | |||||
| IRCC 227 | 10″ | Meistersinger von Nürnberg, Die (Richard Wagner): Morgenlich leuchtend - "Prize song" | |||
| Hensel, Heinrich - tenor; Orchestra | Berlin | #120 | |||
| xxB5691; 7-Jun-12; Transcribed | |||||
| Odeon: XX 76307; AA 79432 | |||||
| IRCC 228 | 10″ | Huguenots, Les (Augustin Eugène Scribe; Émile Deschamps; Giacomo Meyerbeer): Des troubles renaissants - "Benediction" | |||
| Fournets, Réne - bass; Orchestra, Louis Fontbonne - conductor | Paris | #127 | |||
| 17203- 1; 1904; Transcribed | |||||
| Edison cylinder: 17203 | |||||
| IRCC 228 | 10″ | Samson et Dalila (Ferdinand Lemaire; Camille Saint-Saëns, Op. 47): Mon coeur s'ouvre à ta voix | |||
| Deschamps-Jéhin, Blanche - contralto; Monte-Carlo Orchestra, Léon Jéhin - conductor | Paris | #127 | |||
| xP 4298; Jun-08; Transcribed | |||||
| Odeon: X 97028 | |||||
| IRCC 229 | 10″ | Faust (Johann Wolfgang von Goethe; Jules Barbier; Michel Carré; Charles Gounod): Ah! Je ris, de me voir si belle - "Jewel song" | |||
| Abott, Bessie - soprano; Orchestra; Announcer - NL | New York | #121 | |||
| B 23; 1905; Transcribed | |||||
| Edison 2m. cylinder: B 23 | |||||
| IRCC 229 | 10″ | Mignon (Michel Carré; Jules Barbier; Ambroise Thomas): Je suis heureuse | |||
| Bériza, Marguerite - mezzo-soprano; Muratore, Lucien - tenor; Orchestra, Léon Fontbonne - conductor | Paris | #121 | |||
| 17142; 1904; Transcribed | |||||
| Edison cylinder: 17142 | |||||
| IRCC 230 | 12″ | Coeur et la main, Le (Alexander Charles Lecocq): Un soir, Perez le capitaine - "Boléro" | |||
| de Vère Sapio, Clémentine - soprano; Orchestra | New York | #121 | |||
| 3030; May-14; Transcribed; Autographed | |||||
| Edison Diamond Disc: 82057-R | |||||
| IRCC 230 | 12″ | Grand Mogol, Le (Henri Chivot; Alfred Duru; Edmond Audran): Allons, petit serpent | |||
| de Vère Sapio, Clémentine - soprano; Orchestra | New York | #121 | |||
| 3066; May-14; Transcribed | |||||
| Edison Diamond Disc: 82057-L | |||||
| IRCC 231 | 12″ | Loreley (Angelo Zanardini; Giuseppe Depanis; Carlo D'Ormeville; Alfredo Catalani): Dove son? | |||
| Muzio, Claudia - soprano; Orchestra | New York | #123 | |||
| 7933; 8-Mar-22; Transcribed | |||||
| Edison Diamond Disc: 82320-R; BCC1 | |||||
| IRCC 231 | 12″ | Vespri Siciliani, I (Charles Duveyrier; Eugène Scribe; Giuseppe Verdi): Merce, diletti amici - "Bolero" | |||
| Muzio, Claudia - soprano; Orchestra | New York | #123 | |||
| 9404; 5-Mar-24; Transcribed | |||||
| Edison Diamond Disc: 82320-L; BCC1 | |||||
| IRCC 232 | 12″ | Gioconda, La (Victor Hugo; Arrigo Boito; Amilcare Ponchielli): Suicidio, in questi fieri momenti | |||
| Nordica, Lillian - soprano; Orchestra | New York | #122 | |||
| 30133- 1; 3-Apr-06; Transcribed from a test pressing | |||||
| Columbia: 30133; 74021 | |||||
| IRCC 232 | 12″ | Trovatore, Il (Antonio Garcia Gutierrez; Salvatore Cammarano; Leone Emanuele; Giuseppe Verdi): Tacea la notte placida | |||
| Nordica, Lillian - soprano; Orchestra | New York | #122 | |||
| 30134- 1; 3-Apr-06; Transcribed from a test pressing | |||||
| Columbia: Not released | |||||
| IRCC 233 | 10″ | Sigurd (Camille du Locle; Alfred Blau; Ernest Reyer): Vierge au pâle sourire | |||
| Cornubert, Pierre - tenor; Piano (NL) | Paris | #123 | |||
| xPh 630; 1905; Transcribed | |||||
| Fonotipia: X 39276; X 39279 | |||||
| IRCC 233 | 10″ | Walküre, Die (Richard Wagner): Plus d'hiver, déjà le printemps commence (Winterstürme wichen dem Wonnemond) | |||
| Cornubert, Pierre - tenor; Piano (NL) | Paris | #123 | |||
| xPh 633; 1905; Transcribed | |||||
| Fonotipia: X 39279; X 39276 | |||||
| IRCC 234 | 10″ | Bohême, La (Giuseppe Giacosa; Luigi Illica; Henri Murger; Giacomo Puccini): Mi chiamano Mimi | |||
| Ferrani, Cesira - soprano; Piano (NL) | Milan | #122 | |||
| 2914b; Dec-02; Transcribed | |||||
| G&T: 53281 | |||||
| IRCC 234 | 10″ | Gianni Schicchi (Giovacchino Forzano; Giacomo Puccini): O mio babbino caro | |||
| Easton, Florence - soprano; Orchestra | New York | #122 | |||
| 1381; 1912; Transcribed | |||||
| Odeon: 30025 | |||||
| IRCC 235 | 10″ | Drowsy poppies (Howard C. Gilmour) | |||
| Farrar, Geraldine - soprano; Gotthelf, Claude As "Gonvierre" - piano | New York | #124 | |||
| Trial 14; 8-Mar-27 | |||||
| Victor: Not released | |||||
| IRCC 235 | 10″ | Schwarze Domino, Der (Daniel-François-Esprit Auber): Ines so schön | |||
| Farrar, Geraldine - soprano; Orchestra, Bruno Seidler-Winkler - conductor | Berlin | #124 | |||
| 1313r; 23-Jun-06 | |||||
| G&T: 43780 | |||||
| IRCC 236 | 10″ | Capuleti ed I Montecchi, I (Felice Romani; Vincenzo Bellini): Se Romeo t'uccise un figlio | |||
| Fabbri, Guerrina - contralto; Cottone, Salvatore - piano | Milan | #124 | |||
| Con160R; Oct-03; Transcribed | |||||
| G&T: 53318; X-93050 | |||||
| IRCC 236 | 10″ | Hellé (Victor Alphonse Duvernoy): Voici le soir, la nuit s'avance | |||
| Caron, Rose - soprano; Piano (NL) | Paris | #124 | |||
| xPh 522; 20-Dec-04; Transcribed | |||||
| Fonotipia: X 39114 | |||||
| IRCC 237 | 12″ | Trovatore, Il (Antonio Garcia Gutierrez; Salvatore Cammarano; Leone Emanuele; Giuseppe Verdi): D'amor sull'ali rosee | |||
| Adini, Ada - soprano; Piano (NL) | Paris | #125 | |||
| xPh 571- 2; 1905; Transcribed | |||||
| Fonotipia: X 39112; X 39214 | |||||
| IRCC 237 | 12″ | Trovatore, Il (Antonio Garcia Gutierrez; Salvatore Cammarano; Leone Emanuele; Giuseppe Verdi): Miserere... Quel suon, quelle preci... | |||
| Ah, che la morte ognora | New York | #125 | |||
| Nordica, Lillian - soprano; Reseninil, Marcello - tenor; Orchestra | |||||
| 30137- 2; 3-Apr-06; Transcribed | |||||
| Columbia: Not released | |||||
| IRCC 238 | 10″ | Siberia (Luigi Illica; Umberto Giordano): No! Se un pensier tortura la mia mente | |||
| Storchio, Rosina - soprano; Delle Ponti, Raffaele - piano | Milan | #125 | |||
| Con368; Oct-03; Transcribed | |||||
| G&T: 53331 | |||||
| IRCC 238 | 10″ | Siberia (Luigi Illica; Umberto Giordano): Non odi la il martir d'angoscia fiera? | |||
| Storchio, Rosina - soprano; Delle Ponti, Raffaele - piano | Milan | #125 | |||
| Con390; Oct-03; Transcribed | |||||
| G&T: 53332 | |||||
| IRCC 239 | 10″ | Carmen (Henri Meilhac; Ludovic Halevy; Georges Bizet): Presso il bastion di Siviglia - "Seguidilla" | |||
| Namara, Marguerite - soprano and piano | New York | #128 | |||
| IRCC recording; Jun-46; Autographed | |||||
| IRCC; First edition | |||||
| IRCC 239 | 10″ | Pano moruno, El (Manuel de Falla) + Seguidilla murciana (Manuel de Falla) | |||
| Namara, Marguerite - soprano and piano | New York | #128 | |||
| IRCC recording; Jun-46 | |||||
| IRCC; First edition | |||||
| IRCC 1952 | 12″ | Aime-moi (Armand Ocampo; Hermann Bemberg) + Here Beauty dwells (Geraldine Farrar; Sergei Rachmaninoff) | |||
| Farrar, Geraldine - soprano | Various | #165 | |||
| Various; Various; Transcribed; | |||||
| Victor: Not released | |||||
| IRCC 1952 | 12″ | Would God I were the tender apple blossom (Katherine Tynan-Hinkson; Old Irish air - "Londonderry air") + | |||
| The fountain (Geraldine Farrar; Rachmaninoff) | Various | #165 | |||
| Farrar, Geraldine - soprano; | |||||
| Various; Various; Transcribed; | |||||
| Victor: Not released | |||||
| IRCC 1953 | 12″ | Frasquita (Geraldine Farrar; Franz Lehár): Rest with the dew of the dawning | |||
| Farrar, Geraldine - soprano | Various | #165 | |||
| Various; Various; Transcribed; | |||||
| Victor: Not released | |||||
| IRCC 1953 | 12″ | Sylvelin (Frederick Herman Martens; English by William Weeks; Christian Sinding, Op. 55, No. 1) + | |||
| Chanson du printemps (Victor Hugo; J.H. Rogers) | Various; | #165 | |||
| Farrar, Geraldine - soprano; | |||||
| Various; Various; Transcribed; | |||||
| Victor: Not released | |||||
| NOTE: | Starting with bulletin number 64 some records were released without catalog numbers. Stratton and Peel in their book "Seventy Years of Reissues" asssigned alphabetical catalog "numbers" to some, but not all, of them, and they have been accepted by the collecting community. | ||||
| IRCC -B-60.1 | 10¾″ | Africaine, L' (Augustin Eugène Scribe; François-Joseph Fétis; Giacomo Meyerbeer): Sur mes genoux - "Air du sommiel" | |||
| Litvinne, Félia - soprano; Piano (NL) | Paris | #60 | |||
| xPh 695; 1905; Peel and Stratton # T; | |||||
| Fonotipia: X 39218; X 39217; 23202; IRCC3042 | |||||
| IRCC -B-60.1 | 10¾″ | Lohengrin (Richard Wagner): Seule dans ma misère - "Einsam in trüben Tagen" | |||
| Litvinne, Félia - soprano; Piano (NL) | Paris | #60 | |||
| xPh 676; 1905; Peel and Stratton # T; | |||||
| Fonotipia: X 39182; X 39052; HM 93 | |||||
| IRCC -B-60.2 | 10¾″ | Joshua (Thomas Morell; George Frideric Handel, HWV.64): O bätt' ich Jubals Harf - "Oh, had I Jubal's lyre" | |||
| Lehmann, Lilli - soprano; Lindemann, Fritz - piano | Berlin | #60 | |||
| xB3143; 2-Jul-07; Peel and Stratton # P; | |||||
| Odeon: X 50392 | |||||
| IRCC -B-60.2 | 10¾″ | Walküre, Die (Richard Wagner): Du bist der Lenz | |||
| Lehmann, Lilli - soprano; Orchestra, Fritz Lindemann - conductor | Berlin | #60 | |||
| xB3147; 5-Jul-07; Peel and Stratton # P; | |||||
| Odeon: X 50393; DST J; PO 63; Columbia: S 9005; IRCC 43 | |||||
| IRCC -B-64.1 | 10¾″ | Lucrezia Borgia (Victor Hugo; Felice Romani; Gaetano Donizetti): Com' e bello | |||
| de Macchi, Maria - soprano; Piano (NL) | Milan | #64 | |||
| xPh1916; 28-May-06; Peel and Stratton # G; | |||||
| Fonotipia: X 39832; X 39901; 59135; IRCC3150 | |||||
| IRCC -B-64.1 | 10¾″ | Poliuto (Salvadore Cammarano; Gaetano Donizetti): De qual soavi lagrime | |||
| de Macchi, Maria - soprano; Piano (NL) | Milan | #64 | |||
| xPh2554; 17-Apr-07; Peel and Stratton # G; | |||||
| Fonotipia: X 39901; X 39832; X 59136; IRCC3150 | |||||
| IRCC -B-64.2 | 10¾″ | Mandolinata ("A.P."; Émile Paladilhe) | |||
| Maurel, Victor - baritone; Piano (NL) | Milan | #64 | |||
| xPh 68- 2; 21-Nov-04; Peel and Stratton # U; | |||||
| Fonotipia: X 39245; X 39246 | |||||
| IRCC -B-64.2 | 10¾″ | Rondel de l'adieu, Le (Augustín Lara) | |||
| Maurel, Victor - baritone; Piano (NL) | Milan | #64 | |||
| xPh 67; 21-Nov-04; Peel and Stratton # U; | |||||
| Fonotipia: X 39246; X 39245 | |||||
| IRCC -B-65.1 | 10¾″ | Auf dem Wasser zu singen (Friedrich Leopold, Graf zu Stollberg-Stollberg; Franz Schubert, Op. 72, D.547) | |||
| Lehmann, Lilli - soprano; Lindemann, Fritz - piano | Berlin | #65 | |||
| xB1304; 29-Jun-06; Peel and Stratton # Q; | |||||
| Odeon: X 50094; Columbia: S 9002; HM 59; IRCC3060 | |||||
| IRCC -B-65.1 | 10¾″ | Egmont (Ludwig van Beethoven, Op. 84): Freudvoll und Leidvoll, No. 7 - "Klärchens Lied" | |||
| Lehmann, Lilli - soprano; Lindemann, Fritz - piano | Berlin | #65 | |||
| xB1306; 29-Jun-06; Peel and Stratton # Q; | |||||
| Odeon: X 50078; Columbia: S 9002 | |||||
| IRCC -B-65.2 | 10¾″ | Don Pasquale (Angelo Anelli; Adapted by Giovanni Ruffini; Gaetano Donizetti): Quel guardo, il cavaliere… So anchio la vertù magica - "Cavatina" | |||
| Storchio, Rosina - soprano; Orchestra | Milan | #65 | |||
| xPh1500; 2-Dec-05; Peel and Stratton # V; | |||||
| Fonotipia: X 39400; X 39401; 4123; PO121 | |||||
| IRCC -B-65.2 | 10¾″ | Don Pasquale (Angelo Anelli; Adapted by Giovanni Ruffini; Gaetano Donizetti): So anchio la vertù magica - "Cavatina" | |||
| Storchio, Rosina - soprano; Orchestra | Milan | #65 | |||
| xPh1501; 2-Dec-05; Peel and Stratton # V; | |||||
| Fonotipia: X 39401; X 39400; 4123; PO121 | |||||
| IRCC -B-67.1 | 10¾″ | Robert der Teufel (Eugène Scribe; Germain Delavigne; Giacomo Meyerbeer): Eh' ich die Normandie verlassen | |||
| Destinn, Emmy - soprano; Orchestra, Friedrich Kark - conductor | Berlin | #67 | |||
| xB3612; 1907; Peel and Stratton # J; | |||||
| Odeon: X 64855; R 0526; X 52708; IRCC3097 | |||||
| IRCC -B-67.1 | 10¾″ | Robert der Teufel (Eugène Scribe; Germain Delavigne; Giacomo Meyerbeer): Geh, sprach sie zu mir, zaudre nicht | |||
| Destinn, Emmy - soprano; Orchestra, Friedrich Kark - conductor | Berlin | #67 | |||
| xB3613; 1907; Peel and Stratton # J; | |||||
| Odeon: X 64837; R 0526; X 52707; IRCC3097 | |||||
| IRCC -B-68.1 | 10¾″ | Faust (Johann Wolfgang von Goethe; Jules Barbier; Michel Carré; Charles Gounod): Ah! Je ris, de me voir si belle - "Jewel song" | |||
| Ackté, Aïno - soprano and announcer; Orchestra | Paris | #68 | |||
| xPr 2- 2; Dec-04; Not listed by Peel and Stratton; | |||||
| Fonotipia: X 39088; X 36870; X 66934; PO 93; R 0733; IRCC3104 | |||||
| IRCC -B-68.1 | 10¾″ | Lohengrin (Richard Wagner): Seule dans ma misère - "Einsam in trüben Tagen" | |||
| Ackté, Aïno - soprano and announcer; Piano (NL) | Paris | #68 | |||
| xPr 4- 2; Dec-04; Not listed by Peel and Stratton; | |||||
| Fonotipia: X 39089; X 36872; PO 93 | |||||
| IRCC -B-70.1 | 12″ | Robert der Teufel (Eugène Scribe; Germain Delavigne; Giacomo Meyerbeer): Robert! Robert, mein Geliebter | |||
| Lehmann, Lilli - soprano; Orchestra, Fritz Lindemann - conductor | Berlin | #70 | |||
| xxB3148; 5-Jul-07; Peel and Stratton # R; | |||||
| Odeon: XX 80009; IRCC3068 | |||||
| IRCC -B-70.1 | 12″ | <Blank side of a double-sided record | |||
| IRCC -B-70.2 | 10¾″ | Elisir d'Amore, L' (Felice Romani; Gaetano Donizetti): Una furtiva lagrima | |||
| Bonci, Alessandro - tenor; Piano (NL) | Milan | #70 | |||
| xPh 153; 20-Feb-05; Peel and Stratton # C; | |||||
| Fonotipia: X 39083; X 39128 | |||||
| IRCC -B-70.2 | 10¾″ | Puritani, I (Carlo Pepoli; Vincenzo Bellini): A te, o cara, amor talora | |||
| Bonci, Alessandro - tenor; Piano (NL) | Milan | #70 | |||
| xPh 394- 2; 19-Oct-05; Peel and Stratton # C; | |||||
| Fonotipia: X 39084-2; X 39012 | |||||
| IRCC -B-70.3 | 12″ | Lucia di Lammermoor (Salvatore Cammerano; Gaetano Donizetti): Splendon le sacre faci - "Mad scene" | |||
| Galvany, Maria - soprano; Orchestra | Milan | #70 | |||
| 1453½c ; 1908; Peel and Stratton # K; | |||||
| H.M.V.: 053181; DB 480 | |||||
| IRCC -B-70.3 | 12″ | Romeo et Gulietta (Jules Barbier; Michel Carré; Charles Gounod): Nella calma - "Valse" | |||
| Galvany, Maria - soprano; Orchestra | Milan | #70 | |||
| 1308c; 1907; Peel and Stratton # K; | |||||
| H.M.V.: 053163 | |||||
| IRCC -B-71.1 | NR | Basoche, La (Albert Carré; André Massager): Elle m'aime | |||
| Fugère, Lucien - baritone; Cohen, Elie - piano | Paris | #71 | |||
| WL1022- 1; 14-Apr-28; Electrical recording at age 80 - bulletin #71 and 73; | |||||
| Columbia: D13045 | |||||
| IRCC -B-71.1 | NR | Basoche, La (Albert Carré; André Massager): Trop lourd est le poids | |||
| Fugère, Lucien - baritone; Cohen, Elie - piano | Paris | #71 | |||
| WL1023- 1; 14-Apr-28; Electrical recording at age 80 - bulletin #71 and 73; | |||||
| Columbia: D13045 | |||||
| IRCC -B-72.1 | 12″ | Elisir d'Amore, L' (Felice Romani; Gaetano Donizetti): Chiedi all'aura lusinghiera | |||
| Galvany, Maria - soprano; Giorgini, Aristodemo - tenor; Orchestra | Milan | #72 | |||
| 551i; 1906; Peel and Stratton # F; | |||||
| G&T: 054110 | |||||
| IRCC -B-72.1 | 12″ | Mignon (Michel Carré; Jules Barbier; Ambroise Thomas): Addio, Mignon, fa core | |||
| de Lucia, Fernando - tenor; Sabajno, Carlo - piano | Milan | #72 | |||
| 549c; 1905; Peel and Stratton # F; | |||||
| G&T: 052111; Victor: 15-1024 | |||||
| IRCC -B-72.2 | 10″ | Zauberflöte, Die (Emanuel Schikaneder; Wolfgang Amadeus Mozart, KV 620): Bei männern, welche Lieben fühlen | |||
| de Muth, Leopold - baritone; Kurz, Selma - soprano; Orchestra | Berlin | #72 | |||
| 13979u; Oct-08; Peel and Stratton # L; | |||||
| H.M.V.: 2-44495; DA 630; 70540 | |||||
| IRCC -B-72.2 | 10″ | Mignon (Michel Carré; Jules Barbier; Ambroise Thomas): Je connais un pauvre enfant - "Styrienne" | |||
| Kurz, Selma - soprano; Orchestra | Vienna | #72 | |||
| 3991h; 21-Dec-05; Peel and Stratton # L; | |||||
| G&T: 43737; DA 630 | |||||
| IRCC -B-73.1 | 10¾″ | Hérodiade (Paul Milliet; Henri Grémont; Jules Massenet, IKM 95): Celui dont la parole... Il est doux, il est bon | |||
| Adini, Ada - soprano; Piano (NL) | Paris | #73 | |||
| xPh 580- 2; 1905; Peel and Stratton # A; | |||||
| Fonotipia: X 39216; X 39211; IRCC3104 | |||||
| IRCC -B-73.1 | 10¾″ | Si j'avais vos ailes (André Messager) | |||
| Ackté, Aïno - soprano and announcer; Orchestra | Paris | #73 | |||
| xPr 1- 2; 1904/5; Peel and Stratton # A; | |||||
| Fonotipia: X 39059; X 36869; IRCC3104 | |||||
| IRCC -B-73.2 | 10¾″ | Dame Blanche, La (Eugène Scribe; François-Adrien Boieldieu): Ah, quel plaisir d'etre soldat | |||
| Clément, Edmond - tenor; Piano (NL) | Paris | #73 | |||
| xPh 758; 1905; Peel and Stratton # E; | |||||
| Fonotipia: X 56002; X 56003; IRCC3050 | |||||
| IRCC -B-73.2 | 10¾″ | Year ago, A (Helen Rhodes as "Guy d'hardelot") | |||
| Maurel, Victor - baritone; Piano (NL) | Milan | #73 | |||
| xPh2333; 8-Jan-07; Peel and Stratton # E; | |||||
| Fonotipia: X 62018 | |||||
| IRCC -B-73.3 | 10″ | Deep river (Negro spiritual; Arr. Harry Thacker Burleigh) | |||
| Anderson, Marian - contralto; Brown, Lawrence - piano | London - Small Queen's Hall - Studio C | #73 | |||
| Bb14284- 1; 28-Aug-28; Not listed by Peel and Stratton; | |||||
| H.M.V.: 3-3321; B2828; Victor: 22015 | |||||
| IRCC -B-73.3 | 10″ | Heav’n, heav’n (Spiritual; Arr. Thacker Burleigh) - I got a robe | |||
| Anderson, Marian - contralto; Brown, Lawrence - piano | London - Small Queen's Hall - Studio C | #73 | |||
| Bb14285- 2; 28-Aug-28; Not listed by Peel and Stratton; | |||||
| H.M.V.: 3-3322; B2828; Victor: 22015 | |||||
| IRCC -B-74.1 | 12″ | Bohême, La (Giuseppe Giacosa; Luigi Illica; Henri Murger; Giacomo Puccini): Che gelida manina | |||
| Anselmi, Giuseppe - tenor; Bellezza - Piano | Milan | #74 | |||
| xxPh4053; 10-Feb-09; Peel and Stratton # B; | |||||
| Odeon: XX 74032-2; X 74029; F5500 | |||||
| IRCC -B-74.1 | 12″ | Gioconda, La (Victor Hugo; Arrigo Boito; Amilcare Ponchielli): Cielo e mar | |||
| Anselmi, Giuseppe - tenor; Bettinelli - piano | Milan | #74 | |||
| xxPh4243; 10-Jan-10; Peel and Stratton # B; | |||||
| Odeon: XX 74029-2; X 74032; F5500 | |||||
| IRCC -B-74.2 | 10¾″ | Aïda (Antonio Ghislanzoni; Giuseppe Verdi): Grâce pitié - "I sacri nomi" | |||
| Litvinne, Félia - soprano; Piano (NL) | Paris | #74 | |||
| xPh 694; 1905; Peel and Stratton # S; | |||||
| Fonotipia: X 39217; X 39218; 23202; 39052; IRCC3042; HM 10 | |||||
| IRCC -B-74.2 | 10¾″ | Cavalleria Rusticana (Guido Menasci; Giovanni Targioni-Tozzetti; Pietro Mascagni): Voi lo sapete, o Mamma | |||
| Litvinne, Félia - soprano; Piano (NL) | Paris | #74 | |||
| xPh 675; 1905; Peel and Stratton # S; | |||||
| Fonotipia: X 39052; X 39182; X 39217; HM 10 | |||||
| IRCC -B-75.1 | 10¾″ | Freudvoll und Leidvoll (Johann Wolfgang von Goethe; Franz Schubert, D.210) | |||
| Lehmann, Lilli - soprano; Lindemann, Fritz - piano | Berlin | #75 | |||
| xB3142; 2-Jul-07; Peel and Stratton # M; | |||||
| Odeon: X 50390 | |||||
| IRCC -B-75.1 | 10¾″ | Heidenröslein (Johann Wolfgang von Goethe; Franz Schubert, D.257, Op. 3, No. 3) | |||
| Lehmann, Lilli - soprano; Lindemann, Fritz - piano | Berlin | #75 | |||
| xB3138; 2-Jul-07; Peel and Stratton # M; | |||||
| Odeon: X 50389; Columbia: S 9001 | |||||
| IRCC -B-75.2 | 10¾″ | Du bist die Ruh´ (Friedrich Rückert; Franz Schubert, Op. 59, No. 3, D.776) | |||
| Lehmann, Lilli - soprano; Lindemann, Fritz - piano | Berlin | #75 | |||
| xB3137; 2-Jul-07; Peel and Stratton # N; | |||||
| Odeon: X 50432; Columbia: S 9001; IRCC B-75.2 | |||||
| IRCC -B-75.2 | 10¾″ | Liederkreis (Joseph von Eichendorff; Robert Schumann, Op. 39, No. 2) - Intermezzo | |||
| Lehmann, Lilli - soprano; Lindemann, Fritz - piano | Berlin | #75 | |||
| xB3133; 2-Jul-07; Peel and Stratton # N; | |||||
| Odeon: X 50372; Columbia: S 9003; IRCC B-75.2 | |||||
| IRCC -B-76.1 | 10¾″ | Fra Diavolo (Augustin Eugène Scribe; Daniel François Esprit Auber): Già per la danza | |||
| Barrientos, Maria - soprano; Piano (NL) | Milan | #76 | |||
| xPh1633; 20-Feb-06; Peel and Stratton # D; | |||||
| Fonotipia: X 39539 | |||||
| IRCC -B-76.1 | 10¾″ | Fra Diavolo (Augustin Eugène Scribe; Daniel François Esprit Auber): Or son sola | |||
| Barrientos, Maria - soprano; Piano (NL) | Milan | #76 | |||
| xPh1632; 20-Feb-06; Peel and Stratton # D; | |||||
| Fonotipia: X 39538 | |||||
| IRCC -B-78.1 | 10¾″ | Loreley (Angelo Zanardini; Giuseppe Depanis; Carlo D'Ormeville; Alfredo Catalani): Da che tutta | |||
| Kruszelnicka, Salomea - soprano; Orchestra | Milan | #78 | |||
| xPh4813; 20-Mar-12; Peel and Stratton # W; | |||||
| Fonotipia: X 92939; X 92340; 3616 | |||||
| IRCC -B-78.1 | 10¾″ | Madama Butterfly (Giuseppe Giacosa; Luigi Illica; Giacomo Puccini): Un bel dì vedremo | |||
| Kruszelnicka, Salomea - soprano; Orchestra | Milan | #78 | |||
| xPh4816; 20-Mar-12; Peel and Stratton # W; | |||||
| Fonotipia: X 92940; X 92939 | |||||
| IRCC -B-80.1 | 10¾″ | Nozze di Figaro, Le (Lorenzo da Ponte; Wolfgang Amadeus Mozart): Heilige quelle - "Porgi amor" | |||
| Destinn, Emmy - soprano; Orchestra, Friedrich Kark - conductor | Berlin | #80 | |||
| xB1662; Jan-06; Peel and Stratton # H; | |||||
| Odeon: X 50153; R 0196 | |||||
| IRCC -B-80.1 | 10¾″ | Prodaná Nevěsta (Karel Sabina; Bedřich Smetana, JB 1: 100): Gern ja will ich dir vertrauen | |||
| Destinn, Emmy - soprano; Piano (NL) | Berlin | #80 | |||
| xPh1018; 10-Feb-05; Peel and Stratton # H; | |||||
| Fonotipia: X 39424; X 39421; X 50026; 52467 | |||||
| NOTE: | When the major record companies stopped pressing records for IRCC, the Club started transcribing original records and cylinders and producing copies many of which were pressed on a compound called Vinylite. They also reissued some "improved" versions of earlier releases. | ||||
| IRCC 3000 | 10″ | Damnation de Faust, La (Johann Wolfgang von Goethe; Translated by Gérard de Nerval; Almire Gandonnière; Hector Berlioz, Op. 24): | |||
| Nature immense | |||||
| Rousselière, Charles - tenor; Orchestra; | |||||
| 2064F; Apr-03; Transcribed; | Paris | #127 | |||
| G&T: 2-32883 | |||||
| IRCC 3000 | 10″ | Roi d'Ys, Le (Édouard Blau; Édouard Lalo): Ah, vainement, ma bien-aimée - "Aubade" | |||
| Rousselière, Charles - tenor; Orchestra; Announcer - NL | Paris | #127 | |||
| 4711; 1905; Transcribed; | |||||
| Pathé disc: 4711; 136; 9442; 22762; 97278; 2551; D35; 75915 | |||||
| ; 97113; Pathéphon: ; 2480 | |||||
| IRCC 3001 | 10″ | Carmen (Henri Meilhac; Ludovic Halevy; Georges Bizet): Ja, die Liebe hat bunte Flügel - "Avanera" | |||
| (Plagiarized from Sebastian Yradier's - "El areglito") | |||||
| Arndt-Ober, Margarete - contralto; Orchestra; | |||||
| 54531; Jun-11; Transcribed; Berlin | #127 | ||||
| Pathé disc: 60020; 60021; 42051 | |||||
| IRCC 3001 | 10″ | Carmen (Henri Meilhac; Ludovic Halevy; Georges Bizet): Draußen am Wall von Sevilla - "Seguidilla" | |||
| Arndt-Ober, Margarete - contralto; Orchestra | Berlin | #127 | |||
| 54570; Jun-11; Transcribed; | |||||
| Pathé disc: 54570; 60021; 42051 | |||||
| IRCC 3002 | 10″ | Jüdin, Die (Augustin Eugène Scribe; Jacques-François-Fromental-Élie Halévy): Ach lass dein Vaterherz | |||
| Hesch, Wilhelm - bass; Slezak, Leo - tenor; Orchestra | Vienna | #126 | |||
| 11799u; 1907; Transcribed; | |||||
| H.M.V.: 2-44321 | |||||
| IRCC 3002 | 10″ | Lustige Weiber von Windsor, Die (William Shakespeare; Salomon Hermann Mosenthal; Otto Nicolai) - Trinklied | |||
| Hesch, Wilhelm - bass; Piano (NL) | Vienna | #126 | |||
| Vx 123; 1904; Transcribed; | |||||
| Odeon: X 38006 | |||||
| IRCC 3003 | 10″ | Aïda (Antonio Ghislanzoni; Giuseppe Verdi): I sacri nomi di padre, d'amante | |||
| Muzio, Claudia - soprano; Orchestra | New York | #126 | |||
| 66540; 1918; Transcribed; | |||||
| Pathé disc: 63021; 0329 | |||||
| IRCC 3003 | 10″ | Aïda (Antonio Ghislanzoni; Giuseppe Verdi): Ritorna vincitor | |||
| Muzio, Claudia - soprano; Orchestra | New York | #126 | |||
| 66539; 1918; Transcribed; | |||||
| Pathé disc: 63021; 5644; 10345; 0329 | |||||
| IRCC 3004 | 12″ | Tristan und Isolde (Richard Wagner; English by Flofence Easton) - Love duet from Act 2 | |||
| Carron, Arthur - tenor; Easton, Florence - soprano; Orchestra, George Sebastian - conductor | New York - Juilliard School | #128 | |||
| IRCC recording; 13-Jul-39; | |||||
| IRCC; First edition | |||||
| IRCC 3004 | 12″ | Tristan und Isolde (Richard Wagner; English by Flofence Easton): Love death - "Mild und leise wie er lächelt - Liebestod" | |||
| Easton, Florence - soprano; Orchestra, George Sebastian - conductor | New York - Juilliard School | #128 | |||
| IRCC recording; 13-Jul-39; | |||||
| IRCC; First edition | |||||
| IRCC 3005 | 10″ | Ich liebe dIch (Edvard Grieg, Op. 5, No. 3) | |||
| Telva, Marion - contralto; Farrar, Geraldine - piano | Ridgefield | #129 | |||
| 21178; 1942; | |||||
| Private recording: First edition | |||||
| IRCC 3005 | 10″ | Zueignung (Hermann von Gilm; Richard Strauss, Op. 10, No. 1) | |||
| Telva, Marion - contralto; Farrar, Geraldine - piano | Ridgefield | #129 | |||
| 21181; 1942; | |||||
| Private recording: First edition | |||||
| IRCC 3006 | 10″ | Hugenotten, Die (Augustin Eugène Scribe; Émile Deschamps; Giacomo Meyerbeer): Dies einz'ge Wörtlein 'Liebe | |||
| Hempel, Frieda - soprano; Orchestra, Friedrich Kark - conductor | Berlin | #129 | |||
| xB3828; 7-Jun-08; Transcribed; | |||||
| Odeon: X 64969; O-5522; R 0524 | |||||
| IRCC 3006 | 10″ | Hugenotten, Die (Augustin Eugène Scribe; Émile Deschamps; Giacomo Meyerbeer): O glücklich Land | |||
| Hempel, Frieda - soprano; Orchestra, Friedrich Kark - conductor | Berlin | #129 | |||
| xB3827; 7-Jun-08; Transcribed; | |||||
| Odeon: X 64968; O-5522; R 0524 | |||||
| IRCC 3007 | 10″ | Chant vénitien (Georges Roussel; Hermann Bemberg) | |||
| Garden, Mary - soprano; Piano (NL) | Paris | #129 | |||
| 17323; 1905; Transcribed; | |||||
| Edison cylinder: 17323; Disc: IRCC3055 | |||||
| IRCC 3007 | 10″ | Thaïs (Louis Gallet; Jules Massenet): L'amour est une virtu rare | |||
| Garden, Mary - soprano; Orchestra, Louis Fontbonne - conductor | Paris | #129 | |||
| 17595; 1905; Transcribed; | |||||
| Edison cylinder: 17595; Disc: IRCC3055 | |||||
| IRCC 3008 | 10″ | Amore dei Tre Re, L' (Sem Benelli; Italo Montemezzi): Son quarant'anni | |||
| Didur, Adamo - bass; Orchestra | New York | #129 | |||
| E69191- 1; 1921; Transcribed; | |||||
| Pathé disc: 82006 | |||||
| IRCC 3008 | 10″ | Oracolo, L' (Camillo Zanoni; Franco Leoni): Mio figlio | |||
| Didur, Adamo - bass; Orchestra | New York | #129 | |||
| E68313- 2; 1918; Transcribed; | |||||
| Pathé disc: 82006 | |||||
| IRCC 3009 | 10″ | Gioconda, La (Victor Hugo; Arrigo Boito; Amilcare Ponchielli): Voce di donna | |||
| Olitzka, Rosa - contralto; Orchestra | New York | #134 | |||
| 4352; Dec-15; Transcribed; | |||||
| Edison Diamond Disc: 80726-R | |||||
| IRCC 3009 | 10″ | Rheingold, Das (Richard Wagner): Weiche, Wotan, weiche! - "Erda's warning" | |||
| Olitzka, Rosa - contralto; Orchestra; Announcer - NL | Berlin | #134 | |||
| 15929; 1908; Transcribed; Autographed; | |||||
| Edison cylinder: 15929 | |||||
| IRCC 3010 | 10″ | Lucrezia Borgia (Victor Hugo; Felice Romani; Gaetano Donizetti): Um stets heiter und glücklich zu leben - "Brindisi" | |||
| Brandt, Marianne - contralto; Piano (NL); Announcer - NL | Vienna | #130 | |||
| 19261; 11-Dec-05; Transcribed; | |||||
| Pathé cylinder & disc: 19261 | |||||
| IRCC 3010 | 10″ | Prophet, Der (Eugène Scribe; Giacomo Meyerbeer): Ach, mein Sohn | |||
| Brandt, Marianne - contralto; Piano (NL); Announcer - NL | Vienna | #130 | |||
| 19260; 11-Dec-05; Transcribed; | |||||
| Pathé cylinder & disc: 19260; IRCC 225 | |||||
| IRCC 3011 | 10″ | Haydée (Eugène Scribe; Daniel Auber): Ah che la nuit est belle | |||
| Vaguet, Albert - tenor; Orchestra | Paris | #130 | |||
| 4538; 1908; Transcribed; | |||||
| Pathé disc: 4538; 0102 | |||||
| IRCC 3011 | 10″ | Joseph en Égypte (Alexander Duval; Etienne-Nicolas Méhul): Vainement Pharaon | |||
| Alvarez, Albert - tenor; Piano (NL); Announcer - NL | Paris | #130 | |||
| 1658; 1903; Transcribed; | |||||
| Pathé cylinder: 0023 | |||||
| IRCC 3012 | 10″ | Panis angelicus (Thomas Aquinas; César Franck, Mass in A, M.61) | |||
| Gauthier, Éva - mezzo-soprano; Orchestra | New York | #135 | |||
| 47319; 26-Jan-17; Transcribed; | |||||
| Columbia (Canada): E3456 | |||||
| IRCC 3012 | 10″ | Werther (Édouard Blau; Paul Milliet; Georges Hartmann; Jules Massenet): Va, laisse couler mes larmes | |||
| Gauthier, Éva - mezzo-soprano; Orchestra | New York | #135 | |||
| 47317; 26-Jan-17; Transcribed; Autographed; | |||||
| Columbia (Canada): E3456 | |||||
| IRCC 3013 | 10″ | Henry VIII (Léonce Détroyat; Armand Silvestre; Camille Saint-Saëns): Qui donc commande | |||
| Noté, Jean - baritone; Orchestra; Announcer - NL | Paris | #137 | |||
| 33185; 1903; Transcribed; | |||||
| G&T: 33185; IRCC 187 | |||||
| IRCC 3013 | 10″ | Messaline (Paul Armand Silvestre; Eugène Morand; Isidore de Lara): Elle m'avait pris, elle m'a laissé | |||
| Albers, Henri - baritone; Orchestra | Paris | #137 | |||
| 0015; 1910; Transcribed; | |||||
| Pathé cylinder & disc: 0015; 80023 | |||||
| IRCC 3014 | 12″ | Così Fan Tutte (Lorenzo da Ponte; Wolfgang Amadeus Mozart): O verzeih, Geliebter (Rondo der Fiordiligi) - "Per pieta, ben mio" - Part 1 | |||
| Kiurina, Berta - soprano; Orchestra | Berlin | #133 | |||
| 228; 1920/21; Transcribed; | |||||
| Grammophon: 150086; Polyphon: 50240 | |||||
| IRCC 3014 | 12″ | Così Fan Tutte (Lorenzo da Ponte; Wolfgang Amadeus Mozart): O verzeih, Geliebter (Rondo der Fiordiligi) - "Per pieta, ben mio" - Part 2 | |||
| Kiurina, Berta - soprano; Orchestra | Berlin | #133 | |||
| 229; 1920/21; Transcribed; | |||||
| Grammophon: 150087; Polyphon: 50240 | |||||
| IRCC 3015 | 10″ | Cenerentola, La (Jacopo Ferretti; Gioachino Rossini): Nacqui all'affanno | |||
| Mantelli, Eugenia - mezzo-soprano; Orchestra | New York | #132b | |||
| 6553; 1903/04; Transcribed; | |||||
| Zon-o-phone: 12614; 40080 | |||||
| IRCC 3015 | 10″ | Cenerentola, La (Jacopo Ferretti; Gioachino Rossini): Non più mesta accanto al fuoco | |||
| Mantelli, Eugenia - mezzo-soprano; Orchestra | New York | #132b | |||
| 6554; 1903/04; Transcribed to BS-102299-1R; | |||||
| Zon-o-phone: 12615; 40080 | |||||
| IRCC 3016 | 10″ | Fedora (Arturo Colautti; Umberto Giordano): Amor ti vieta di non amar | |||
| Bassi, Amedeo - tenor; Giordano, Umberto - piano | Milan | #132b | |||
| xPh1806; 20-Apr-06; Transcribed; | |||||
| Fonotipia: X 39727; X 39726 | |||||
| IRCC 3016 | 10″ | Siberia (Luigi Illica; Umberto Giordano): T'incontrai per via | |||
| Bassi, Amedeo - tenor; Giordano, Umberto - piano | Milan | #132b | |||
| xPh1805; 20-Apr-06; Transcribed; | |||||
| Fonotipia: X 39644; X 39643 | |||||
| IRCC 3017 | 10″ | Faust (Johann Wolfgang von Goethe; Jules Barbier; Michel Carré; Charles Gounod): Souviens toi du passe | |||
| Delmas, Jean François - bass-baritone; Piano (NL) | Paris | #134 | |||
| 1289f; Dec-02; Transcribed; | |||||
| G&T: 2-32624 | |||||
| IRCC 3017 | 10″ | Patrie (Louis Gallett; Emile Paladilhe): Pauvre martyr obscur - "Cantabile du Rysor" | |||
| Delmas, Jean François - bass-baritone; Piano (NL) | Paris | #134 | |||
| 1287f; Dec-02; Transcribed; | |||||
| G&T: 2-32622 | |||||
| IRCC 3018 | 10″ | Hugenotten, Die (Augustin Eugène Scribe; Émile Deschamps; Giacomo Meyerbeer) - Entrance of Raoul - (In German) | |||
| Slezak, Leo - tenor; Piano (NL); Announcer - NL | Vienna | #131 | |||
| 19050; 1903; Transcribed; | |||||
| Pathé cylinder & disc: 19050 | |||||
| IRCC 3018 | 10″ | Wilhelm Tell (Friedrich Schiller; Étienne de Jouy; Hippolyte Bis; Gioachino Rossini): Ah, Mathilde - (In German) | |||
| Slezak, Leo - tenor; Piano (NL); Announcer - NL | Vienna | #131 | |||
| 19051; 1903; Transcribed; | |||||
| Pathé cylinder & disc: 19051; IRCC 99 | |||||
| IRCC 3019 | 10″ | Aïda (Antonio Ghislanzoni; Giuseppe Verdi): O patria mia | |||
| Muzio, Claudia - soprano; Orchestra | New York | #132b | |||
| 66798; 1919; Transcribed; | |||||
| Pathé disc: 54015; 5644; 10345; 025106 | |||||
| IRCC 3019 | 10″ | Otello (William Shakespeare; Arrigo Boito; Giuseppe Verdi): Ave Maria | |||
| Muzio, Claudia - soprano; Orchestra | New York | #132b | |||
| 66448; 1919; Transcribed; | |||||
| Pathé disc: 63019; 10418 | |||||
| IRCC 3020 | 10″ | Mefistofele (Johann Wolfgang von Goethe; Arrigo Boïto): Ave Signor... Son lo spirito che nega - "Prolog" | |||
| Rossi, Giulio - bass; Piano (NL); Announcer - NL | Milan | #132a | |||
| 84067; 1902; Transcribed; | |||||
| Pathé cylinder & disc: 84067; 10178 | |||||
| IRCC 3020 | 10″ | Mosè in Egitto (Andrea Leone Tottola; Gioachino Rossini): Dal tuo stellato soglio | |||
| Rossi, Giulio - bass; Piano (NL); Announcer - NL | Milan | #132a | |||
| 84071; 1902; Transcribed; | |||||
| Pathé cylinder & disc: 84071; 10178 | |||||
| IRCC 3021 | 10″ | Orpheus und Eurydike (Ranieri de'Calzabigi; Christoph Willibald Glück, Op. 26): Ach! Ich habe sie Verloren | |||
| Götze. Marie - contralto; Orchestra, Bruno Seidler-Winkler - conductor | Berlin | #131 | |||
| 9690u; 1906; Transcribed; | |||||
| G&T: 43847 | |||||
| IRCC 3021 | 10″ | Zauberflöte, Die (Emanuel Schikaneder; Wolfgang Amadeus Mozart, KV 620): Bei männern, welche Lieben fühlen | |||
| Kaschowska, Felicie - soprano; Lordmann, Peter - bass-baritone; Orchestra | Berlin | #131 | |||
| 14553; 1909; Transcribed; | |||||
| Pathé disc: 14553 | |||||
| IRCC 3022 | 10″ | Dragons de Villars, Les (Joseph Philippe Lockroy; Eugène Cormon; Louis Aimé Maillart): Espoir charmant | |||
| de L'Isle, Jeanne Marié - soprano; Piano (NL) | Paris | #132a | |||
| 33243- 6; 1905; Transcribed; | |||||
| Odeon: X 33243 | |||||
| IRCC 3022 | 10″ | Salammbô (Gustave Flaubert; Modest Mussorgsky): Air des Colombes | |||
| Mérentié, Marguerite - soprano; Orchestra, Ruhlmann - conductor | Paris | #132a | |||
| 0040; 1911; Transcribed; | |||||
| Pathé disc: 0125; 80010 | |||||
| IRCC 3023 | 12″ | Mignon (Michel Carré; Jules Barbier; Ambroise Thomas): Je connais un pauvre enfant - "Styrienne" | |||
| de Lussan, Zélie - mezzo-soprano; Piano (NL) | London | #135 | |||
| 8314; 1906; Transcribed; | |||||
| Beka Grand: 8314 | |||||
| IRCC 3023 | 12″ | Tribut de Zamora, Le (Adolphe d'Ennery; Charles Gounod): Garde la couronne des reines | |||
| de Lussan, Zélie - mezzo-soprano - talking introduction; Piano (NL); Announcer - NL | London | #135 | |||
| 8312; 1906; Transcribed with introduction recorded in 1946; | |||||
| Beka Grand: 8312 | |||||
| IRCC 3024 | 10″ | Traviata, La (Francesco Maria Piave; Giuseppe Verdi): A me, fanciulla, un candido | |||
| Lehmann, Lilli - soprano; Orchestra, Friedrich Kark - conductor | Berlin | #134 | |||
| xB2976; 18-Jun-07; Transcribed; | |||||
| Odeon: X 50353; R 0525; X 52741; Columbia: S 9006 | |||||
| IRCC 3024 | 10″ | Traviata, La (Francesco Maria Piave; Giuseppe Verdi): Follie, follie | |||
| Lehmann, Lilli - soprano; Orchestra, Friedrich Kark - conductor | Berlin | #134 | |||
| xB2977; 18-Jun-07; Transcribed; | |||||
| Odeon: X 50354; R 0525; X 52742; Columbia: S 9006 | |||||
| IRCC 3025 | 10″ | Madama Butterfly (Giuseppe Giacosa; Luigi Illica; Giacomo Puccini) - Death scene | |||
| Alten, Belia - soprano; Orchestra | Hamburg | #136 | |||
| 944ab; 22-Apr-09; Transcribed; Autographed; | |||||
| H.M.V.: 2-43237; 62323 | |||||
| IRCC 3025 | 10″ | Pagliacci (Catulle Mendìs; Ruggiero Leoncavallo): O che volo d'augelli - "Ballatella" | |||
| Alten, Belia - soprano; Otchestra | Hamburg | #136 | |||
| 945ab; 22-Apr-09; Transcribed; | |||||
| H.M.V.: 2-43238; 62323 | |||||
| IRCC 3026 | 10″ | Meistersinger von Nürnberg, Die (Richard Wagner): Air de David - (Mein Herr, der Singer Meisterschlag - In French) | |||
| Nuibo, Augustin "Francisco" - tenor; Orchestra | Paris | #136 | |||
| 4575; 1906; Transcribed; | |||||
| Pathé disc: 4545 | |||||
| IRCC 3026 | 10″ | Meistersinger von Nürnberg, Die (Richard Wagner): Jerum, Jerum | |||
| Schwarz, Josef - baritone; Orchestra | Vienna | #136 | |||
| 51153; 1910; Transcribed; | |||||
| Pathé disc: 51153 | |||||
| IRCC 3027 | 10″ | Carmen (Henri Meilhac; Ludovic Halevy; Georges Bizet): Con voi ber - "Toreador song" | |||
| Ancona, Mario - baritone; Orchestra | Paris | #136 | |||
| 4316; 1906; Transcribed; | |||||
| Pathé cylinder & disc: 10182; 2073; 5259 | |||||
| IRCC 3027 | 10″ | Chatterton (Ruggiero Leoncavallo): Tu sola a me rimani, o poesia | |||
| Ruffo, Titta - baritone; Piano (NL) | Paris | #136 | |||
| 4210; 1904; Transcribed; | |||||
| Pathé cylinder & disc: 4210; 10069 | |||||
| IRCC 3028 | 10″ | Manon (Henri Meilhac; Philippe Gille; Jules Massenet): Obéissons quand leur voix appelle - "Gavotte" | |||
| Namara, Marguerite - soprano; Levitzki, Mischa - piano | #137 | ||||
| Test; 1919; Transcribed; Autographed; | |||||
| Brunswick: Not released | |||||
| IRCC 3028 | 10″ | Oh! Si les fleurs avaient des yeux (Buchillot; Jules Massenet) | |||
| Namara, Marguerite - soprano; Levitzki, Mischa - piano | #137 | ||||
| Test; 1919; Transcribed; | |||||
| Brunswick: Not released | |||||
| IRCC 3029 | 10″ | Lakmé (Edmond Gondinet; Philippe Gille; Léo Delibes): Dôme épais le jasmin | |||
| Banks, Margaret - contralto; Namara, Marguerite - soprano; Levitzki, Mischa - piano | #150 | ||||
| Test; 1919; Transcribed; Autographed; | |||||
| Brunswick: Not released | |||||
| IRCC 3029 | 10″ | Plaisir d'amour (J.P. Claris de Florian; Johann Paul Aegidius Martini as "Martini Tedesco") | |||
| Banks, Margaret - contralto; Namara, Marguerite - soprano; Levitzki, Mischa - piano | #150 | ||||
| Test; 1919; Transcribed; Autographed; | |||||
| Brunswick: Not released | |||||
| IRCC 3030 | 10″ | Götterdämmerung, Der (Richard Wagner): Brunnhilde's immolation scene - Fragment | |||
| Nordica, Lillian - soprano; Metropolitan Opera Orchestra | New York, Metropolitan Opera House | #137 | |||
| Live performance; 1903; Transcribed; | |||||
| Mapelson cylinder: First edition | |||||
| IRCC 3030 | 10″ | Walküre, Die (Richard Wagner) - Wotan's farewell - Fragment | |||
| Bispham, David - baritone; Metropolitan Opera Orchestra | New York, Metropolitan Opera House | #137 | |||
| Live performance; 1903; Transcribed; | |||||
| Mapelson cylinder: First edition | |||||
| IRCC 3031 | 10″ | Cid, Le (Adolphe d'Ennery; Louis Gallet; Edouard Blau; Jules Massenet): O noble lame étincelante - Fragment | |||
| Alvarez, Albert - tenor; Metropolitan Opera Chorus and Orchestra | New York, Metropolitan Opera House | #137 | |||
| Live performance; Feb/Mar-02; Transcribed; | |||||
| Mapelson cylinder: First edition | |||||
| IRCC 3031 | 10″ | Cid, Le (Adolphe d'Ennery; Louis Gallet; Edouard Blau; Jules Massenet): O noble lame etincelante - Fragment | |||
| de Reszke, Jean - tenor; Sizes, Eugene - bass; Metropolitan Opera Chorus and Orchestra | New York, Metropolitan Opera House | #137 | |||
| Live performance; 1903; Transcribed; | |||||
| Mapelson cylinder: First edition | |||||
| IRCC 3032 | 10″ | Elektra (Hugo von Hofmannsthal; Richard Strauss): Orest, Orest | |||
| Plaichinger, Thilia - soprano; Orchestra | Berlin | #137 | |||
| 15738; 1910; Transcribed; | |||||
| Pathé disc: 15738 | |||||
| IRCC 3032 | 10″ | Elektra (Hugo von Hofmannsthal; Richard Strauss): So, bin ich ein Prophetin immerfort gewesen | |||
| Baptist Hoffmann, Johann - baritone; Plaichinger, Thilia - soprano; Orchestra | Paris | #137 | |||
| 15729; 1910; Transcribed; | |||||
| Pathé disc: 15729 | |||||
| IRCC 3033 | 10″ | Roméo et Juliette (Jules Barbier; Michel Carré; Charles Gounod): Qui fois-tu | |||
| Jacoby, Josephine - contralto; Orchestra | New York | #138 | |||
| B 39; 1905; Transcribed; | |||||
| Edison 2m. cylinder: B 39 | |||||
| IRCC 3033 | 10″ | Huguenots, Les (Augustin Eugène Scribe; Émile Deschamps; Giacomo Meyerbeer): Nobles seigneurs, salut | |||
| Jacoby, Josephine - contralto; Orchestra | New York | #138 | |||
| B 28; 1905; Transcribed; Autographed; | |||||
| Edison 2m. cylinder: B 28 | |||||
| IRCC 3034 | 10″ | Don Juan (Lorenzo da Ponte; Wolfgang Amadeus Mozart, K.527): Je suis sous to fenêtre | |||
| Lassalle, Jean - baritone; Piano (NL); Announcer - NL | Paris | #138 | |||
| 2892; 1905; Transcribed; | |||||
| Pathé cylinder & disc: 2892 | |||||
| IRCC 3034 | 10″ | Huguenots, Les (Augustin Eugène Scribe; Émile Deschamps; Giacomo Meyerbeer): A ce mot tout s'anime + | |||
| Voci di primavera (Italo Celeste; Johann Strauss II, Op. 410) | |||||
| Melba, Nellie - soprano; Sembrich, Marcella - soprano; Metropolitan Opera Orchestra; | |||||
| Live performances; 1900/01; Transcribed; New York, Metropolitan Opera House | #138 | ||||
| Mapelson cylinder: First edition | |||||
| IRCC 3035 | 10″ | Così Fan Tutte (Lorenzo da Ponte; Wolfgang Amadeus Mozart): Prendero quel brunnettino | |||
| Helbig, Hedwig - soprano; Lehmann, Lilli - soprano; Orchestra, Friedrich Kark - conductor | Berlin | #138 | |||
| xB3061; 25-Jun-07; Transcribed; | |||||
| Odeon: X 50397; X 52600 | |||||
| IRCC 3035 | 10″ | Norma (Felice Romani; Vincenzo Bellini): Ah, rispeti | |||
| Helbig, Hedwig - soprano; Lehmann, Lilli - soprano; Orchestra, Friedrich Kark - conductor | Berlin | #138 | |||
| xB3063; 25-Jun-07; Transcribed; | |||||
| Odeon: X 50358; X 52606 | |||||
| IRCC 3036 | 10″ | Falstaff (William Shakespeare; Arrigo Boito; Giuseppe Verdi): Quand'ero paggio del Duca del Norfolk - (Twice in Italian, one in French) | |||
| Maurel, Victor - baritone; Piano (NL); With studio 'audience' | Milan | #138 | |||
| xPh2332; 8-Jan-07; Transcribed; | |||||
| Fonotipia: X 62016; X 62017; PO 2; IRCC 4; CRS 30 | |||||
| IRCC 3036 | 10″ | Otello (William Shakespeare; Arrigo Boito; Giuseppe Verdi): Era la notte | |||
| Maurel, Victor - baritone; Piano (NL) | Milan | #138 | |||
| xPh 58- 3; 21-Nov-04; Transcribed; | |||||
| Fonotipia: X 39042-2; X 39032; PO 18; IRCC 4 | |||||
| IRCC 3037 | 10″ | Don Pasquale (Angelo Anelli; Adapted by Giovanni Ruffini; Gaetano Donizetti): Cerchero lontana terra | |||
| Bonci, Alessandro - tenor; Bellezza - piano | Milan | #138 | |||
| xPh1893; May-06; Transcribed; | |||||
| Fonotipia: X 39685; X 39686; 4022 | |||||
| IRCC 3037 | 10″ | Maschere, Le (Luigi Illica; Pietro Mascagni): Io sono come nube vaporosa | |||
| Anselmi, Giuseppe - tenor; Bellezza - piano | Milan | #138 | |||
| xPh4061; 4-Oct-09; Transcribed; | |||||
| Fonotipia: X 62398; X 62399 | |||||
| IRCC 3038 | 12″ | Cavalleria Rusticana (Guido Menasci; Giovanni Targioni-Tozzetti; Pietro Mascagni): O Lola, ch'ai di latti - "Siciliana" | |||
| Martin, Riccardo - tenor; Orchestra | New York | #141 | |||
| B162; 1908; Transcribed; | |||||
| Edison 4m. cylinder: 30002; BA28158 | |||||
| IRCC 3038 | 12″ | Trovatore, Il (Antonio Garcia Gutierrez; Salvatore Cammarano; Leone Emanuele; Giuseppe Verdi): Ah, sì, ben mio | |||
| Martin, Riccardo - tenor; Orchestra | New York | #141 | |||
| B161; 1908; Transcribed; | |||||
| Edison 4m. cylinder: 30001; 28113 | |||||
| IRCC 3039 | 10″ | Due Foscari, I (Francesco Maria Piave; Giuseppe Verdi): Questa dunque e l'iniqua mercede | |||
| Amato, Pasquale - baritone; Chorus and orchestra, Vitale - conductor | Milan | #139 | |||
| xPh3932; 15-Jun-09; Transcribed; | |||||
| Fonotipia: X 92508; X 92507 | |||||
| IRCC 3039 | 10″ | Germania (Luigi Illica; Alberto Franchetti): Tu m'eri innanzi nel morente giorno | |||
| Amato, Pasquale - baritone; Orchestra, Vitale - conductor | Milan | #139 | |||
| xPh3939; 16-Jun-09; Transcribed; | |||||
| Fonotipia: X 92500; X 92499 | |||||
| IRCC 3040 | 10″ | Aa ola, ola, min eigjen onge (Halfdan Kjerulf) | |||
| Flagstad-Hall, Kirsten - soprano; Orchestra | Oslo | #139 | |||
| 147300; 1926; Transcribed; | |||||
| Odeon: 5332 | |||||
| IRCC 3040 | 10″ | Aagots fjldsang (Waldemar Thrane) | |||
| Flagstad-Hall, Kirsten - soprano; Orchestra | Oslo | #139 | |||
| 147301; 1926; Transcribed; | |||||
| Odeon: 5332 | |||||
| IRCC 3041 | 10″ | Dubrowsky (Aleksky Tolstoy; Eduard Nápravník): Ne jamais voir | |||
| Mei-Figner, Media - mezzo-soprano; Figner, Nicolai - tenor; Piano (NL) | St. Petersburg | #139 | |||
| 373X; 1901; Transcribed; | |||||
| G&T: 24061 | |||||
| IRCC 3041 | 10″ | Garold (Pyotr Veinberg; Eduard Nápravnik): Kolybelnaya pesnya Adeli - Cradle song | |||
| Mei-Figner, Media - mezzo-soprano; Piano (NL) | St. Petersburg | #139 | |||
| 365z; 1902; Transcribed; | |||||
| G&T: 23146x | |||||
| IRCC 3042 | 10″ | Africaine, L' (Augustin Eugène Scribe; François-Joseph Fétis; Giacomo Meyerbeer): Sur mes genoux - "Air du sommiel" | |||
| Litvinne, Félia - soprano; Piano (NL) | Paris | #139 | |||
| xPh 695; 1905; Transcribed; | |||||
| Fonotipia: X 39218; X 39217; 23202; IRCC B-64.1 | |||||
| IRCC 3042 | 10″ | Aïda (Antonio Ghislanzoni; Giuseppe Verdi): Grâce pitié - "I sacri nomi" | |||
| Litvinne, Félia - soprano; Piano (NL) | Paris | #139 | |||
| xPh 694; 1905; Transcribed; | |||||
| Fonotipia: X 39217; X 39218; 23202; 39052; IRCC B-74.2; HM 10 | |||||
| IRCC 3043 | 12″ | Lucia di Lammermoor (Salvatore Cammerano; Gaetano Donizetti): Ardon gli incensi - "Mad scene" | |||
| Kurz, Selma - soprano; Orchestra | London | #140 | |||
| 4M-35009; Mar-10; Transcribed to Edison DD 1530; | |||||
| Edison cylinder; A 35009; BA 28162 | |||||
| IRCC 3043 | 12″ | Rigoletto (Francesco Maria Piave; Giuseppe Verdi): Caro nome che il mio cor | |||
| Kurz, Selma - soprano; Orchestra | London | #140 | |||
| 4M-35010; Mar-10; Transcribed to Edison DD 1528; | |||||
| Edison cylinder; A 35010; BA 28133 | |||||
| IRCC 3044 | 12″ | Fille du Régiment, La (Jules-Henri Vernoy de Saint-Georges; Jean-François-Alfred Bayard; Gaetano Donizetti): Evviva la Francia | |||
| Hempel, Frieda - soprano; Orchestra | New York | #141 | |||
| 6695; Mar-19; Transcribed; | |||||
| Edison Diamond Disc: 82568-L; PA 29034 | |||||
| IRCC 3044 | 12″ | Galathée (Jules Barbier, Michel Carré; Victor Massé): Sa couleur est blonde et vermille + | |||
| Mireille (Michel Carré; Charles Gounod): Mon coeur ne peut changer | |||||
| Merguillier, Cécile - soprano; Orchestra, Léon Fontbonne - conductor; | |||||
| 17251 and 17338-1; 19-Mar-05; Transcribed from two cylinders; Paris | #141 | ||||
| Edison cylinders: 17251; 17338 | |||||
| IRCC 3045 | 12″ | Carmen (Henri Meilhac; Ludovic Halévy; Georges Bizet): All'udir del sistro il suon | |||
| de Cisneros, Eleonora - contralto; Orchestra | New York | #140 | |||
| 2211-A; 5-Apr-13; Transcribed; | |||||
| Edison Diamond Disc: 82520-R; 44781 | |||||
| IRCC 3045 | 12″ | Favorita, La (Alphonse Royer; Gustave Waez; Baculard Darnaud; Gaetano Donizetti): O mio Fernando | |||
| Delna, Marie - contralto; Orchestra | New York | #140 | |||
| 40023- 2; 1910; Transcribed; | |||||
| Edison cylinder: 40023 | |||||
| IRCC 3046 | 10″ | Ich grolle nIcht, und wenn das Herz (Heinrich Heine; Robert Schumann; Op. 48, No. 7) - (In French) | |||
| van Dijck, Ernest - tenor; Piano (NL) | Paris | #140 | |||
| xPh 535; 1905; Transcribed; | |||||
| Fonotipia: X 39100; X 39099; IRCC 6 | |||||
| IRCC 3046 | 10″ | Meistersinger von Nürnberg, Die (Richard Wagner): Am stillen Herd - (In French) | |||
| van Dijck, Ernest - tenor; Piano (NL); Announcer - NL | London | #140 | |||
| 60685; 1903; Transcribed; | |||||
| Pathé cylinder: 60685; 0798 | |||||
| IRCC 3047 | 10″ | Cyrano de Bergerac (Marlin Skiles; Edmond Rostand): Ballade de duel | |||
| Coquelin, Benoît-Constant - talking | Paris | #140 | |||
| 11635; 12-Sep-02; Transcribed; | |||||
| Zonofono: 635 | |||||
| IRCC 3047 | 10″ | Peu de musique, Un (Victor Hugo) | |||
| Bernhardt, Sarah - talking | Paris | #140 | |||
| X-2130; 2-Jan-03; Transcribed; | |||||
| Zonofono: X-2130 | |||||
| IRCC 3048 | 10″ | Ombre des arbres, L' (Paul Verlaine; Claude Debussy) - Ariette oubliée, No. 3 + Green (Paul Verlaine; Claude Debussy) | |||
| Garden, Mary - soprano; Debussy, Claude - piano | |||||
| 3076F + 3077F; 1904; Transcribed from two matrices; | Paris | NR | |||
| G&T: 33450; 33451; IRCC 107; IRCC 106 | |||||
| IRCC 3048 | 10″ | Pelléas et Mélisande (Maurice Maeterlinck; Claude Debussy) + Pleure dans mon coeur (Paul Verlaine; Claude Debussy) | |||
| Garden, Mary - soprano; Debussy, Claude - piano | |||||
| 3078F + 3074F; 1904; Transcribed from two matrices; | Paris | NR | |||
| G&T: 33447; 33449; IRCC 106; IRCC 107 | |||||
| IRCC 3049 | 10″ | Damnation de Faust, La (Johann Wolfgang von Goethe; Translated by Gérard de Nerval; Almire Gandonnière; Hector Berlioz, Op. 24): | |||
| Voici des roses | |||||
| Lassalle, Jean - baritone; Announcer (NL); | |||||
| 2876; 1902; Transcribed; Paris | #141 | ||||
| Pathé cylinder: 2876 | |||||
| IRCC 3049 | 10″ | Sigurd (Camille du Locle; Alfred Blau; Ernest Reyer): Et toi, Fréia | |||
| Renaud, Maurice - baritone; Announcer (NL); Piano (NL) | Paris | #141 | |||
| 3386; 1902; Transcribed; | |||||
| Pathé cylinder & disc: 3386 | |||||
| IRCC 3050 | 10″ | Dame Blanche, La (Eugène Scribe; François-Adrien Boieldieu): Ah, quel plaisir d'etre soldat | |||
| Clément, Edmond - tenor; Piano (NL) | Paris | #141 | |||
| xPh 758; 1905; Transcribed - better than earlier release; | |||||
| Fonotipia: X 56002; X 56003; IRCC B-73.2 | |||||
| IRCC 3050 | 10″ | Reine Fiamette, La (Catulle Mendès; Xavier Leroux): Tu sais, je ne suis plus reine | |||
| Carré, Marguerite - soprano; Leroux, Xavier - piano | Paris | #141 | |||
| 3438F; Jun-04; Transcribed; | |||||
| G&T: 33476 | |||||
| IRCC 3051 | 10″ | Hoffmanns Erzåhlungen (Jacques Offenbach): Phobus stolz im Sonnenwagen | |||
| Saville, Frances - soprano; Piano (NL) | Vienna | #142 | |||
| 951x; 1902; Transcribed; | |||||
| G&T: 43240 | |||||
| IRCC 3051 | 10″ | Lohengrin (Richard Wagner): Euch Lüften, die mein Klagen | |||
| Saville, Frances - soprano; Piano (NL) | Vienna | #142 | |||
| 952x; 1902; Transcribed; | |||||
| G&T: 43241 | |||||
| IRCC 3052 | 10″ | Mage, Le (Jean Richepin, Jules Massenet): Ah, parais, astre de mon ciel | |||
| Affre, Augustarello - tenor; Piano (NL) | Paris | #142 | |||
| 3490; 1902; Transcribed; | |||||
| Pathé cylinder: 3490 | |||||
| IRCC 3052 | 10″ | Mireille (Michel Carré; Charles Gounod): Anges du paradis - "Cavatine" | |||
| Maréchal, Adolphe - tenor; Orchestra | Paris | #142 | |||
| 4558o; 1905; Transcribed; | |||||
| G&T: 3-32434; X-42890 | |||||
| IRCC 3053 | 10″ | Offrande (Paul Verlaine; Reynaldo Hahn) | |||
| Hahn, Reynaldo - baritone and piano | Paris | #142 | |||
| 14990u; 21-Aug-09; Transcribed; | |||||
| H.M.V.: 4-32077 | |||||
| IRCC 3053 | 10″ | Pêcheurs de Perles, Les (Eugene Cormon; Michel Carré; Georges Bizet): De mon amie, fleur endormie - Transposed for baritone | |||
| Hahn, Reynaldo - baritone and piano | Paris | #142 | |||
| 14995u; 24-Aug-09; Transcribed; | |||||
| H.M.V.: 4-32078 | |||||
| IRCC 3054 | 10″ | Saffo (Salvadore Cammarano; Giovanni Pacini): L'ama ognor qual'io | |||
| Burzio, Eugenia - soprano; Orchestra | Milan | #142 | |||
| 86426; 1913; Transcribed; | |||||
| Pathé disc: 10163 | |||||
| IRCC 3054 | 10″ | Semiramide (Gaetano Rossi; Gioachino Rossini): Bel raggio lusinghier | |||
| Chalia, Rosalia - soprano; Hill, Robert - announcer; Piano (NL) | New York | #142 | |||
| 9139; 1896; Allegedly transcribed from a 7" disc; | |||||
| Zonophone: 9139 | |||||
| IRCC 3055 | 10″ | Chant vénitien (Georges Roussel; Hermann Bemberg) | |||
| Garden, Mary - soprano; Piano (NL) | Paris | #142 | |||
| 17323; 1905; Transcribed; | |||||
| Edison cylinder: 17323; Disc: IRCC3007 | |||||
| IRCC 3055 | 10″ | Thaïs (Louis Gallet; Jules Massenet): L'amour est une virtu rare | |||
| Garden, Mary - soprano; Orchestra, Louis Fontbonne - conductor | Paris | #142 | |||
| 17595; 1905; Transcribed; | |||||
| Edison cylinder: 17595; Disc: IRCC3007 | |||||
| IRCC 3056 | 10″ | Fedora (Arturo Colautti; Umberto Giordano): O quand occhi lucenti di fede | |||
| Bellincioni, Gemma - soprano; Piano (NL) | London | #143 | |||
| Con 570R; 1903; Transcribed; | |||||
| G&T: 053014 | |||||
| IRCC 3056 | 10″ | Mefistofele (Johann Wolfgang von Goethe; Arrigo Boïto): L'altra notte in fondo al mare | |||
| Bellincioni, Gemma - soprano; Piano (NL) | London | #143 | |||
| COn 572R; 1903; Transcribed; | |||||
| G&T: 053017 | |||||
| IRCC 3057 | 10″ | Tosca, La (Giuseppe Giacosa; Luigi Illica; Giacomo Puccini): Ah, mostro, lo straz | |||
| de Marchi, Emilio - tenor; Eames, Emma - soprano; Scotti, Antonio - baritone | |||||
| Metropolitan Opera Orchestra, Luigi Mancinelli - conductor; | |||||
| Live performance; 3-Jan-03; Transcribed; New York - Metropolitan Opera House | #143 | ||||
| Mapelson cylinder: First edition | |||||
| IRCC 3057 | 10″ | Tosca, La (Giuseppe Giacosa; Luigi Illica; Giacomo Puccini): Vittoria, vittoria + Presto, su Mario | |||
| Bars, Jacques - tenor; Bégué, Bernard - baritone; de Marchi, Emilio - tenor; Eames, Emma - soprano | |||||
| Scotti, Antonio - baritone; Metropolitan Opera Orchestra, Luigi Mancinelli - conductor; | |||||
| Live performance; 3-Jan-03; Transcribed; New York - Metropolitan Opera House | #143 | ||||
| Mapelson cylinder: First edition | |||||
| IRCC 3058 | 10″ | Aïda (Antonio Ghislanzoni; Giuseppe Verdi): Su, del Nilo al sacro lido | |||
| de Marchi, Emilio - tenor; Gadski, Johanna - soprano; Homer, Louise - contralto; Journet, Marcel - bass | |||||
| Mühlmann, Adolph - baritone; Vanni, Roberto - tenor; Metropolitan Opera Orchestra, Luigi Mancinelli - conductor; | |||||
| Live performance; 31-Jan-03; Transcribed; New York - Metropolitan Opera House | #143 | ||||
| Mapelson cylinder: First edition | |||||
| IRCC 3058 | 10″ | Ero e Leandro (Luigi Mancinelli): Fragment of aria | |||
| Gadski, Johanna - soprano; Metropolitan Opera Orchestra, Luigi Mancinelli - conductor | New York - Metropolitan Opera House | #143 | |||
| Live performance; 4-Mar-03; Transcribed; | |||||
| Mapelson cylinder: First edition | |||||
| IRCC 3059 | 10″ | Fidelio (Joseph Sonnleithner; Ludwig van Beethoven): Abscheulicher, wo eilst du hin? | |||
| Lehmann, Lilli - soprano; Orchestra, Friedrich Kark - conductor | Berlin | #143 | |||
| xB3049; 22-Jun-07; Transcribed; | |||||
| Odeon: X 50356; X 52587; HM 59 | |||||
| IRCC 3059 | 10″ | Fidelio (Joseph Sonnleithner; Ludwig van Beethoven): Komm, Hoffnung | |||
| Lehmann, Lilli - soprano; Orchestra, Friedrich Kark - conductor | Berlin | #143 | |||
| xxB3050; 22-Jun-07; Transcribed; | |||||
| Odeon: XX 80006; AA 79003; AA 79300; HM 60 | |||||
| IRCC 3060 | 10″ | Auf dem Wasser zu singen (Friedrich Leopold, Graf zu Stollberg-Stollberg; Franz Schubert, Op. 72, D.547) | |||
| Lehmann, Lilli - soprano; Lindemann, Fritz - piano | Berlin | #143 | |||
| xB1304; 29-Jun-06; Transcribed; | |||||
| Odeon: X 50094; Columbia: S 9002; IRCC B-65.1; HM 59 | |||||
| IRCC 3060 | 10″ | Fidelio (Joseph Sonnleithner; Ludwig van Beethoven): Ich folg´ dem innern Triebe | |||
| Lehmann, Lilli - soprano; Orchestra, Friedrich Kark - conductor | Berlin | #143 | |||
| xxB3051; 22-Jun-07; Transcribed; | |||||
| Odeon: XX 80007; AA 79004; AA 79301; HM 60 | |||||
| IRCC 3061 | 10″ | Don Pasquale (Angelo Anelli; Adapted by Giovanni Ruffini; Gaetano Donizetti): So anchio la vertù magica - "Cavatina" | |||
| Bori, Lucrezia - soprano; Orchestra | New York | #144 | |||
| 2107; 24-Jan-13; Transcribed; | |||||
| Edison Diamond Disc: 82508-R; 83003-R | |||||
| IRCC 3061 | 10″ | Sonnambula, La (Felice Romani; Vincenzo Bellini): Ah, non credea mirarti | |||
| Bori, Lucrezia - soprano; Orchestra | New York | #144 | |||
| 2229; 15-Apr-13; Transcribed; | |||||
| Edison Diamond Disc: 82289-L | |||||
| IRCC 3062 | 12″ | Götterdämmerung, Der (Richard Wagner): O ihr, der Eide ewige Hüter | |||
| Kappel, Gertrude - soprano; Orchestra | Berlin | #144 | |||
| 599az; 1925; Transcribed; | |||||
| Grammophon: 66099 | |||||
| IRCC 3062 | 12″ | Götterdämmerung, Der (Richard Wagner): Strake Scheite schichtet mir dort | |||
| Kappel, Gertrude - soprano; Orchestra | Berlin | #144 | |||
| 600az; 1925; Transcribed; | |||||
| Grammophon: 66099 | |||||
| IRCC 3063 | 12″ | Götterdämmerung, Der (Richard Wagner): Fliegt heim ihr Raben | |||
| Kappel, Gertrude - soprano; Orchestra | Berlin | #144 | |||
| 601az; 1925; Transcribed; | |||||
| Grammophon: 66100 | |||||
| IRCC 3063 | 12″ | Lohengrin (Richard Wagner): Du Äermste | |||
| Hempel, Frieda - soprano; Kaschowska, Felicie - soprano; Orchestra | Berlin | #144 | |||
| 781av; 28-Sep-22; Transcribed; | |||||
| Polydor: B-25016; 78544 | |||||
| IRCC 3064 | 10″ | Giustino (Pietro Pariati; Georg Frideric Handel): Fleur jetée | |||
| Jägel, Frederick - tenor; Hill, Robert Payson - piano | New York - Town Hall | #144 | |||
| Live performance; 22-Jan-48; Transcribed; | |||||
| IRCC; First edition | |||||
| IRCC 3064 | 10″ | Giustino (Pietro Pariati; Georg Frideric Handel): Vanne, si superba, và + Fleur jetée | |||
| Jägel, Frederick - tenor; Hill, Robert Payson - piano | New York - Town Hall | #144 | |||
| Live performance; 22-Jan-48; Transcribed; | |||||
| IRCC; First edition | |||||
| IRCC 3065 | 12″ | Huguenots, Les (Augustin Eugène Scribe; Émile Deschamps; Giacomo Meyerbeer): O beau pays de la touraine + | |||
| Trovatore, Il (Antonio Garcia Gutierrez; Salvatore Cammarano; Leone Emanuele; Giuseppe Verdi): Di tale amor | |||||
| Abendroth, Irene - soprano; Piano (NL); | |||||
| 787x+766x; 1902; Transcribed from two matrices; Dresden | #147 | ||||
| G&T: 43249; 43243 | |||||
| IRCC 3065 | 12″ | Semiramide (Gaetano Rossi; Gioachino Rossini): Bel raggio lusinghier | |||
| Abendroth, Irene - soprano; Orchestra | Dresden | #147 | |||
| 767x; 1902; Transcribed; | |||||
| G&T: 43244; IRCC 189 | |||||
| IRCC 3066 | 10″ | Don Pasquale (Angelo Anelli; Adapted by Giovanni Ruffini; Gaetano Donizetti): Bella siccome un angelo | |||
| Scotti, Antonio - baritone; Orchestra; Announcer - NL | London | #145 | |||
| B 44; 1905; Transcribed; | |||||
| Edison 2m. cylinder: B 44 | |||||
| IRCC 3066 | 10″ | Soirees Musicales, Les - No. 8 (Carlo Pepoli; Giocchino Rossini): Tarantella Napolitana - "La Danza" | |||
| Campaneri, Guiseppe - baritone; Orchestra; Announcer - NL | New York | #145 | |||
| B 46; 1906; Transcribed; | |||||
| Edison 2m. cylinder: B 46 | |||||
| IRCC 3067 | 10″ | Gioconda, La (Victor Hugo; Arrigo Boito; Amilcare Ponchielli): Suicidio, in questi fieri momenti | |||
| Carelli, Emma - soprano; Piano (NL) | Paris | #145 | |||
| 4378; 1906; Transcribed; | |||||
| Pathé disc: 10219 | |||||
| IRCC 3067 | 10″ | Manon Lescaut (Ruggiero Leoncavallo; Marco Praga; Giuseppe Giacosa; Luigi Illica; Giulio Riccordi; Giacomo Puccini): In quelle trine morbide | |||
| Bori, Lucrezia - soprano; Orchestra | London | #145 | |||
| 4M-40032; Aug-10; Transcribed; | |||||
| Edison cylinder: A 40032; Disc: IRCC 101 | |||||
| IRCC 3068 | 12″ | Entführung aus dem Serail, Die (Johann Gottlieb Stephanie; Wolfgang Amadeus Mozart, K.V.384): Martern aller Arten | |||
| Lehmann, Lilli - soprano; Orchestra, Friedrich Kark - conductor | Berlin | #145 | |||
| xxB3048; 22-Jun-07; Transcribed; | |||||
| Odeon: XX 80005; AA 57895 | |||||
| IRCC 3068 | 12″ | Robert der Teufel (Eugène Scribe; Germain Delavigne; Giacomo Meyerbeer): Robert! Robert, mein Geliebter | |||
| Lehmann, Lilli - soprano; Orchestra, Fritz Lindemann - conductor | Berlin | #145 | |||
| xxB3148; 5-Jul-07; Transcribed; | |||||
| Odeon: XX 80009; IRCC B-70.1 | |||||
| IRCC 3069 | 12″ | Bohême, La (Giuseppe Giacosa; Luigi Illica; Henri Murger; Giacomo Puccini): Addio dolce svegliare alla mattina | |||
| Camporelli, Gina - soprano; Garbin, Edoardo - tenor; Sammarco, G. Mario - baritone; Stehle, Adelina - soprano; Piano | Milan | #145 | |||
| xxPh 265- 2; May-05; Transcribed; | |||||
| Fonotipia: XXX 69014 | |||||
| IRCC 3069 | 12″ | Faust (Johann Wolfgang von Goethe; Jules Barbier; Michel Carré; Charles Gounod): Salve dimora, casta e pura | |||
| Bonci, Alessandro - tenor; Orchestra | New York | #145 | |||
| 4M-29003; 8-May-13; Transcribed; | |||||
| Edison cylinder: PA 29003 | |||||
| IRCC 3070 | 12″ | Ariadne auf Naxos (Hugo von Hofmannsthal; Richard Strauss): Es gibt ein Reich | |||
| Jeritza, Maria - soprano; Orchestra | Berlin | #146 | |||
| xxB5770; Nov-12; Transcribed; | |||||
| Odeon: XX 76944; AA 79201; Okeh: 50602 | |||||
| IRCC 3070 | 12″ | Salomé (Oscar Wilde; Hedwig Lachman; Alfred Kalisch; Richard Strauss, Op. 54): Ah, Jochanaan, du warst schön | |||
| Kemp, Barbara - soprano; Orchestra | Berlin | #146 | |||
| xxB6662; 8-Apr-21; Transcribed; | |||||
| Odeon: XX 76242; O-8006; 50701 | |||||
| IRCC 3071 | 12″ | Adriana Lecouvreur (Arturo Colautti after Augustin Eugène Scribe and Ernest Legouvé; Francesco Cilèa): Io son l'umile ancella | |||
| Muzio, Claudia - soprano; Orchestra | New York | #146 | |||
| 7950; 29-Apr-21; Transcribed; | |||||
| Edison Diamond Disc: 82247-L; PRS3 | |||||
| IRCC 3071 | 12″ | Pagliacci (Catulle Mendìs; Ruggiero Leoncavallo): Nedda! Silvio, a quest' ora | |||
| Laurenti, Mario - baritone; Muzio, Claudia - soprano; Orchestra | New York | #146 | |||
| 7856; 21-Mar-21; Transcribed; | |||||
| Edison Diamond Disc: 82247-R | |||||
| IRCC 3072 | 10″ | Aime-moi (Armand Ocampo; Hermann Bemberg) | |||
| Farrar, Geraldine - soprano; Piano (NL) | Berlin | #146 | |||
| 2251h; 1904; Transcribed; | |||||
| G&T: 33457 | |||||
| IRCC 3072 | 10″ | Roland von Berlin (Ruggiero Leoncavallo): In stiller Brust ein traum von beseren Tagen | |||
| Farrar, Geraldine - soprano; Grüning, Wilhelm - tenor; Piano (NL) | Berlin | #146 | |||
| 2481L; 1904; Transcribed; | |||||
| G&T: 44443 | |||||
| IRCC 3073 | 10″ | Don Giovanni (Lorenzo da Ponte; Wolfgang Amadeus Mozart, K.527): Finch' han dal vino | |||
| d'Andrade, Francisco - baritone; Orchestra, Max Wolfheim - conductor; Studio applause | Berlin | #147 | |||
| D’A 12E; 1908; Transcribed; | |||||
| Lyrophon: 12; Parlophon: P323-1; P323-2 | |||||
| IRCC 3073 | 10″ | Don Giovanni (Lorenzo da Ponte; Wolfgang Amadeus Mozart, K.527): Or sai che l'onore | |||
| Lehmann, Lilli - soprano; Orchestra, Friedrich Kark - conductor | Berlin | #147 | |||
| xB2981; 18-Jun-07; Transcribed; | |||||
| Odeon: X 50398; R 0523 | |||||
| IRCC 3074 | 10″ | Entführung aus dem Serail, Die (Johann Gottlieb Stephanie; Wolfgang Amadeus Mozart, K.V.384): Ach, ich liebte, war so glücklich - Part 1 | |||
| Lehmann, Lilli - soprano; Orchestra, Friedrich Kark - conductor | Berlin | #147 | |||
| xxB2980; 18-Jun-07; Transcribed; | |||||
| Odeon: XX 80008; XX 80005; AA 57896 | |||||
| IRCC 3074 | 10″ | Entführung aus dem Serail, Die (Johann Gottlieb Stephanie; Wolfgang Amadeus Mozart, K.V.384): Ach, ich liebte, war so glücklich - Part 2 | |||
| Lehmann, Lilli - soprano; Orchestra, Friedrich Kark - conductor | Berlin | #147 | |||
| xxB2980; 18-Jun-07; Transcribed; | |||||
| Odeon: XX 80008; XX 80005; AA 57896 | |||||
| IRCC 3075 | 12″ | Aiglon, L' (Edmond Rostand): Flambeau, Mais ce soldat couche là | |||
| Bernhardt, Sarah - talking | London | #147 | |||
| 35007; Dec-09; Transcribed; | |||||
| Edison cylinder: 35007 | |||||
| IRCC 3075 | 12″ | Samarataine,La (Edmond Rostand): Je dormais. Quelquefois je dors | |||
| Bernhardt, Sarah - talking | London | #147 | |||
| 35013; Dec-09; Transcribed; | |||||
| Edison cylinder: 35013 | |||||
| IRCC 3076 | 10″ | Trovatore, Il (Antonio Garcia Gutierrez; Salvatore Cammarano; Leone Emanuele; Giuseppe Verdi): D'amor sull'ali rosee - (In French) | |||
| Litvinne, Félia - soprano; Orchestra | Paris | #148 | |||
| xP 5024; 1910; Transcribed to Bs-051197-1; | |||||
| Odeon: X 56221 | |||||
| IRCC 3076 | 10″ | Trovatore, Il (Antonio Garcia Gutierrez; Salvatore Cammarano; Leone Emanuele; Giuseppe Verdi): Tacea la notte placida - (In French) | |||
| Litvinne, Félia - soprano; Orchestra | Paris | #148 | |||
| xP 5160; Mar-11; Transcribed to Bs-051197-1; | |||||
| Odeon: X 56225 | |||||
| IRCC 3077 | 10″ | Carmen (Henri Meilhac; Ludovic Halevy; Georges Bizet): Wenn dir die Karten - "Card scene" | |||
| Destinn, Emmy - soprano; Orchestra, Bruno Seidler-Winkler - conductor | Berlin | #148 | |||
| 4703h; 1906; Transcribed; | |||||
| G&T: 43851; 61745; ER197 | |||||
| IRCC 3077 | 10″ | Carmen (Henri Meilhac; Ludovic Halevy; Georges Bizet): Draussen am Wall - "Presso il bastion di Siviglia: Seguidilla" | |||
| Destinn, Emmy - soprano; Orchestra, Bruno Seidler-Winkler - conductor | Berlin | #148 | |||
| 4142h; 1906; Transcribed; | |||||
| G&T: 43762; 61744 | |||||
| IRCC 3078 | 10″ | Marquise (Paul-Armand Silvestre; Jules Massenet) | |||
| Maurel, Victor - baritone; Piano (NL) | Paris | #148 | |||
| 1628F; Feb-03; Transcribed; | |||||
| G&T: 2-32810 | |||||
| IRCC 3078 | 10″ | Roi de Lahore, Le (Louis Gallet; Jules Massenet): Promesse de mon avenir | |||
| Lassalle, Jean - baritone; Piano (NL); Announcer - NL | Paris | #148 | |||
| 2871; 1902; Transcribed; | |||||
| Pathé cylinder: 2871 | |||||
| IRCC 3079 | 10″ | Madame Chrysanthème (Georges Hartmann; André Alexander; André Messager): Ecoutez, écoutez les cigales (Valse des cigales) | |||
| Ackté, Aïno - soprano; Orchestra | London | #148 | |||
| X2000- 2; 1903; Transcribed - possibly from take 1; | |||||
| Zonophone; X-2000; H.M.V.: 33529 | |||||
| IRCC 3079 | 10″ | In Mai (Adelbert von Goldschmidt) | |||
| Marchesi, Blanche - soprano; Seidler-Winkler, Bruno - piano | Berlin | #148 | |||
| 4136h; 1906; Transcribed; | |||||
| G&T: 43754 | |||||
| IRCC 3080 | 10″ | Don Pasquale (Angelo Anelli; Adapted by Giovanni Ruffini; Gaetano Donizetti): Cheti, cheti immantinente - Part 1 | |||
| Corradetti, Ferruccio - baritone; deLuca, Guiseppe - baritone; Piano (NL) | Milan | #148 | |||
| xPh2294; 12-Jan-07; Transcribed; | |||||
| Fonotipia: X 39975; X 39976 | |||||
| IRCC 3080 | 10″ | Don Pasquale (Angelo Anelli; Adapted by Giovanni Ruffini; Gaetano Donizetti): Cheti, cheti immantinente - Part 2 | |||
| Corradetti, Ferruccio - baritone; deLuca, Guiseppe - baritone; Piano (NL) | Milan | #148 | |||
| xPh2295; 12-Jan-07; Transcribed; | |||||
| Fonotipia: X 39976; X 39975 | |||||
| IRCC 3081 | 12″ | Barbier von Bagdad, Der (Peter Cornelius): O, holdes Bild | |||
| Erb, Karl - tenor; Ivogün, Maria - soprano; Orchestra | Berlin | #149 | |||
| xxB6363- 1; 1917; Transcribed - first "Vinylite" release; | |||||
| Odeon: First edition | |||||
| IRCC 3081 | 12″ | Don Pasquale (Angelo Anelli; Adapted by Giovanni Ruffini; Gaetano Donizetti): Auch ich versteh' - "Quel guardo, il cavaliere" | |||
| Ivogün, Maria - soprano; Orchestra | Berlin | #149 | |||
| xxB6248; 1916; Transcribed - first "Vinylite" release; | |||||
| Odeon: XX 76972; O-9006 | |||||
| IRCC 3082 | 12″ | Mignon (Michel Carré; Jules Barbier; Ambroise Thomas): Je suis Titania - "Polonaise" | |||
| Yaw, Ellen Beach - soprano; Orchestra | New York | #149 | |||
| 2220; 10-Apr-13; Transcribed; | |||||
| Edison Diamond Disc: Not released | |||||
| IRCC 3082 | 12″ | Skylark, The (Ellen Beach Yaw) | |||
| Yaw, Ellen Beach - soprano; Orchestra | New York | #149 | |||
| 2219; 10-Apr-13; Transcribed; | |||||
| Edison Diamond Disc: 82049-R | |||||
| IRCC 3083 | 10″ | Amico Fritz, L' (P. Suardon (Nicola Daspuro; Giovanni Targioni-Tozzetti; Pietro Mascagni): Son pochi fiori | |||
| Muzio, Claudia - soprano; Piano (NL) | New York | #149 | |||
| 8851; 16-Feb-23; Transcribed; | |||||
| Edison Diamond Disc: 82291-L | |||||
| IRCC 3083 | 10″ | Madame Sans-Gêne (Victorien Sardou; Emile Moreau; Adapted by Renato Simoni; Umberto Giordano): Che me ne faccio del vostro castello? | |||
| Muzio, Claudia - soprano; Orchestra | New York | #149 | |||
| 8381; 13-Mar-22; Transcribed; | |||||
| Edison Diamond Disc: 82305-L | |||||
| IRCC 3084 | 10″ | Così Fan Tutte (Lorenzo da Ponte; Wolfgang Amadeus Mozart): Come Scoglio | |||
| Ritter-Ciampi, Gabrielle - soprano; Orchestra | Paris | #152 | |||
| 0401; 24-Mar-24; Transcribed; | |||||
| Pathé disc: 0401 | |||||
| IRCC 3084 | 10″ | Guglielmo Tell (Etienne de Jouy; Hippolyte Bis; Gioachino Rossini): Selva opaca - Romance" | |||
| Muzio, Claudia - soprano; Orchestra | New York | #152 | |||
| 67269; 1919; Transcribed; | |||||
| Pathé disc: 54025; 025104; N-67269; Perfect: 11540 | |||||
| IRCC 3085 | 10″ | Turandot (Giuseppe Adami; Renato Simoni; Giacomo Puccini): Prinzessin, die Liebe - "Principessa, l'amore" | |||
| Kiurina, Berta - soprano; Orchestra | Berlin | #152 | |||
| 2-20371; 6-Oct-27; Transcribed; | |||||
| Polyphon: P9165 | |||||
| IRCC 3085 | 10″ | Turandot (Giuseppe Adami; Renato Simoni; Giacomo Puccini): du von Eis umgürtet - "Tu che di gel sei cinta" | |||
| Kiurina, Berta - soprano; Orchestra | Berlin | #152 | |||
| 2-20372; 6-Oct-27; Transcribed; | |||||
| Polyphon: P9165 | |||||
| IRCC 3086 | 12″ | Dinorah (Jules Barbier; Michel Carré; Giacomo Meyerbeer): Scena, arietta and canzonetta of the goatherd | |||
| Lazzari, Carolina - contralto; Orchestra | New York | #150 | |||
| 7619; 5-Nov-20; Transcribed; | |||||
| Edison Diamond Disc: 82567-R | |||||
| IRCC 3086 | 12″ | Semiramide (Gaetano Rossi; Gioachino Rossini): Ah, quel giorno ognor rammento | |||
| Fabbri, Guerrina - contralto; Cottone, Salvatore - piano | Milan | #150 | |||
| Con556R; Oct-03; Transcribed; | |||||
| G&T: 053006 | |||||
| IRCC 3087 | 10″ | Chanson des rêves, La (André Colomb) | |||
| von Heeckeren, Baron as "Jean Martapoura" - baritone; Piano (NL) | Brussels | #150 | |||
| 1226; 3-Jan-02; Transcribed from a 7" disc; | |||||
| Zonofono: 1226 | |||||
| IRCC 3087 | 10″ | Faust (Johann Wolfgang von Goethe; Jules Barbier; Michel Carré; Charles Gounod): Tu, che fai l'addormentata - "Serenata" | |||
| Gailhard, Pierre - bass; Piano (NL) | Paris | #150 | |||
| xPh 603; 1905; Transcribed; | |||||
| Fonotipia: X 39230; X 37083 | |||||
| IRCC 3088 | 12″ | Don Carlo (Camille du Locle; Joseph Méry; Translated by Angelo Zanardini; Giuseppe Verdi): Fra voi, vaghi giardin | |||
| Russ, Gianinna - soprano; Orchestra | Milan | #151 | |||
| xPh4396; 22-Oct-10; Transcribed; | |||||
| Fonotipia: X 92748; X 92747 | |||||
| IRCC 3088 | 12″ | Don Carlo (Camille du Locle; Joseph Méry; Translated by Angelo Zanardini; Giuseppe Verdi): Tu che la vanità | |||
| Russ, Gianinna - soprano; Orchestra | Milan | #151 | |||
| xPh4395; 22-Oct-10; Transcribed; | |||||
| Fonotipia: X 92747; X 92748 | |||||
| IRCC 3089 | 12″ | Andrea Chénier (Luigi Illica; Umberto Giordano): Si, fui soldato | |||
| Johnson, Edward as "Edoardo di Giovanni" - tenor; Orchestra | Milan | #151 | |||
| 74744-; 1914; Transcribed; | |||||
| Columbia: D17537; S-50 | |||||
| IRCC 3089 | 12″ | Andrea Chénier (Luigi Illica; Umberto Giordano): Un dì all'azzurro spazio - "Improvviso" | |||
| Johnson, Edward as "Edoardo di Giovanni" - tenor; Orchestra | Milan | #151 | |||
| 74743- 1; 1914; Transcribed; | |||||
| Columbia: D17537; S-50 | |||||
| IRCC 3090 | 10″ | Carmen (Henri Meilhac; Ludovic Halevy; Georges Bizet): Les tringles des sistres - "Chanson Bohême" | |||
| Mantelli, Eugenia - mezzo-soprano; Orchestra | New York | #151 | |||
| 6551; 1903/04; Transcribed; | |||||
| Zon-o-phone: 12616; 40075 | |||||
| IRCC 3090 | 10″ | Favorita, La (Alphonse Royer; Gustave Waez; Baculard Darnaud; Gaetano Donizetti): Su, crudeli, e chi v'arresta? | |||
| Meitschik, Anna - soprano; Orchestra | Milan | #151 | |||
| xPh3604; 06-Nov-08; Transcribed; | |||||
| Fonotipia: First edition | |||||
| IRCC 3091 | 10″ | Barbiere di Siviglia, Il (Cesare Sterbini; Gioachino Rossini): Una voce poco fa | |||
| Tetrazzini, Luisa - soprano; Campanini, Cleofonte - piano | Milan | #153 | |||
| 10002; 1904/5; Transcribed; | |||||
| Zonofono: 10002 | |||||
| IRCC 3091 | 10″ | Sonnambula, La (Felice Romani; Vincenzo Bellini): Ah, non giungi | |||
| Tetrazzini, Luisa - soprano; Campanini, Cleofonte - piano | Milan | #153 | |||
| 10004; 1904/5; Transcribed; | |||||
| Zonofono: 10004 | |||||
| IRCC 3092 | 12″ | Voi dormite, Signora (Rocco E. Pagliara; Francesco Paolo Tosti) | |||
| McCormack, John - tenor; Orchestra | London - 14 Hemsell Street | #152 | |||
| Lxx-3153- 2; 7-Sep-09; Transcribed; | |||||
| Odeon: X 57643; R0586; 33031 | |||||
| IRCC 3092 | 12″ | Lolita (Arturo Buzzi-Peccia0 | |||
| McCormack, John - tenor; Orchestra | London - 14 Hemsell Street | #153 | |||
| Lx-3150- 2; 7-Sep-09; Transcribed; | |||||
| Odeon: X 57640; R0658; 33029 | |||||
| IRCC 3093 | 10″ | Brise, La (Armand Renaud; Camille Saint-Saëns, Op. 26, No. 1) | |||
| Gay, Maria - contralto; Pugno, Raoul - piano | Paris | #153 | |||
| 2515f; 1903; Transcribed; | |||||
| G&T: 33384 | |||||
| IRCC 3093 | 10″ | Hereu Riera, L' (Catalan traditional) | |||
| Gay, Maria - contralto; Pugno, Raoul - piano | Paris | #153 | |||
| ----F; 1903; Transcribed; | |||||
| G&T: 33417 | |||||
| IRCC 3094 | 10″ | Château-Margaux (Manuel Fernandez Caballero) - No sé qué siento aquí - Vals - Canción española | |||
| Barrientos, Maria - soprano; Piano (NL) | Milan | #153 | |||
| xPh1613; 14-Feb-06; Transcribed; | |||||
| Fonotipia: X 39463; X 39464 | |||||
| IRCC 3094 | 10″ | Hijas del Zebedeo, Las (J. Estremera; Ruperto Chapí): Carceleras + Artistas en miniatura + Trene fama Sevilla | |||
| Barrientos, Maria - soprano; Piano (NL) | Milan | #153 | |||
| xPh1615; 14-Feb-06; Transcribed; | |||||
| Fonotipia: X 39464; X 39463 | |||||
| IRCC 3095 | 10″ | Manon Lescaut (Ruggiero Leoncavallo; Marco Praga; Giuseppe Giacosa; Luigi Illica; Giulio Riccordi; Giacomo Puccini): In quelle trine morbide | |||
| Ferrani, Cesira - soprano; Piano (NL) | Milan | #154 | |||
| 2916b; Dec-02; Transcribed; | |||||
| G&T: 53283 | |||||
| IRCC 3095 | 10″ | Walkiria (Richard Wagner): Grido della Walkiria | |||
| Kruszelnicka, Salomea - soprano; Orchestra | Milan | #154 | |||
| xPh4815; 20-Mar-12; Transcribed; | |||||
| Fonotipia: X 92938; X 92937 | |||||
| IRCC 3096 | 10″ | Dallibor (Josef Wenzig; Bedřich Smetana): Blic'kst du, mein Freund, von Himmel jetzt hernieder? | |||
| Winkelmann, Hermann - tenor; Piano (NL) | Vienna | #153 | |||
| 6770b; 1905; Transcribed; | |||||
| G&T: 3-42299 | |||||
| IRCC 3096 | 10″ | Hans Heiling (Eduard Devrient; Heinrich Marschner): An jemen Tag | |||
| Luria, Juan - baritone; Piano (NL); Announcer - NL | Berlin | #153 | |||
| 417-o; Apr-05; Transcribed; | |||||
| Favorite: 1-15329 | |||||
| IRCC 3097 | 12″ | Robert der Teufel (Eugène Scribe; Germain Delavigne; Giacomo Meyerbeer): Eh' ich die Normandie verlassen | |||
| Destinn, Emmy - soprano; Orchestra, Friedrich Kark - conductor | Berlin | #154 | |||
| xB3612; 1907; Transcribed; | |||||
| Odeon: X 64855; R 0526; X 52708; IRCC B-67.1 | |||||
| IRCC 3097 | 12″ | Robert der Teufel (Eugène Scribe; Germain Delavigne; Giacomo Meyerbeer): Geh, sprach sie zu mir, zaudre nicht | |||
| Destinn, Emmy - soprano; Orchestra, Friedrich Kark - conductor | Berlin | #154 | |||
| xB3613; 1907; Transcribed; | |||||
| Odeon: X 64837; R 0526; X 52707; IRCC B-67.1 | |||||
| IRCC 3098 | 12″ | Alessandro Stradella (Flotow): Horch Liebchen, horch | |||
| Slezak, Leo - tenor; Orchestra, Louis Fontbonne - conductor | Paris | #154 | |||
| 4M-40031; Aug-10; Transcribed; | |||||
| Edison cylinder: A 40031 | |||||
| IRCC 3098 | 12″ | Euryanthe (Helmina von Chézy; Carl Maris von Weber): Glocklein im Thale | |||
| Kiurina, Berta - soprano; Orchestra | Berlin | #154 | |||
| 230½; 1920/21; Transcribed; | |||||
| Grammophon: 150078; Polyphon: 50169 | |||||
| IRCC 3099 | 10″ | Sigurd (Camille du Locle; Alfred Blau; Ernest Reyer): Mais quel guerrier vaillant et fort | |||
| Lubin, Germaine - soprano; Orchestra | Paris | #156 | |||
| Ki3265; 16-May-30; Transcribed; | |||||
| Odeon: 188.724 | |||||
| IRCC 3099 | 10″ | Sigurd (Camille du Locle; Alfred Blau; Ernest Reyer): Salut, splendeur du jour | |||
| Lubin, Germaine - soprano; Orchestra | Paris | #156 | |||
| Ki3266; 16-May-30; Transcribed; | |||||
| Odeon: 188.724 | |||||
| IRCC 3100 | 10″ | Heure exquise, L' (Paul Verlaine; Reynaldo Hahn) | |||
| Maurel, Victor - baritone; Piano (NL) | Paris | #155 | |||
| 1629F; Feb-03; Transcribed; | |||||
| G&T: 2-32811 | |||||
| IRCC 3100 | 10″ | Manon Lescaut (Ruggiero Leoncavallo; Marco Praga; Giuseppe Giacosa; Luigi Illica; Giulio Riccordi; Giacomo Puccini): Bourbonnaise | |||
| Patti, Adelina - soprano; Piano (NL); The record is announced in Italian as a Patti recording, but it is a fake | London | #155 | |||
| Woodymay cyl.; 15-Jun-95; Advertised as an improved version of IRCC 219-Ax; | |||||
| Cylinder: Despite the IRCC label, this recording was not from a Woodymay cylinder and an orchestra can be heard. | |||||
| IRCC 3100 | 10″ | Manon Lescaut (Ruggiero Leoncavallo; Marco Praga; Giuseppe Giacosa; Luigi Illica; Giulio Riccordi; Giacomo Puccini): Bourbonnaise - | |||
| C'est l'histoire amoureuse (L'éclat de rire) | |||||
| Korsoff. Lucette - soprano; Orchestra; Announcer (NL); | |||||
| 395B; 1910/11; ***The record is announced as a Patti recording, but it is Korsoff with an orchestra!; London; *** | |||||
| Edison Dianond Disc: 82007R; 82008-R; 82009-R; IRCC 219-Ax | |||||
| IRCC 3101 | 10″ | Mattinata (Ruggiero Leoncavallo) | |||
| McCormack, John - tenor; Orchestra | London - 14 Hemsell Street | #156 | |||
| Lx-2793- 2; 31-Aug-08; Transcribed; | |||||
| Odeon: 57633; R0586; R0658; 33028 | |||||
| IRCC 3101 | 10″ | Rigoletto (Francesco Maria Piave; Giuseppe Verdi): La donna è mobile | |||
| McCormack, John - tenor; Orchestra | London - 14 Hemsell Street | #156 | |||
| Lx-2491- 4; 31-Aug-08; Transcribed; | |||||
| Odeon: X 57508²; 0218; R0276²; 33009; 66201 | |||||
| IRCC 3102 | 10″ | Merchant of Venice (William Shakespeare): Signor Antonio - "Shylock to Antonio" | |||
| Power Sr,, Tyrone - talking | London | #155 | |||
| 1958b; 1902; Transcribed; | |||||
| G&T: 1229 | |||||
| IRCC 3102 | 10″ | Corbeau et le Renard, Le- "Satire on la Fontainefable" | |||
| Coquelin, Benoît-Constant - talking | Paris | #155 | |||
| X-2003; 12-Sep-02; Transcribed; | |||||
| Zonofono: X-2003; Zo X-81113 | |||||
| IRCC 3103 | 10″ | Prè-aux-Clercs, Le (François-Antoine-Eugène de Planard; Louis Joseph Ferdinand Hérold): Jours de mon enfance - Part 1 | |||
| Francillo-Kaufmann, Hedwig; Monén, Juan - violin | Berlin | #155 | |||
| 07402/5059; 1913; Transcribed; | |||||
| Anker: E9921; 5130; Scala: 5130; Coliseum: 4011 | |||||
| IRCC 3103 | 10″ | Prè-aux-Clercs, Le (François-Antoine-Eugène de Planard; Louis Joseph Ferdinand Hérold): Jours de mon enfance - Part 2 | |||
| Francillo-Kaufmann, Hedwig; Monén, Juan - violin | Berlin | #155 | |||
| 07404/5060; 1913; Transcribed; | |||||
| Anker: E9921; 5130; Scala: 5130; Coliseum: 4011 | |||||
| IRCC 3104 | 10″ | Hérodiade (Paul Milliet; Henri Grémont; Jules Massenet, IKM 95): Celui dont la parole... Il est doux, il est bon | |||
| Adini, Ada - soprano; Piano (NL) | Paris | #155 | |||
| xPh 580- 2; 1905; Transcribed; | |||||
| Fonotipia: X 39216; X 39211; IRCC B-73.1 | |||||
| IRCC 3104 | 10″ | Si j'avais vos ailes (André Messager) | |||
| Ackté, Aïno - soprano and announcer; Orchestra | Paris | #155 | |||
| xPr 1- 2; 1904/5; Improved transcription; | |||||
| Fonotipia: X 39059; X 36869; IRCC B-73.1 | |||||
| IRCC 3105 | 10″ | Long, long ago (Thomas Haynes Bayly) | |||
| Lehmann, Lilli - soprano; Lindemann, Fritz - piano | Berlin | #156 | |||
| xB1307; 29-Jun-06; Transcribed; | |||||
| Odeon: X 50071 | |||||
| IRCC 3105 | 10″ | Robin Adair (Caroline Keppel; Scots traditional) | |||
| Lehmann, Lilli - soprano; Lindemann, Fritz - piano | Berlin | #156 | |||
| xB1475; 19-Jul-06; Transcribed; | |||||
| Odeon: X 50097 | |||||
| IRCC 3106 | 12″ | Prophète, Le (Eugène Scribe; Giacomo Meyerbeer): Ah! Mon fils | |||
| Duchêne, Maria - contralto; Orchestra | New York | #156 | |||
| 2682; 6-Jan-14; Transcribed; | |||||
| Edison Diamond Disc: 80766-R | |||||
| IRCC 3106 | 12″ | Trovatore, Il (Antonio Garcia Gutierrez; Salvatore Cammarano; Leone Emanuele; Giuseppe Verdi): Stride la vampa | |||
| Duchêne, Maria - contralto; Orchestra | New York | #156 | |||
| 2683; 6-Jan-14; Transcribed; | |||||
| Edison Diamond Disc: 80766-L | |||||
| IRCC 3107 | 10″ | Carmen (Henri Meilhac; Ludovic Halevy; Georges Bizet): Allons, que j'essaie a mon tour... En vain pour eviter - "Card scene" | |||
| Bressler-Gianoli, Clotilde - contralto; Piano (NL) | Brussels | #157 | |||
| xF661; Jul-07; Transcribed; | |||||
| Odeon: X 36688; IRCC5009 | |||||
| IRCC 3107 | 10″ | Carmen (Henri Meilhac; Ludovic Halevy; Georges Bizet): Les tringles des sistres - "Chanson Bohême" | |||
| Bressler-Gianoli, Clotilde - contralto; Piano (NL) | Brussels | #157 | |||
| xF657; Jul-07; Transcribed; | |||||
| Odeon: X 36708; IRCC5009 | |||||
| IRCC 3108 | 12″ | Ernani (Victor Hugo; Francesco Maria Piave; Giuseppe Verdi): Ah, Che dit el... O sommo Carlo | |||
| Gilly, Dinh - baritone; Lise Landouzy, Lise - soprano; Talexis, Amelia - soprano; Cèbe, Louis - tenor | |||||
| Bornica - male vocal; Delzara - male vocal; Narçon, Armand - bass ; Opéra Paris Chorus and Orchestra; | |||||
| xP4449; 1907; Transcribed - his first record; Paris | #157 | ||||
| Odeon: X 56198-2 | |||||
| IRCC 3108 | 12″ | Ernani (Victor Hugo; Francesco Maria Piave; Giuseppe Verdi): Merce, diletti amici...Come rugiada al cespite | |||
| de Lucia, Fernando - tenor; Orchestra | Naples | #157 | |||
| M1811; 2-Sep-17; Transcribed; | |||||
| Phonotype: 1746; 1765; 1791 | |||||
| IRCC 3109 | 12″ | Ballo in Maschera, Un (Augustin Eugène Scribe; Antonio Somma; Giuseppe Verdi): Di tu se fedele | |||
| Zenatello, Giovanni - tenor; Orchestra | New York | #157 | |||
| 5250; 29-Dec-16; Transcribed; | |||||
| Edison Diamond Disc: 82201-R | |||||
| IRCC 3109 | 12″ | Aïda (Antonio Ghislanzoni; Giuseppe Verdi): Fuggiam gli ardori inospiti | |||
| Rappold, Marie - soprano; Zenatello, Giovanni - tenor; Orchestra | New York | #157 | |||
| 5023; Sep-16; Transcribed; | |||||
| Edison Diamond Disc: 82201-L | |||||
| IRCC 3110 | 10″ | Faust (Johann Wolfgang von Goethe; Jules Barbier; Michel Carré; Charles Gounod): Rondo von goldenen Kalb | |||
| Blass, Robert - bass; Orchestra; Announcer - NL | New York | #158 | |||
| B 62; 1907; Transcribed; | |||||
| Edison 2m. cylinder: B 62 | |||||
| IRCC 3110 | 10″ | Favorita, La (Alphonse Royer; Gustave Waez; Baculard Darnaud; Gaetano Donizetti): Vien, Leonora, a piedi tuoi | |||
| Ruffo, Titta - baritone; Piano (NL) | Paris | #158 | |||
| 4204; 1904; Transcribed; | |||||
| Pathé cylinder & disc: Cyl 4204; 4204; 10068 | |||||
| IRCC 3111 | 10″ | Ruhe, meine Seele (Karl Henchel; Richard Strauss, Op. 27, No. 1) | |||
| Schlusnus, Heinrich - baritone; Strauss, Richard - piano | Berlin | #158 | |||
| 1406r; Jul-20; Transcribed; | |||||
| Deutsche Grammophon: B2009; 62365 | |||||
| IRCC 3111 | 10″ | Zueignung (Hermann von Gilm; Richard Strauss, Op. 10, No. 1) | |||
| Schlusnus, Heinrich - baritone; Strauss, Richard - piano | Berlin | #158 | |||
| 14120r; Jul-20; Transcribed; | |||||
| Deutsche Grammophon: B2010; 62365 | |||||
| IRCC 3112 | 12″ | Lily of Killarney, The (John Oxenford; Julius Benedict): Eily Mavourneen | |||
| Helder, Ruby - female tenor; Orchestra | London | #158 | |||
| 77281; 1910; Transcribed; | |||||
| Pathé cylinder & disc: 77281 | |||||
| IRCC 3112 | 12″ | Marta (Friedrich W. Reise as "Wilhelm Friedrich"; Friedrich von Flotow): Ach, so fromm + | |||
| Königen von Saba, Die (Hermann Salomon Mosenthal; Carl Goldmark): Assad | |||||
| Dippel, Andreas - tenor; Orchestra; Announcer - NL; | |||||
| B 2; 1905; Transcribed; New York | #158 | ||||
| Edison 2m. cylinder: B 2 | |||||
| IRCC 3113 | 12″ | Zazà (Ruggiero Leoncavallo): Dir che ci sono al mundo | |||
| Melis, Carmen - soprano; Orchestra | New York | #158 | |||
| 4M-40016; 31-Jan-10; Transcribed; | |||||
| Edison cylinder: A 40016 | |||||
| IRCC 3113 | 12″ | Zazà (Ruggiero Leoncavallo): Mamma, Io non l'ho avuta mai | |||
| Melis, Carmen - soprano; Orchestra | London | #158 | |||
| B193; 1910; Transcribed; | |||||
| Edison 4m. cylinder: A 40013 | |||||
| IRCC 3114 | 12″ | Norma (Felice Romani; Vincenzo Bellini): Keusche Göttin - Part 1 - "Ah, bello a me ritorna | |||
| Kiurina, Berta - soprano; Orchestra | Berlin | #159 | |||
| 8106; 1920/21; Transcribed; | |||||
| Polyphon: 50188; IRCC 224 | |||||
| IRCC 3114 | 12″ | Norma (Felice Romani; Vincenzo Bellini): Keusche Göttin - Part 2 - "Casta diva" | |||
| Kiurina, Berta - soprano; Orchestra | Berlin | #159 | |||
| 8105; 1920/21; Transcribed; | |||||
| Polyphon: 50188; IRCC 224 | |||||
| IRCC 3115 | 12″ | Gioconda, La (Victor Hugo; Arrigo Boito; Amilcare Ponchielli): Suicidio, in questi fieri momenti | |||
| Giannini, Dusolina - soprano; Orchestra | Unknown | #159 | |||
| IRCC recording; 1943; | |||||
| IRCC; First edition | |||||
| IRCC 3115 | 12″ | Psalm CXIV (Ernest Bloch; translated by Waldo Frank) | |||
| Giannini, Dusolina - soprano; Piano (NL) | Unknown | #159 | |||
| IRCC recording; 1947; | |||||
| IRCC; First edition | |||||
| IRCC 3116 | 12″ | Siegfried (Richard Wagner): Ewig war ich, ewig bin ich - (In French) | |||
| Lubin, Germaine - soprano; Orchestra, Henri Dufosse - conductor | Paris | #160 | |||
| xxP7025- 2; 4-Feb-30; Transcribed; | |||||
| Odeon: 123.684 | |||||
| IRCC 3116 | 12″ | Walküre, Die (Richard Wagner): Ein greis in grauem Gewand - (In French) | |||
| Lubin, Germaine - soprano; Orchestra, Henri Dufosse - conductor | Paris | #160 | |||
| xxP7024- 1; 4-Feb-30; Transcribed; | |||||
| Odeon: 123.684 | |||||
| IRCC 3117 | 10″ | Faust (Johann Wolfgang von Goethe; Jules Barbier; Michel Carré; Charles Gounod) - Fragments: Seigneur, daignez + Seigneur accueillez | |||
| Litvinne, Félia - soprano | Paris | #160 | |||
| 2273F + 7259; 1903/04; Transcribed from two cylinders; | |||||
| G&T: 033001; Pathe: 351 | |||||
| IRCC 3117 | 10″ | Sapho (Émile Augier; Charles Gounod): O ma lyre immortelle | |||
| Litvinne, Félia - soprano; Piano (NL) | Paris | #160 | |||
| 348; 1904; Transcribed; | |||||
| Pathé cylinder & disc: 0196 | |||||
| IRCC 3118 | 10″ | Africaine, L' (Augustin Eugène Scribe; François-Joseph Fétis; Giacomo Meyerbeer): O Paradis | |||
| Muratore, Lucien - tenor; Orchestra | New York | #160 | |||
| E65494; 3-May-18; Transcribed; | |||||
| Pathé disc: 63012; 64001 | |||||
| IRCC 3118 | 10″ | Lakmé (Edmond Gondinet; Philippe Gille; Léo Delibes): Ah, viens; dans la forêt près de nous | |||
| Clément, Edmond - tenor; Orchestra | Paris | #160 | |||
| 2022; 1916; Transcribed; | |||||
| Pathé disc: 2022 | |||||
| IRCC 3119 | 10″ | Carmen (Henri Meilhac; Ludovic Halevy; Georges Bizet): En vain pour éviter - "Card scene" | |||
| Calvé, Emma - soprano; Orchestra | Paris | #160 | |||
| 2313; Jun-20; Transcribed - improved version; | |||||
| Pathé disc: 0273; IRCC 85 | |||||
| IRCC 3119 | 10″ | Périchole. La (Henri Meilhac; Ludovic Halévy; Jacques Offenbach): Om mon cher amant | |||
| Calvé, Emma - soprano; Orchestra | Paris | #160 | |||
| 2349; Jun-20; Transcribed; | |||||
| Pathé disc: 0289 | |||||
| IRCC 3120 | 10″ | Élégie (Louis Gallet; Jules Massenet) | |||
| Kaschowska, Felicie - soprano; Piano (NL) | Berlin | #161 | |||
| 04602; 1907; Transcribed; | |||||
| Anker: E9564 | |||||
| IRCC 3120 | 10″ | Tosca, La (Giuseppe Giacosa; Luigi Illica; Giacomo Puccini): Vissi d'arte, vissi d'amore | |||
| Kaschowska, Felicie - soprano; Orchestra | Berlin | #161 | |||
| 04600; 1907; Transcribed; | |||||
| Anker: E9564 | |||||
| IRCC 3121 | 10″ | Mulattieri, I (Francesco Masini) | |||
| Cotogni, Antonio - baritone; Marconi, Francesco - tenor; Piano (NL) | Milan | #161 | |||
| 11180½b; 1908; Transcribed; | |||||
| H.M.V.: 54371 | |||||
| IRCC 3121 | 10″ | Tosca, La (Giuseppe Giacosa; Luigi Illica; Giacomo Puccini): E lucevan le stelle | |||
| Caruso, Enrico - tenor; Piano (NL); Announcer - NL | Milan | #161 | |||
| AICC 84004; Oct-03; Transcribed; | |||||
| A.I.C.C.; 84004; 84003/4; Dansk: 4072; Pathé: 5311; 10009; Herrold: 500 | |||||
| IRCC 3122 | 10″ | Nozze di Figaro, Le (Lorenzo da Ponte; Wolfgang Amadeus Mozart): "Letter duet - In Swedish | |||
| Larsen-Todsen, Nanny - soprano; Matsson, Hilma - soprano; Piano (NL) | Stockholm | #161 | |||
| 2372-o; Dec-06; Transcribed; | |||||
| Favorite: 1-89039; Beka: S397; Ekophon: NS397; Harmonium: H938 | |||||
| IRCC 3122 | 10″ | Nozze di Figaro, Le (Lorenzo da Ponte; Wolfgang Amadeus Mozart): Will der Herr Graf | |||
| Schutzendorf, Gustav - baritone; Orchestra | Munich | #162 | |||
| 2718; 1920/21; Transcribed; | |||||
| Vox: 3052 | |||||
| IRCC 3123 | 10″ | Tosca, La (Giuseppe Giacosa; Luigi Illica; Giacomo Puccini): E lucevan le stelle | |||
| Muratore, Lucien - tenor; Orchestra | Paris | #161 | |||
| 5733o; 1905; Transcribed - not previously issued by IRCC; | |||||
| G&T: X-82552 | |||||
| IRCC 3123 | 10″ | Traviata, La (Francesco Maria Piave; Giuseppe Verdi): Dei miei bollenti spiriti | |||
| Muratore, Lucien - tenor; Orchestra | Paris | #161 | |||
| 5734o; 1905; Transcribed; | |||||
| G&T: X-82553 | |||||
| IRCC 3124 | 12″ | Madama Butterfly (Giuseppe Giacosa; Luigi Illica; Giacomo Puccini): Un bel dì vedremo | |||
| Destinn, Emmy - soprano; Orchestra | New York | #162 | |||
| 890; 16-Dec-11; Transcribed; | |||||
| Edison Diamond Disc: 82527-R | |||||
| IRCC 3124 | 12″ | Tre Cicisbei Ridicoli, Gli (Nina Vicenzo; Legrenzio Ciampi): Nina | |||
| Labia, Fausta - soprano; Piano (NL) | Milan | #162 | |||
| xPH 221; 22-Apr-05; Transcribed; | |||||
| Fonotipia: X 39494; X 39493 | |||||
| IRCC 3125 | 12″ | Fidelio (Joseph Sonnleithner; Ludwig van Beethoven): Gott, welch Dunkel hier | |||
| Urlus, Jacques - tenor; Orchestra | New York | #162 | |||
| 3616; 1-Mar-15; Transcribed; | |||||
| Edison Diamond Disc: 83030-R | |||||
| IRCC 3125 | 12″ | Fidelio (Joseph Sonnleithner; Ludwig van Beethoven): O wär' ich schon mit dir vereint | |||
| Schumann, Elisabeth - soprano; Orchestra | New York | #162 | |||
| 3557; 2-Feb-15; Transcribed; | |||||
| Edison Diamond Disc: 73005-L | |||||
| IRCC 3126 | 12″ | Africana, L' (Augustin Eugène Scribe; François-Joseph Fétis; Giacomo Meyerbeer): O Paradiso | |||
| Anselmi, Giuseppe - tenor; Orchestra | London | #162 | |||
| 1376-B; Jan-13; Transcribed; | |||||
| Edison Diamond Disc: 83025-R | |||||
| IRCC 3126 | 12″ | Lucia di Lammermoor (Salvatore Cammerano; Gaetano Donizetti): Tu che a Dio spiegasti l'ali | |||
| Anselmi, Giuseppe - tenor; Orchestra | London | #162 | |||
| 1377-B; Jan-13; Transcribed; | |||||
| Edison Diamond Disc: 83018-R | |||||
| IRCC 3127 | 10″ | Frasquita (Franz Lehár): Ce que c'est que amour? | |||
| Supervia, Conchita - mezzo-soprano; Orchestra, Paul Bastide - conductor | Paris | #163 | |||
| P76393; May-33; Transcribed; | |||||
| Parlophone: AP1020 | |||||
| IRCC 3127 | 10″ | Frasquita (Franz Lehár): Qui a dit voleurs | |||
| Supervia, Conchita - mezzo-soprano; Orchestra, Paul Bastide - conductor | Paris | #163 | |||
| P76392; May-33; Transcribed; | |||||
| Parlophone: AP1020; AP1025 | |||||
| IRCC 3128 | 12″ | Frasquita (Franz Lehár): Il y avait une fois | |||
| Supervia, Conchita - mezzo-soprano; Orchestra, Paul Bastide - conductor | Paris | #163 | |||
| P80127; May-33; Transcribed; | |||||
| Parlophone: EP1024 | |||||
| IRCC 3128 | 12″ | Tengo dos lunares (Valverde) + Los ojos negros, negritos (Berta) | |||
| Supervia, Conchita - mezzo-soprano; Cuenco, Amalio - guitar | Paris | #163 | |||
| P80128Z; May-33; Transcribed; | |||||
| Parlophone: EP1024 | |||||
| IRCC 3129 | 12″ | Bohême, La (Giuseppe Giacosa; Luigi Illica; Henri Murger; Giacomo Puccini): Mi chiamano Mimi | |||
| Bori, Lucrezia - soprano; Orchestra | London | #163 | |||
| 4M-40036; Aug-10; Transcribed; | |||||
| Edison cylinder: A 40036 | |||||
| IRCC 3129 | 12″ | Guardami (A. Guagni-Benvenuti) | |||
| Bori, Lucrezia - soprano; Orchestra | New York | #163 | |||
| 2228; 15-Apr-13; Transcribed; | |||||
| Edison Diamond Disc: 82528-R | |||||
| IRCC 3130 | 10″ | Soldier's wife, The (Sergei Rachmaninoff, Op. 6, No. 4) | |||
| Kousnezoff, Maria - soprano; Piano (NL) | Paris | #163 | |||
| 3124; 1919; Transcribed; | |||||
| Pathé disc: 3124 | |||||
| IRCC 3130 | 10″ | Zaporog Cossack, The (Semyon Gulak-Artemovsky) | |||
| Kousnezoff, Maria - soprano; Piano (NL) | Paris | #163 | |||
| 3124; 1919; Transcribed; | |||||
| Pathé disc: 3124 | |||||
| IRCC 3131 | 12″ | Pensieroso, Il (George Frideric Handel): Sweet bird, that shun'nst the noise of folly | |||
| Albani, Emma - soprano; Ronald, Landon - piano; Flute - NL | London | #164 | |||
| 302c?; 8-Dec-03; Transcribed - first edition; | |||||
| G&T: Not released | |||||
| IRCC 3131 | 12″ | Prè-aux-Clercs, Le (François-Antoine-Eugène de Planard; Louis Joseph Ferdinand Hérold): Souvenirs du jeune âge | |||
| Albani, Emma - soprano; Ronald, Landon - piano | London | #164 | |||
| 4762b; 29-Dec-03; Transcribed - first edition; | |||||
| G&T: Not released | |||||
| IRCC 3132 | 10″ | Africana, L' (Augustin Eugène Scribe; François-Joseph Fétis; Giacomo Meyerbeer): Di qui si vede il mare? - Death scene of Selika - Part 1 | |||
| Kruszelnicka, Salomea - soprano; Orchestra | Milan | #164 | |||
| xPh4817; 20-Mar-12; Transcribed; | |||||
| Fonotipia: X 92941; X 92942 | |||||
| IRCC 3132 | 10″ | Africana, L' (Augustin Eugène Scribe; François-Joseph Fétis; Giacomo Meyerbeer): Di qui si vede il mare? - Death scene of Selika - Part 2 | |||
| Kruszelnicka, Salomea - soprano; Orchestra | Milan | #164 | |||
| xPh4818; 20-Mar-12; Transcribed; | |||||
| Fonotipia: X 92942; X 92941 | |||||
| IRCC 3133 | 10″ | Barbiere di Siviglia, Il (Cesare Sterbini; Gioachino Rossini): Frag' ich mein - "Una voce poca fa" | |||
| Ivogün, Maria - soprano; Orchestra | Berlin | #164 | |||
| xxB6329; 1917; Transcribed; | |||||
| Odeon: XX 76979; O-9008; 44008; 50305 | |||||
| IRCC 3133 | 10″ | Barbiere di Siviglia, Il (Cesare Sterbini; Gioachino Rossini): Sanft lenkt - "Io sono docile" | |||
| Ivogün, Maria - soprano; Orchestra | Berlin | #164 | |||
| xxB6330; 1917; Transcribed; | |||||
| Odeon: XX 76980; O-9008; 44008; 50306 | |||||
| IRCC 3134 | 12″ | Louise (Gustav Charpentier): Depuis le jour où je me suis donnée | |||
| Muzio, Claudia - soprano; Orchestra | New York | #165 | |||
| 67206; 1918; Transcribed; | |||||
| Pathé disc: 54027; 5590 | |||||
| IRCC 3134 | 12″ | Segreto di Susanna, Il (Enrico Golisciani; Ermanno Wolf-Ferrari): O gioia, la nube leggera | |||
| Muzio, Claudia - soprano; Orchestra | New York | #165 | |||
| 66682; 1918; Transcribed; | |||||
| Pathé disc: 63025; 5377; 025 | |||||
| IRCC 3135 | 10″ | Manon Lescaut (Ruggiero Leoncavallo; Marco Praga; Giuseppe Giacosa; Luigi Illica; Giulio Riccordi; Giacomo Puccini): In quelle trine morbide | |||
| Muzio, Claudia - soprano; Orchestra | New York | #165 | |||
| 66023; 1917; Transcribed; | |||||
| Pathé disc: 63017; 5608; 10418; 025109 | |||||
| IRCC 3135 | 10″ | Zazà (Ruggiero Leoncavallo): Dir che ci sono al mondo | |||
| Muzio, Claudia - soprano; Piano (NL) | New York | #165 | |||
| 7621; 14-Mar-21; Transcribed; | |||||
| Edison Diamond Disc: 82243-R; PRS3 | |||||
| IRCC 3136 | 12″ | Gioconda, La (Victor Hugo; Arrigo Boito; Amilcare Ponchielli): Ecco la barca… Addio | |||
| Burzio, Eugenia - soprano; Orchestra | Milan | #166 | |||
| 86425; 1913; Transcribed; | |||||
| Pathé disc: 10164; 5180; 80001 | |||||
| IRCC 3136 | 12″ | Gioconda, La (Victor Hugo; Arrigo Boito; Amilcare Ponchielli): Suicidio, in questi fieri momenti | |||
| Burzio, Eugenia - soprano; Orchestra | Milan | #166 | |||
| 86424; 1913; Transcribed; | |||||
| Pathé disc: 10164; 5180; 80001 | |||||
| IRCC 3137 | 10″ | Entführung aus dem Serail, Die (Johann Gottlieb Stephanie; Wolfgang Amadeus Mozart, K.V.384): Martern aller Arten - Part 1 | |||
| Jávor, Maria - soprano; Orchestra | Berlin | #165 | |||
| 195A; Feb-22; Transcribed; | |||||
| Vox: 02006; 2006 | |||||
| IRCC 3137 | 10″ | Entführung aus dem Serail, Die (Johann Gottlieb Stephanie; Wolfgang Amadeus Mozart, K.V.384): Martern aller Arten - Part 2 | |||
| Jávor, Maria - soprano; Orchestra | Berlin | #165 | |||
| 196A; Feb-22; Transcribed; | |||||
| Vox: 02006; 2006 | |||||
| IRCC 3138 | 12″ | Fanciulla del West, La (David Belasco; Guelfo Civinini; Carlo Zangarini; Giacomo Puccini): Una parola sola | |||
| Albani, Carlo - tenor; Orchestra | Milan | #165 | |||
| Mo 709; 1911; Transcribed; | |||||
| Odeon: 82610; A 22984; R 02008 | |||||
| IRCC 3138 | 12″ | Luisa Miller (Salvadore Cammarano; Giuseppe Verdi): Tanta perfidia… Quando le sere al placido | |||
| Giorgini, Aristodemo - tenor; Orchestra, Carlo Sabajno - conductor | Milan | #165 | |||
| 7294b; 1905; Transcribed; | |||||
| G&T: 2-52422X | |||||
| IRCC 3139 | 10″ | Faust (Johann Wolfgang von Goethe; Jules Barbier; Michel Carré; Charles Gounod): Ah! Je ris, de me voir si belle - "Jewel song" | |||
| Nevada, Mignon - soprano; Piano (NL) | Paris | #167 | |||
| 0K 93- 1; 15-Jan-31; Transcribed - number on disc is an IRCC transfer matrix; | |||||
| IRCC; First edition | |||||
| IRCC 3139 | 10″ | Greetings from Emma Nevada on her 79th birthday + Esmeralda (Theo Marzials; Alberto Randegger; Goring Thomas): Polacca | |||
| Nevada, Emma - talking; Nevada, Mignon - soprano; Piano (NL) | Hayes | #167 | |||
| K 1496 + Bb 5165- 1; 7-Feb-38; Original remarks with a transcription of 1924 test pressing recorded 14-Oct-1924; | |||||
| IRCC; First edition | |||||
| IRCC 3140 | 10″ | Faust (Johann Wolfgang von Goethe; Jules Barbier; Michel Carré; Charles Gounod): Je voudrais bien savoir... - "Il était un roi de Thulé" | |||
| Bellincioni, Gemma - soprano; Piano (NL) | Paris | #167 | |||
| 4399; 1907; Transcribed and *transcribed disc; | |||||
| Pathé cylinder & disc: 4399; 10207; X-1000* | |||||
| IRCC 3140 | 10″ | Mefistofele (Johann Wolfgang von Goethe; Arrigo Boïto): Spunta l'aurora pallida | |||
| Boninsegna, Celestina - soprano; Orchestra | Paris | #167 | |||
| 26192; 1907; Transcribed; | |||||
| Pathé disc: 4182; 10087; X1000 | |||||
| IRCC 3141 | 12″ | In questa tomba oscura (Giuseppe Carpani; Ludwig van Beethoven) | |||
| Calvé, Emma - soprano; Orchestra | Paris | #169 | |||
| 2348; Jun-20; Transcribed; | |||||
| Pathé disc: 0277 | |||||
| IRCC 3141 | 12″ | Dernier voeu (Théodore de Banville; Reynaldo Hahn) | |||
| Calvé, Emma - soprano; Mathé. Edouard - piano | Paris | #169 | |||
| 2577-1; Jul-20; Transcribed; | |||||
| Pathé disc: 3193 | |||||
| IRCC 3142 | 10″ | Emma Eames comments on her records - WQXR broadcast - Part 1 | |||
| Eames, Emma - talking | New York | #168 | |||
| IRCC - 9202; 2-Feb-39; Transcribed; | |||||
| IRCC; First edition | |||||
| IRCC 3142 | 10″ | Emma Eames comments on her records - WQXR broadcast - Part 2 | |||
| Eames, Emma - talking | New York | #168 | |||
| 9203; 2-Feb-39; Transcribed; | |||||
| IRCC; First edition | |||||
| IRCC 3143 | 10″ | Stella del Nord (Eugène Scribe; Ermanno Picchi; Giacomo Meyerbeer): Barcarolla | |||
| Chalia, Rosalia - soprano; Piano (NL) | Philadelphia | #168 | |||
| A-478; 30-Oct-00; Transcribed from a 7" record; | |||||
| Victor: V-478 | |||||
| IRCC 3143 | 10″ | Wie ein Grussen (Adolf Mehkerns, Op. 18) | |||
| Schumann-Heink, Ernestine - contralto; Piano (NL) | New York | #168 | |||
| (A) ; 1900; Transcribed from a 7" record; | |||||
| Zon-O-Phone: 7" disc | |||||
| IRCC 3144 | 10″ | Roméo et Juliette (Jules Barbier; Michel Carré; Charles Gounod): Bientôt une pâleur lividé effacera | |||
| Gall, Yvonne - soprano; Journet, Marcel - bass; Opera Comique Orchestra, François Ruhlmann - conductor | Paris | #169 | |||
| 1520; 1912; Transcribed; | |||||
| Pathé disc: 1520 | |||||
| IRCC 3144 | 10″ | Roméo et Juliette (Jules Barbier; Michel Carré; Charles Gounod): Mon père, Dieu vous gardé | |||
| Gall, Yvonne - soprano; Journet, Marcel - bass; Opera Comique Orchestra, François Ruhlmann - conductor | Paris | #169 | |||
| 1511; 1912; Transcribed; | |||||
| Pathé disc: 1511 | |||||
| IRCC 3145 | 10″ | Prophète, Le (Eugène Scribe; Giacomo Meyerbeer): A la voix de ta mere | |||
| Alvarez, Albert - tenor; Delna, Marie - contralto; Piano (NL) | Paris | #170 | |||
| 0235; 1905; Transcribed; | |||||
| Pathé disc: 0235 | |||||
| IRCC 3145 | 10″ | Werther (Édouard Blau; Paul Milliet; Georges Hartmann; Jules Massenet): Air des lettres | |||
| Delna, Marie - contralto; Orchestra | Paris | #170 | |||
| 4879; 1907; Transcribed and reissued on vinylite; | |||||
| Pathé disc: 4879; 0315 | |||||
| IRCC 3146 | 10″ | Oh! That we two were Maying (Charles Kingsley; Alice Mary Smith) - (Not Nevin) | |||
| Davies, Ben - tenor; Lunn, Louise Kirkby - contralto; Piano (NL) | London | #170 | |||
| 76506; 1906; Transcribed; | |||||
| Pathe; 252; 253 | |||||
| IRCC 3146 | 10″ | Trovatore, Il (Antonio Garcia Gutierrez; Salvatore Cammarano; Leone Emanuele; Giuseppe Verdi): Home to our mountains - ("Ai nostri monti") | |||
| Davies, Ben - tenor; Lunn, Louise Kirkby - contralto; Piano (NL) | London | #170 | |||
| 76505; 1906; Transcribed; | |||||
| Pathe; 251; 252 | |||||
| IRCC 3147 | 12″ | Ave Maria (Johann Sebastian Bach, BWV 846; Charles Gounod) | |||
| Fitziu, Anna - soprano; Harp and organ (NL) | New York | #171 | |||
| 82001; 1916; Transcribed; | |||||
| Pathé disc: 82001 | |||||
| IRCC 3147 | 12″ | Goyescas (Granados): La maya y el Ruisenor | |||
| Fitziu, Anna - soprano; Orchestra | New York | #171 | |||
| 82001; 1916; Transcribed; | |||||
| Pathé disc: 82001 | |||||
| IRCC 3148 | 10″ | Norma (Felice Romani; Vincenzo Bellini): Ah! troppo tardi t'ho conosciuta | |||
| de Negri, Giovanni Battista - tenor; Piano (NL) | Milan | #171 | |||
| X-1564; Apr-03; Transcribed; | |||||
| Zonofono: X-1564 | |||||
| IRCC 3148 | 10″ | Voto, Il (Umberto Giordano): Ce sta, ce sta nu motto - Canzone di Piedigrotta | |||
| Corradetti, Ferruccio - baritone; Chorus; Orchestra, Vitale - conductor | Milan | #171 | |||
| xPh3966; 22-Jun-09; Transcribed; | |||||
| Fonotipia: X 92625; X 92626 | |||||
| IRCC 3149 | 10″ | Astarté (Louis de Gramont; Xavier Leroux): Voici l’instant des suprèmes adieux - "Les adieux d'Hercule" | |||
| Affre, Augustarello - tenor; Orchestra | Paris | #172 | |||
| P1 1-1; 1910; Transcribed; | |||||
| Pathé A.P.G.A.; P 0001; P 0002 | |||||
| IRCC 3149 | 10″ | Roméo et Juliette (Jules Barbier; Michel Carré; Charles Gounod): Soyez les bienvenus...Allons, jeunes gens | |||
| Melchissèdec, Léon - baritone; Salomon, Paul - piano; Announcer - NL | Paris | #172 | |||
| A-151; 1908/9; Transcribed; | |||||
| A.P.G.A.; 1991 | |||||
| IRCC 3150 | 10″ | Lucrezia Borgia (Victor Hugo; Felice Romani; Gaetano Donizetti): Com' e bello | |||
| de Macchi, Maria - soprano; Piano (NL) | Milan | #172 | |||
| xPh1916; 28-May-06; Transcribed; | |||||
| Fonotipia: X 39832; X 39901; 59135; IRCC B-64.3 | |||||
| IRCC 3150 | 10″ | Poliuto (Salvadore Cammarano; Gaetano Donizetti): De qual soavi lagrime | |||
| de Macchi, Maria - soprano; Piano (NL) | Milan | #172 | |||
| xPh2554; 17-Apr-07; Transcribed; | |||||
| Fonotipia: X 39901; X 39832; X 59136; IRCC B-64.3 | |||||
| IRCC 5000 | 10″ | Taming of the Shrew (William Shakespeare): Why sir, I trust I may have leave to speak + | |||
| Country Girl, A (Willam Wycherly; David Garrick): And you, good gentry, what say you to this? | |||||
| Rehan, Ada - talking; | |||||
| 5016; 1899; Transcribed; New York | #83 | ||||
| Berliner: 5016 | |||||
| IRCC 5000 | 10″ | <Blank side of a double-sided record | |||
| -; -; -; #83 | |||||
| IRCC 5001 | 10″ | Serenamente (Richard Barthélémy) | |||
| de Lucia, Fernando - tenor; Orchestra | Naples | #82 | |||
| 13334b; 21-May-09; | |||||
| H.M.V.: 2-52772; HM 2 | |||||
| IRCC 5001 | 10″ | Sulla bocca amorosa (Richard Barthélémy) - Romanza | |||
| de Lucia, Fernando - tenor; Orchestra | Naples | #82 | |||
| 13331b; 21-May-09; | |||||
| H.M.V.: 2-52698; Victor: 66002; 87048 | |||||
| IRCC 5002 | 10″ | Huguenots, Les (Augustin Eugène Scribe; Émile Deschamps; Giacomo Meyerbeer): A ce mot tout s'anime | |||
| Melba, Nellie - soprano; Metropolitan Opera Orchestra | New York - Metropolitan Opera House | #83 | |||
| Live performance ; 11-Mar-01; Transcribed; | |||||
| Mapelson cylinder: First edition | |||||
| IRCC 5002 | 10″ | <Blank side of a double-sided record | |||
| -; -; -; #83 | |||||
| IRCC 5003 | 10" | Era di maggio (Salvatore di Giacomo; Pasquale Mario Costa) | |||
| de Lucia, Fernando - tenor; Orchestra | Naples | #87 | |||
| 13332b; 21-May-09; | |||||
| H.M.V.: 2-52699; Victor: 66003 | |||||
| IRCC 5003 | 10″ | Ideale, L' (Carmelo Errico; Francesco Paolo Tosti) | |||
| de Lucia, Fernando - tenor; Cottone, Salvatore - piano | Milan | #87 | |||
| 2861b; 30-Nov-02; | |||||
| G&T: 52410; Victor: 5027; 91022 | |||||
| IRCC 5004 | 10″ | Fortunio (G.A. de Caillavet; Robert de Flers; Alfred de Musset; André Messager): J'amais la vielle maison grise | |||
| Muratore, Lucien - tenor; Orchestra | New York | #91 | |||
| E66138; Apr-17; Transcribed; | |||||
| Pathé disc: 0246; 63009 | |||||
| IRCC 5004 | 10″ | Monna Vanna (Maurice Maeterlinck; Henry Février): Elle est à moi - "Air de la main" | |||
| Muratore, Lucien - tenor; Orchestra | New York | #91 | |||
| E66955- 1; Oct-18; Transcribed; | |||||
| Pathé disc: 0485; 54019; HRS1092 | |||||
| IRCC 5005 | 12″ | Erlkönig, Der (Johann Wolfgang von Goethe; Franz Schubert, Op. 1, D.328) | |||
| Lehmann, Lilli - soprano; Lindemann, Fritz - piano | Berlin | #92 | |||
| xxB1477; 20-Jul-06; Transcribed; | |||||
| Odeon: XX 80004 | |||||
| IRCC 5005 | 12″ | <Blank side of a double-sided record | |||
| IRCC 5006 | 10" | <Not found | NL | ||
| IRCC 5007 | 10″ | Walküre, Die (Richard Wagner): Plus d'hiver, déjà le printemps commence (Winterstürme wichen dem Wonnemond) | |||
| van Dijck, Ernest - tenor; Piano (NL) | Paris | #92 | |||
| xPh 536; 1905; Transcribed; | |||||
| Fonotipia: X 39098; X 39113 | |||||
| IRCC 5007 | 10″ | Werther (Édouard Blau; Paul Milliet; Georges Hartmann; Jules Massenet): Pourquoi, me réveiller - "Lied d'Ossian" | |||
| van Dijck, Ernest - tenor; Piano (NL) | Paris | #92 | |||
| xPh 537; 1905; Transcribed; | |||||
| Fonotipia: X 39113; X 39098 | |||||
| IRCC 5008 | 10″ | Faust (Johann Wolfgang von Goethe; Jules Barbier; Michel Carré; Charles Gounod): Le parlate d'amor | |||
| Mantelli, Eugenia - mezzo-soprano; Orchestra | New York | #93 | |||
| 6495; 1903/04; Transcribed; | |||||
| Zon-o-phone: 12617 | |||||
| IRCC 5008 | 10″ | Gioconda, La (Victor Hugo; Arrigo Boito; Amilcare Ponchielli): Voce di donna | |||
| Mantelli, Eugenia - mezzo-soprano; Piano (NL) | New York | #93 | |||
| 5922; 1903/04; Transcribed; | |||||
| Zon-o-phone: 12586 | |||||
| IRCC 5009 | 10″ | Carmen (Henri Meilhac; Ludovic Halevy; Georges Bizet): Allons, que j'essaie a mon tour... En vain pour eviter - "Card scene" | |||
| Bressler-Gianoli, Clotilde - contralto; Piano (NL) | Brussels | #94 | |||
| xF661; Jul-07; Transcribed; | |||||
| Odeon: X 36688; IRCC3107 | |||||
| IRCC 5009 | 10″ | Carmen (Henri Meilhac; Ludovic Halevy; Georges Bizet): Les tringles des sistres - "Chanson Bohême" | |||
| Bressler-Gianoli, Clotilde - contralto; Piano (NL) | Brussels | #94 | |||
| xF657; Jul-07; Transcribed; | |||||
| Odeon: X 36708; IRCC3107 | |||||
| IRCC 5010 | 12″ | Merchant of Venice (William Shakespeare) - Trial scene - Part 1 | |||
| Allen, Viola - talking; Skinner, Otis - talking; Cast: Herbert Ranson, Arthur Pierson, Warner Anderson and John French | |||||
| IRCC recording; 11-May-40; This record was reissued and the later pressings are not autographed; | New York | #95 | |||
| IRCC; First edition; Autographed by Allen | |||||
| IRCC 5010 | 12″ | Merchant of Venice (William Shakespeare) - Trial scene - Part 2 | |||
| Allen, Viola - talking; Skinner, Otis - talking; Cast: Herbert Ranson, Arthur Pierson, Warner Anderson and John French | |||||
| IRCC recording; 11-May-40; This record was reissued and the later pressings are not autographed; | New York | #95 | |||
| IRCC; First edition; Autographed by Skinner | |||||
| IRCC 5011 | 10″ | Favorite, La (Alphonse Royer; Gustave Waez; Baculard Darnaud; Gaetano Donizetti): O mon Fernand | |||
| Litvinne, Félia - soprano; Orchestra | Paris | #96 | |||
| xP 5023; 1910; Transcribed to Bs-051197-1; | |||||
| Odeon: X 56220; R 035; Phrynis: S.1038-2 | |||||
| IRCC 5011 | 10″ | Samson et Dalila (Ferdinand Lemaire; Camille Saint-Saëns, Op. 47): Mon coeur s'ouvre à ta voix | |||
| Litvinne, Félia - soprano; Orchestra | Paris | #96 | |||
| xP 5022; 1910; Transcribed to Bs-051196-1; | |||||
| Odeon: X 56219; R 035 | |||||
| IRCC 5012 | 10″ | Wiegenlied - Schlafe, mein Prinzchen (Bernhard Flies; Attributed to Wolfgang Amadeus Mozart, K.350) - "Cradle song" | |||
| Destinn, Emmy - soprano; Orchestra, Walter B. Rogers - conductor | Camden | #97 | |||
| B -17461- 2; 21-Apr-16; | |||||
| Victor: 87246 | |||||
| IRCC 5012 | 10″ | Wiegenlied - Schlafe, schlafe, holder, susser knabe (Franz Schubert, Op. 98, No. 2) | |||
| Destinn, Emmy - soprano; Orchestra, Walter B. Rogers - conductor | Camden | #97 | |||
| B -15585- 1; 13-Jan-15; | |||||
| Victor: 87214; H.M.V.: 7-43011 | |||||
| IRCC 5013 | 12″ | Down deep within the cellar (Ludwig Fischer; John Oxenford) | |||
| Why, Foster - bass; Why, Greta - piano | #100 | ||||
| IRCC recording; 1940; Autographed; | |||||
| IRCC; First edition | |||||
| IRCC 5013 | 12″ | Son and Stranger (Henry Fothergill Chorley; Felix Mendelssohn): I'm a roamer bold | |||
| Why, Foster - bass; Why, Greta - piano | #100 | ||||
| IRCC recording; 1940; | |||||
| IRCC; First edition | |||||
| IRCC 5014 | 10″ | Twelfth Night (William Shakespeare): Excerpt - Act 2, Scene 2 | |||
| Allen, Viola - talking; Anderson, Warner - talking | New York | #101 | |||
| QB-249- 2; Dec-40; Autographed; | |||||
| IRCC; First edition | |||||
| IRCC 5014 | 10″ | Winter's Tale (William Shakespeare): Act 3, scene 2 - The trial of Queen Hermione | |||
| Allen, Viola - talking | New York | #101 | |||
| QB-250- 2; Dec-40; Transcribed; | |||||
| IRCC; First edition | |||||
| IRCC 5015 | 12″ | Caïd, Le (Thomas Marie François Sauvage; Ambroise Thomas): Enfin chéri - "Air du tambour Major" | |||
| Why, Foster - bass; Why, Greta - piano | #101 | ||||
| IRCC recording; 1940; Autographed; | |||||
| IRCC; First edition | |||||
| IRCC 5015 | 12″ | <Blank side of a double-sided record | |||
| IRCC 5016 | 12″ | Bouffons, Les (Miquel Zamacois): Le souffle qui remeu | |||
| Bernhardt, Sarah - talking | London | #104 | |||
| 4M-35011; Aug-10; Transcribed; | |||||
| Edison cylinder: A 35011 | |||||
| IRCC 5016 | 12″ | Phèdre (Jean Racine): Qui, Prince, je languis, je brûle pour Thésée | |||
| Bernhardt, Sarah - talking | London | #104 | |||
| 4M-35008; Jul-10; Transcribed; | |||||
| Edison cylinder: A 35008 | |||||
| IRCC 5017 | 12″ | I don't care (Jean Lenox; Harry O. Sutton) | |||
| Tanguay, Eva - vocal; Orchestra | Los Angeles | #138 | |||
| 3002; 29-May-22; Transcribed; | |||||
| Nordskog: 3002 | |||||
| IRCC 5017 | 12″ | Rastus, take me back (Hattie Starr) | |||
| Dressler, Marie - vocal; Orchestra | New York | #138 | |||
| 4M-401; Dec-09; Transcribed; | |||||
| Edison cylinder: BA 2001 | |||||
| INTERNATIONAL RECORD COLLECTORS' CLUB - LONG-PLAYING RECORDS | |||||
| IRCC 7000 | 12"LP | Marjorie Schloss in Concert - A Lieder Recital | |||
| Schloss, Marjorie - soprano; Brice, Jonathan - piano | |||||
| IRCC 7001 | 10"LP | Geraldine Farrar - Comments on the Career and Recordings of her teacher Lilli Lehman | |||
| Farrar, Geraldine - soprano | |||||
| IRCC 7002 | 7"LP | French Operatic Arias Sung by their Creators | |||
| Calvé, Emma - soprano; Fugere, Lucien - baritone; Muratore, Lucien - tenor; Rousseliere, Charles - tenor | |||||
| IRCC 7003 | 7"LP | Song Recital by Sigrid Onegin | |||
| Onegin, Sigrid - contralto | |||||
| IRCC 7004 | LP | Echoes of the Golden Age of Opera - Series #2 | |||
| Mapleson cylinders; 1901-03; New York, Metropolitan Opera House | |||||
| IRCC 7005 | 7"LP | Famous Tenors | |||
| Clément, Edmond - tenor; Mojica, José - tenor | |||||
| IRCC 7006 | 10"LP | Echoes of the Golden Age of Opera - Series #1 | |||
| Mapleson cylinders; 1901-03; New York, Metropolitan Opera House | |||||
| IRCC 7007 | 7"LP | Operatic Recital by Eugenia Mantelli | |||
| Mantelli, Eugenia - mezzo-soprano | |||||
| IRCC 7008 | 7"LP | Vocal Recital by Claudia Muzio | |||
| Muzio, Claudia - soprano | |||||
| IRCC 7009 | 10"LP | Marguerite Namara - Songs and Arias | |||
| Namara, Marguerite - soprano and piano | |||||
| IRCC 7010 | 10"LP | Geraldine Farrar - Commemorating the fiftieth anniversary of her Metropolitan Opera debut | |||
| Farrar, Geraldine - soprano; Jörn, Karl - tenor | |||||
| IRCC 7011 | 10"LP | Souvenirs of Opera - 1st Series | |||
| Ten artists | |||||
| IRCC 7012 | 10"LP | Souvenirs of Opera - 2nd Series | |||
| Nine artists | |||||
| IRCC 7013 | 10"LP | Souvenirs of Opera - 3rd Series | |||
| Eight artists | |||||
| IRCC 7014 | 12"LP | Souvenirs of Opera - 4th Series | |||
| Various | |||||
| IRCC 7015 | 12"LP | Souvenirs of Opera - 5th Series | |||
| Various | |||||
| IRCC 7016 | 12"LP | Souvenirs of Opera - 6th Series | |||
| Various | |||||
| IRCC 7017 | 12"LP | Bouquet for Lucrezia Bori, A | |||
| Bori, Lucrezia - soprano | |||||
| IRCC 7018 | 12"LP | Rose Pauly - "Gems from Her Richard Strauss Repertoire" | |||
| Pauly, Rose - soprano | |||||
| IRCC 7019 | 12"LP | Martial Singher - Gems From His Operatic Repertoire | |||
| Singher, Martial - baritone; MacWatters, Virginia - soprano; Sayão, Balduína "Bidú" de Oliveira - soprano | |||||
| IRCC 7020 | 12"LP | Bidú Sayão and Giuseppe Danise | |||
| Sayão, Balduína "Bidú" de Oliveira - soprano; Danise, Giuseppe - baritone | |||||
| IRCC 7021 | 12"LP | Geraldine Farrar - Gems from her Repertoire | |||
| Farrar, Geraldine - soprano; Telva, Marion - contralto | |||||
| IRCC 7022 | 12"LP | Florence Easton - Gems from her Repertoire | |||
| Easton, Florence - soprano; Chamlee, Mario - tenor | |||||
| IRCC 7023 | 12"LP | Souvenirs of Opera and Song - 7th Series | |||
| Various | |||||
| IRCC 7024 | 12"LP | Mario Chamlee | |||
| Chamlee, Mario - tenor | |||||
| IRCC 7025 | 12"LP | Souvenirs of Opera and Song - 8th Series | |||
| Various | |||||
| IRCC 7026 | 12"LP | Souvenirs of Opera and Song - 9th Series | |||
| Various | |||||
| IRCC 7027 | 12"LP | Dusolina Giannini - Gems from her Repertoire | |||
| Giannini, Dusolina - soprano | |||||
| IRCC 7028 | 12"LP | Souvenirs of the Cylinder Era - 10th Series | |||
| Sixteen performers | |||||
| IRCC 7029 | 12"LP | Souvenirs of Opera and Song - 11th Series | |||
| Various | |||||
| IRCC 7030 | 12"LP | Souvenirs of French Opera - 12th Series | |||
| Various | |||||
| IRCC 7031 | 12"LP | American Singers - Volume 2 | |||
| Various | |||||
| IRCC 7032 | 12"LP | Best of Mapelson, The | |||
| Various; 1901-03 | |||||
| IRCC 7033 | 12"LP | Memories of Geraldine Farrar 1882 -1967 - Records and broadcast recordings | |||
| Farrar, Geraldine - soprano | |||||
| IRCC 7034 | 12"LP | American Singers - Volume 2 | |||
| Ten artists | |||||
| IRCC 7035 | LP | ||||
| Various | |||||
| IRCC 7036 | LP | ||||
| Various | |||||
| IRCC 7037 | 12"LP | Bouquet for Marcella Sembrich, A | |||
| Sembrich, Marcella - soprano; Includes ifteeen unpublished recordings | |||||
| IRCC 7038 | 12"LP | Souvenirs from Meyerbeer Operas - Vol. 2 | |||
| Eleven artists | |||||